Critical Week: Under siege

I'm now 90 days into lockdown and, while things aren't great in the UK the rules are beginning to relax a bit. In between watching movies at home (and quite a few TV episodes), I have been getting out into the streets most days. This week the traffic and crowds seem back to normal levels for the first time, even though many shops remain closed. And while the film industry is getting back into production, the question of opening cinemas is still a big one. Frankly, I can't imagine sitting in a press screening room quite yet!

BEST OUT THIS WEEK:
Dating Amber • The Australian Dream
Days of the Bagnold Summer
The Surrogate • You Don't Nomi
PERHAPS AVOID:
Darkness Falls
The Ascent/Black Ops
FULL REVIEWS >

Bigger movies in my personal screening room this past week included Artemis Fowl, Disney's lavishly produced fantasy adventure with a cast of young newcomers plus Judi Dench (above), Colin Farrell and Josh Gad. It's colourful and far too busy. But it's a gem compared to the epic The Last Days of American Crime, a near-future heist thriller that's simply loud, violent and stupid. Both films will find their audiences.

Smaller fare included the rude, sassy comedy Banana Split, with Hannah Marks and Liana Liberato; the simplistic, cheesy thriller Darkness Falls, starring Shawn Ashmore and Gary Cole; the charming, inventive Irish comedy Dating Amber, with rising star Fionn O'Shea (Normal People); the darkly engaging dramatic horror 1BR; the provocative, thoughtful parenthood drama The Surrogate; and the creative but rather thin surreal British action thriller The Ascent (US title: Black Ops). Foreign options were the breezy, enjoyably pointed Italian comedy Citizens of the World and the lurid Chilean 1970s prison drama The Prince, a remarkable film that won a top award at Venice last year. And finally, from Down Under the doc The Australian Dream explores the experience of football legend Adam Goodes, making pointed and timely observations about systemic bigotry.

Coming up this next week are Spike Lee's Vietnam drama Da 5 Bloods, Pete Davidson in The King of Staten Island, the supernatural thriller Driven, the timely doc On the Record, and the French dramas Joan of Arc and Young Ahmed.