A Year in Shadows: 2021

Featured on 52 covers were the Oscars, Bafta rising star Bukky Bakray and 50 films, in order of appearance: Pieces of a Woman, Blithe Spirit, The White Tiger, Dig, Malcolm & Marie, Judas and the Black Messiah, I Care a Lot, The Mauritanian, The US vs Billie Holiday, Cherry, Minari, Zack Snyder's Justice League, Chaos Walking, Godzilla vs Kong, Wild Mountain Thyme, The Mitchells vs the Machines, Oxygen, Sound of Metal, A Quiet Place Part II, After Love, The Father, In the Heights, F9, No Sudden Move, Black Widow, Space Jan" A New Legacy, The World to Come, Jungle Cruise, The Suicide Squad, Free Guy, Snake Eyes, The Nest, Shang-Chi and the Legend of the Ten Rings, Respect, Everybody's Talking About Jamie, The Green Knight, No Time to Die, The Harder They Fall, The Last Duel, Dune, Last Night in Soho, Spencer, Belfast, Ghostbusters: Afterlife, Encanto, Boxing Day, Being the Ricardos, Spider-Man: No Way Out, The King's Man, The Tragedy of Macbeth.

TRIVIA ALERT!

The most covers: Emily Blunt (three shared) and Tom Holland (one solo, one shared, one as Spider-Man).

On two shared covers: Jamie Dornan, Ralph Fiennes, Vanessa Kirby, Zendaya (one shared, one as the voice of Lola Bunny).

The most crowded: The Suicide Squad (17), Boxing Day (15), Encanto (13).

Solo on one cover: Adarsh Gourav, Anya Taylor-Joy, Audra MacDonald, Daniel Craig, Dev Patel, Henry Golding, Jennifer Hudson, Joanna Scanlon, Jodie Comer, Kristin Stewart, Max Harwood, Melanie Laurent, Riz Ahmed, Rosamund Pike, Ryan Reynolds, Simu Liu.

Sharing one cover: Aja Naomi King, Alan Kim, Aml Ameen, Anthony Hopkins, Anthony Ramos, Ben Affleck, Bukky Bakray, Carey Mulligan, Carrie Coon, Celeste O'Connor, Chris 'Ludacris' Bridges, Daisy Ridley, Dan Stevens, Daniel Kaluuya, Denzel Washington, Djimon Hounsou, Don Cheadle, Dwayne Johnson, Edgar Ramirez, Ezra Miller, Finn Wolfhard, Florence Pugh, Frances McDormand, Gal Gadot, Gemma Arterton, Henry Cavill, Han Ye-ri, Harris Dickinson, Idris Elba, Isla Fisher, Jack Whitehall, Jason Momoa, Javier Bardem, Jesse Plemons, Joel Kinnaman, John Cena, Jodie Foster, John David Washington, Jordana Brewster, Jude Hill, Jude Law, Judi Dench, Kathrine Waterston, LaKeith Stanfield, LeBron James, Leigh-Anne Pinnock, Leslie Mann, Logan Kim, Margot Robbie, Marianne Jean-Baptiste, Mckenna Grace, Melissa Barrera, Michelle Rodriguez, Millicent Simmons, Nathalie Emmanuel, Nicole Kidman, Noah Jupe, Noel Kate Cho, Olivia Colman, Oscar Isaac, Paul Giamatti, Paul Rudd, Ray Fisher, Rebecca Ferguson, Regina King, Rhys Ifans, Robbie Gee, Scarlett Johansson, Sheyi Cole, Shia LaBeouf, Stephen Dillane, Steven Yeun, Tahar Rahim, Timothee Chalamet, Tyrese Gibson, Vin Diesel, Youn Yuh-jung, Zazie Beetz.

