It's the penultimate day of the 61st BFI London Film Festival, and tonight's gala will see Lynne Ramsay and Joaquin Phoenix walking the red carpet in Leicester Square. There will also be a flurry of celebrities attending tonights awards ceremony, hosted by James Nesbitt, at which Paul Greengrass will receive the prestigious BFI Fellowship. I'll list the winners, as well as my own best of the fest, tomorrow. Here are more highlights...
You Were Never Really Here
dir-scr Lynne Ramsay; with Joaquin Phoenix, Judith Roberts 17/UK *****
This singular thriller by Lynne Ramsay is like a slap across the face, a fresh approach to the genre. It's also unapologetically an arthouse film, demanding a lot from the audience as it presents a swirl of imagery and sound that says a lot about the central character without being obvious about it. Anchored by a burly-bear performance from Joaquin Phoenix, it's definitely not an easy film, but it isn't easy to shake.
Let the Sun Shine in [Un Beau Soleil Intérieur]
dir Claire Denis; with Juliette Binoche, Xavier Beauvois 17/Fr ****
An exploration of the yearning to find that elusive one true love, this astutely observed film is funny, charming, beautiful and sad. But it's never remotely sentimental, thanks to filmmaker Claire Denis' razor-sharp approach. It's also elevated by a sharply honest performance from Juliette Binoche as a woman seeking the love of her life.
Nico, 1988
dir-scr Susanna Nicchiarelli; with Trine Dyrholm, John Gordon Sinclair 17/It ****
This biopic about the final years of the iconic German-born musician-actress strikes an intriguing tone, diving into firsthand accounts of people who worked with her. It feels remarkably personal, with a bold, gritty edge that echoes the intensity of both Nico's singing and Trine Dyrholm's thunderous performance. Some elements feel a little undercooked, leaving the audience perhaps misled about details. But it's an involving film packed with rivulets of emotion... FULL REVIEW >
This Is Our Land [Chez Nous]
dir Lucas Belvaux; with Emilie Dequenne, Andre Dussollier 17/Fr ***.
With an earthy sense of authenticity, this drama takes a controversial approach to French politics. There's an urgency to the premise that shifts this from a gently pointed drama into something rather darker and scarier. All of which makes it perhaps a little muddled, but the film highlights the insidious idea that both politicians and bigots are happy to change strategies if they have a chance of winning, but they'll never change their goals.
Strangled [A Martfüi Rém]
dir-scr Arpad Sopsits; with Karoly Hajduk, Gabor Jaszberenyi 16/Hun ***
Based on a true story, this dark, stylish thriller builds dramatic suspense as it chronicles a serial killer in a small Hungarian town. Revealing the cold-blooded murderer from the start, the film sometimes feels a bit draggy as we wait for the cops to connect the dots, but it's packed with terrific characters who are conflicted and relatable.
The Nile Hilton Incident
dir-scr Tarik Saleh; with Fares Fares, Mari Malek 17/Swe ***.
This Cairo-set police thriller is perhaps too elusive to properly grip the audience, but it's a striking portrait of a culture that seems to ignore every rule of law. Shot in an offbeat style, the story's most momentous moments are shot in an almost throwaway style, which makes it an intriguing challenge to know who or what is important. This also provides some nasty gut-punches along the way to the requisite shocking finale.
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