Since I travelled mid-week, my film viewing over the past few days was somewhat limited (I've already seen everything worth watching on the plane!). But before leaving Los Angeles, I caught an awards-season screening of Paul Thomas Anderson's Phantom Thread, starring Daniel Day-Lewis as a 1950s London dressmaker. It's tricky, twisty and utterly mesmerising. And James Franco's The Disaster Artist is a hugely entertaining look at the making of a terrible movie, which turns into an ode to the importance of following your dreams. The all-star cast is excellent, and a lot of fun.
I also saw the family adventure Kepler's Dream, a rather simplistic TV-style movie that will appeal to undemanding audiences. It's boosted by the presence of Holland Taylor and Sean Patrick Flanery. And then there was the chance to revisit the 1969 Western Tell Them Willie Boy is Here, starring a surprisingly feisty Robert Redford. It's a complex ahead-of-its-time drama set in California's Native American community - riveting, emotional, challenging.
Coming up this week: the Cannes winner The Square, the Hungarian drama Jupiter's Moon, Rupert Graves in Native and the British drama Beast. There are also a number of for-your-consideration awards screenings coming up.
No comments:
Post a Comment