Appearing as animated characters they provided the voice for: Abbi Jacobson, Angie Cepeda, Bob Bergen, Carolina Gaitan, Danny McBride, Diane Guerrero, Eric Bauza, Gabriel Iglesias, Jeff Bergman, Jessica Darrow, John Leguizamo, Maria Cecilia Botero, Mauro Castillo, Maya Rudolph, Michael Rianda, Ravi Cabot-Conyers, Rhenzy Feliz, Stephanie Beatriz, Sylvester Stallone, Wilmer Valderrama, Zendaya ... mostly as humans, but also as a duck, rabbits and a manshark.

While many cover films were seen in 2020 and had their releases delayed until 2021, only one unused draft from 2020 was reworked: A Quiet Place Part II.

And there were only two drafts that were never used: Without Remorse in May and The Lost Daughter in December. They were discarded when late-arriving press screenings came through for The Mitchells vs the Machines and Spider-Man: No Way Home, respectively.

The Best of 2021: 41st Shadows Awards

It's been another strange year, with more lockdowns, uncertain film releasing schedules and on-off film festivals. As always, these are my favourites from the movies I actually watched in 2021, regardless of when they were released (some weren't). As in the past two years, I was reluctant to choose this particular film as my best, simply because everyone else seems to be naming it too. But it's the one I haven't been able to get out of my head since I saw it on a big screen in October.

What follows here are my top 10s in the main categories. There is rather a whole lot more ON THE WEBSITE. 

BEST FILM: 

1. 
   The Power of the Dog
2. Benediction
3. Quo Vadis, Aida?
4. Judas and the Black Messiah 
5. Flee
6. Petite Maman 
7. Night of the Kings 
8. Tick, Tick... Boom! 
9. Drive My Car 
10. Dune

DIRECTOR: 

1. 
   Jane Campion - The Power of the Dog
2. Jasmila Zbanic - Quo Vadis, Aida?
3. Celine Sciamma - Petite Maman
4. Terence Davies - Benediction
5. Laura Wandel - Playground
6. Denis Villeneuve - Dune
7. Philippe Lacote - Night of the Kings
8. Shaka King - Judas and the Black Messiah
9. Ryusuke Hamaguchi - Drive My Car
10. Kaouther Ben Hania - The Man Who Sold His Skin

SCREENWRITER:

1. 
   Terence Davies - Benediction
2. Celine Sciamma - Petite Maman
3. Jane Campion - The Power of the Dog
4. Jasmila Zbanic - Quo Vadis, Aida?
5. Asghar Farhadi - A Hero
6. Ryusuke Hamaguchi, Takamasa Oe - Drive My Car
7. Pedro Almodovar - Parallel Mothers
8. Marley Morrison - Sweetheart
9. Ramin Bahrani - The White Tiger
10. Sian Heder - Coda

ACTRESS: 

1. 
   Penelope Cruz - Parallel Mothers
2. Jasna Djuricic - Quo Vadis, Aida?
3. Olivia Colman - The Lost Daughter, Mothering Sunday
4. Cate Blanchett - Nightmare Alley, Don't Look Up
5. Nell Barlow - Sweetheart
6. Maya Vanderbeque - Playground
7. Jennifer Hudson - Respect, Monster
8. Tilda Swinton - Memoria, The French Dispatch, The Souvenir: Part II
9. Julia Vysotskaya - Dear Comrades
10. Renate Reinsve - The Worst Person in the World

ACTOR:

1. 
   Andrew Garfield - Tick Tick... Boom, The Eyes of Tammy Faye, Mainstream, Spider-Man: No Way Home
2. Benedict Cumberbatch - The Power of the Dog, The Courier, The Electrical Life of Louis Wain, Spider-Man: No Way Home
3. LaKeith Stanfield - Judas and the Black Messiah, The Harder They Fall
4. Jack Lowden - Benediction
5. Kone Bakary - Night of the Kings
6. Javier Bardem - The Good Boss, Being the Ricardos, Dune
7. Dev Patel - The Green Knight
8. Franz Rogowski - Great Freedom, Undine
9. Woody Norman - C'mon C'mon
10. Adarsh Gourav - The White Tiger

SUPPORTING ACTRESS: 

1. 
   Jessie Buckley - The Lost Daughter, The Courier
2. Rita Moreno - West Side Story
3. Dianne Wiest - I Care a Lot
4. Ariana DeBose - West Side Story
5. Dominique Fishback - Judas and the Black Messiah
6. Milena Smit - Parallel Mothers
7. Millicent Simmonds - A Quiet Place Part II
8. Jo Hartley - Sweetheart
9. Ruth Negga - Passing
10. Emma Thompson - Cruella

SUPPORTING ACTOR: 

1. 
   Daniel Kaluuya - Judas and the Black Messiah
2. Kodi Smit-McPhee - The Power of the Dog
3. Ray Liotta - The Many Saints of Newark
4. Andre Holland - Passing
5. Anders Danielsen Lie - The Worst Person in the World
6. Theodore Pellerin - Underground
7. Noah Jupe - A Quiet Place Part II, No Sudden Move
8. Rajkummar Rao - The White Tiger
9. Sope Dirisu - Mothering Sunday, Silent Night
10. Richard E Grant - Everybody's Talking About Jamie

WORST FILM: 

1. 
   Space Jam: A New Legacy 
2. The Reckoning 
3. Joe Bell 
4. Tom and Jerry 
5. Red Notice
6. The Birthday Cake 
7. Hide and Seek 
8. Those Who Wish Me Dead
9. Voyagers 
10. Cry Macho 

N O N - F I L M   D I V I S I O N

TV SERIES: 

1. 
   It's a Sin (BBC)
2. The Underground Railroad (Prime)
3. Ted Lasso (Apple)
4. Mare of Easttown (HBO)
5. Brand New Cherry Flavor (Netflix)
6. Call My Agent (Netflix)
7. The White Lotus (HBO)
8. Shameless (Showtime)
9. Succession (HBO)
10. Young Rock (NBC)

SINGLES: 

1. 
   Montero (Call Me By Your Name) - Lil Nas X
2. Caroline - Arlo Parks
3. Energy - Pa Salieu & Mahalia
4. Love Is Back - Celeste
5. Todo de Ti - Rauw Alejandro
6. 3, 2, 1 - 24kGoldn
7. Don't Be Late - Michael Kiwanuka
8. Waiting on a War - Foo Fighters
9. Apricots - Bicep
10. Overpass Graffiti - Ed Sheeran

Critical Week: On top of the world

Christmas was a quiet one for me, as I tested positive for covid right before the holidays. I had no symptoms beyond a mild sniffly cold (which I probably would have had anyway), but I have had to isolate for a week and wait for a negative test. So I used the time to catch up on a few awards-season movies that I'd missed, including the French animated adventure The Summit of the Gods, a thrilling story about mountaineering with seriously spectacular imagery (find it on Netflix). The drama Mass centres around a conversation about a tragedy between four people, played by the superb Ann Dowd, Jason Isaacs, Martha Plimpton and Reed Birney. It's riveting and powerfully provocative.

BEST OUT THIS WEEK:
Licorice Pizza • Titane
The Tragedy of Macbeth
ALL REVIEWS >

From Germany, the disarming comedy I'm Your Man stars Maren Eggert as a woman living with a robot (Dan Stevens) who has been designed as her perfect man. It's funny and hugely charming. From India, the documentary Writing With Fire follows a group of fierce female journalists who are making a huge impact on their nation. The Last Days of Innocence is a collection of four expertly made short films about that moment when childhood is interrupted by real life. And among the TV series and favourite old films I've been watching, I saw Last Train to Christmas, a fiendishly clever fantasy satire starring Michael Sheen that starts as a goofy comedy and becomes something surprisingly thoughtful.

Coming up this next week, my first in-person screening of the new year will be the action thriller The 355 with Jessica Chastain and Lupita Nyong'o, and I have more awards contenders to catch up with, including the Kosovo drama Hive and Mexico's Prayers for the Stolen.

Critical Week: Shape your reality

HAPPY CHRISTMAS! My special gift today was a positive covid test, despite being triple-jabbed and always wearing a mask, so I'll be isolating through the holidays this year. This won't be much of a change from the past few weeks - but I'll miss being able to meet people in person for a week or so. And I don't have another in-cinema screening until January 5th, so I'll keep watching things at home on screener links. 

This past week, the bigger films I watched included The Matrix Resurrections, a 20-years-later sequel that has some enjoyably brain-bending nonsense in it and a refreshing refusal to take itself seriously. Keanu Reeves and Carrie-Anne Moss are superb, plus the always watchable Yahya Abdul-Mateen II, Jonathan Groff, Neil Patrick Harris, Jessica Henwick and several returnees.  Paul Thomas Anderson's latest is freeform comedy Licorice Pizza, an enjoyably loose slice of 1970s nostalgia starring Cooper Hoffman (son of Philip Seymour) and Alana Haim (of the pop group). Plus starry scene-stealers like Bradley Cooper and Sean Penn.

BEST OUT THIS WEEK:
Parallel Mothers • Sing 2
The Matrix Resurrections
ALL REVIEWS >

Smaller movies included the unsettling, atmospheric British horror Amulet, actor Romola Garai's writing-directing feature debut. The Worst Person in the World is a wonderfully complex drama from Norway following a young woman (the superb Renate Reinsve) over four years as she tries to find herself. From Austria, Great Freedom is a stunning prison drama that traces the lingering legacy of a cruel Nazi law outlawing homosexuality. And the autobiobraphical odyssey HipBeat is a bit preachy but makes some nice observations along the way.

I also caught up with a couple of movies for fun. The hugely entertaining doc Rita Moreno: Just a Girl Who Decided to Go for It traces the astonishing career and personal life of the iconic actress who's still going strong at 90. And the Christmas comedy Single All the Way is an enjoyably silly holiday romance with an above average cast including Michael Urie, Kathy Najimy and Jennifer Coolidge.

And this coming week, as I am in forced isolation, I'll be catching up with a few more awards contenders, including I'm Your Man, The Summit of the Gods, Mandibles and Writing With Fire. And I have a few links to watch as well for films coming out soon, including the thriller Borrego and the shorts collection The Last Days of Innocence.

Screen: December TV Roundup

There's been a lot on television to distract me from work over the past few months, and as always I particularly enjoy mindless fun to reset my brain in between serious movies. Obviously, I can't watch everything, and I do tend to avoid gritty police/hospital dramas in lieu of shows that keep me smiling. Although occasionally I like to be challenged on the small screen, I usually leave that for the big one...

Only Murders in the Building
Smart and witty, this comedy-mystery series reteams dynamic duo Steve Martin and Martin Short, plus Selena Gomez, as murder podcast obsessed neighbours who team up for some amateur sleuthing when someone is killed in their apartment block. While the pacing is quaint and silly, there are deranged twists galore. Martin and Gomez play their characters with a straight face, leaving Short to expertly steal every scene. While starry guests (Nathan Lane, Jane Lynch, Amy Ryan, Sting) provide plenty of pizzazz as the mystery unfolds. And the final moments are either a massive cliffhanger or a teaser for the second season. (Hulu)

Nine Perfect Strangers

Timing wasn't kind to this series, which came out too close to The White Lotus, a more astute, grounded drama set in a resort. But this show is worth a look, with its adept cast including Nicole Kidman, Melissa McCarthy, Michael Shannon, Manny Jacinto. It's set at a wellness retreat with guests who have been mysteriously curated by the owner (Kidman), who experiments with microdosing acid to push psychological buttons. It's slightly over-constructed, which makes things far less surprising than they should be, but the general nuttiness of the story holds the interest, as the actors bring offbeat layers to each character. (Prime)

Acapulco

Drawing on the nostalgic comedy traditions of shows like The Wonder Years or Young Rock, this lively comedy-drama features Eugenio Derbez reminiscing about his time as a chirpy teen (Enrique Arrizon) working in a fancy resort in the Mexican seaside town. Each of his adventures has a little moral message, which feels a bit pushy, as does the way the script somewhat simplistically depicts rich people exploiting locals who in turn are conning them. But the show's flamingo-coloured approach is thoroughly charming, and the cast is fresh and likeable, hinting at all kinds of secrets and revelations that are still to come. The bilingual approach is also superb. (Apple)

The Big Leap

A lively drama set around a dance-based reality show, this series features terrific characters in a tangled mess of over-egged soap-style storylines as a group of wannabe dancers try to stage a new production of Swan Lake. It's concocted and safe, including the romances, dark dramas and sassy challenges involving both the dancers and the crew members. But the actors are solid, anchored by Scott Foley as the semi-ruthless show-runner. Each of the interlinked plot threads is deeply silly, the kind of mindless nonsense that's perfect for escapist television, which the script knowingly acknowledges. And the dancing is strikingly good, especially Raymond Cham Jr's spinning, popping Justin. (Fox) 

Invasion

Yet another series that kicks off with a bunch of random, disconnected scenes, characters who mean nothing to the audience and forced suspense based only on the musical score. It looks great, and the excellent international cast manages to draw out some interest in a wide range of people facing a mysterious worldwide alien invasion. But the lazy, indulgent writing and directing make no attempt to pull a viewer in, allowing the story to unfold in out-of-sequence flashbacks that are both repetitive and inadequate. Even the random moments of insight are simplistic. I only barely resisted giving up. Set up for season 2, I doubt I'll return for more. (Apple) 

Mr Corman 

An inventive mix of comedy, drama and satire, this show centres on the terrific Joseph Gordon-Levitt as a fifth grade teacher who is feeling squeezed in by his day-to-day life, something very easy to identify with. Gordon-Levitt (who also writes and directs) is so likeable that he makes the title character deeply sympathetic even when he makes terrible decisions. The episodes are hugely uneven, spinning off into unexpected and sometimes indulgent directions that include long sideroads, fantasies and some darkly provocative twists. It's tricky to engage with it as a series, but it maintains a nicely provocative tone. I almost gave up, but stuck with it to the end. (Apple)

B A C K   F O R   M O R E

Ted Lasso: series 2 
Instead of repeating the breezy comedy of the first season, Jason Sudeikis goes deeper with his now-iconic American football coach in London, pushing him with a team psychologist (Sarah Niles), unexpected conflicts and corporate issues, plus the slow transformation of his protege (the brilliant Nick Mohammed) into a supervillain. And in most of these areas, his down-home aphorisms don't quite have the intended effect. This season has featured a few inventively themed episodes, but instead of being gimmicky they've maintained the same open-handed but earthy emotionality that pushes the story and characters further and further. It's a rare show that manages to balance realism and optimism. (Apple)

The Morning Show: series 2 

Going even darker, this drama starts exactly where the first season ended, with everyone in chaos following the revelations of harassment at a big network. Then it cuts to January 2020, as the breakfast TV show's cast and crew are blithely unaware of what sporadic reports about a virus in China might mean. This adds an underlying tension to everything, as do the chaotic US presidential primaries and the increasing melodrama between characters finely played by Reese Witherspoon, Jennifer Aniston and Billy Crudup, with added Steve Coogan who's in hiding with Valeria Golino in Italy. Where it all goes is perhaps a bit too shocking. (Apple)

The Other Two: series 2

It's been two and a half years, but this superbly written and played comedy is finally back for a second season, and this time siblings Brooke and Cary (Helene Yorke and Drew Tarver) find themselves in the shadow of their talkshow host mum (Molly Shannon), in addition to their popstar little brother Chase (Case Walker). The comedy feels a lot broader this time around, which makes it sillier and perhaps less endearing. But the central theme is still strong, playing on how frustrating it can be to watch seemingly untalented people succeed while you struggle. And once again, the pop culture gags are continual and skilfully right on the nose. (HBO)

Love Life: series 2

William Jackson Harper takes over the central role as this gently comical drama returns to follow another person's romantic rollercoaster journey. Opening with some bad decision-making that quickly leads to a divorce, Harper's Marcus is a likeable guy who struggles to get his life back on track. This includes some painfully awkward encounters, stressing out his friends and family and launching himself into a series of relationships. All of this happens while he's circling around the hugely likeable Mia (Jessica Williams), who is clearly too good for him, but we can't help but hope they work out their messiness. Harper is particularly terrific in a demanding role. (HBO)

Succession: series 3

Continuing without taking a breath from the last episode, this intense media family drama never gives the audience break from these intense people who circle around each other like sharks. Patriarch Logan (Brian Cox) is now in all-out war with his son Kendall (Jeremy Strong), with siblings Roman and Shiv (Kieran Culkin and Sarah Snook) vying for control and everyone else trying to cling to what little influence they may have. It's absolutely brutal, and riveting, to watch this family so aggressively engage in vicious power games. And the complexity of the roles gives each actor a lot to chew on along the way. Once again, the ending is a stunner. (HBO)

Sex Education: series 3 

This show continues to broaden its scope by bringing more characters into the focal zone, and it works because all of them are fierce, strikingly well written and played individuals. The spiralling relationships between family, friends and lovers are thoroughly entertaining, even if the careful plotting makes it fairly clear where things are heading. And the sparky cast, led by Asa Butterfield and Gillian Anderson, is hugely engaging. With added Lola Kirke as the villainous new headmistress of the season. Even she is given a bit of perhaps uncharacteristic shading under her relentless nastiness. (Netflix)

What We Do in the Shadows: series 3 

Things continue to ramp up in this season, as this household of four clueless vampires take the place of the council that was taken out by their vampire-hunting familiar Guillermo (Harvey Guillem), who continues to take care of them without them noticing. This adds a whole new angle to their relentless obliviousness, and each episode mines ridiculous situations for genuinely hilarious laughs. But even more important is how the writing and acting make us care about these idiots, especially as the final few episodes of this season change things so drastically. Any future episodes will feel very different indeed. (FX)

Brooklyn Nine-Nine: series 8

I was very late to this show, catching up with the first seven seasons during lockdown, and I enjoyed these final 10 shows as they appeared two per week. This is the kind of comedy I love, with nutty character-based humour that simply never pauses to let the audience catch their breath. It's silly, sharp and even has some political resonance, and the jagged relationships between these police precinct colleagues add engaging angles to the jokes. A few characters feel a little muted by time, but each of them has the power to surprise us. And the show's anchors Andy Samberg, Andre Braugher and Terry Crews are fabulous. (CBS)

GUILTY PLEASURES: The Great British Bake-Off (C4), Strictly Come Dancing (BBC), RuPaul's Drag Race UK (BBC), We're Here (WoW), I Like the Way U Move (BBC).

I GAVE UP: Foundation (Apple) was just too dense and choppy for me.

NOW WATCHING: Hawkeye, Landscapers, The Great (2), The Witcher (2), Star Trek: Discovery (4), The Conners (4), And Just Like That (7), Dexter: New Blood (9).

COMING SOON: The Woman in the House Across the Street From the Girl in the Window, The Book of Boba Fett, Pam & Tommy, Euphoria (2), Killing Eve (4).

Stage: Happy vibes when we need them most

Omid Djalili: The Good Times Tour
UK tour 2.Jul.21-26.Nov.22

With rumblings that Britain is heading back into lockdown, it felt almost rebellious to attend a live stand-up concert with an audience of some 2,000 people, even if we were all jabbed, masked and tested. Actor-comic Omid Djalili is six months into this major tour, back home in West London with some tailor-made jokes at the ready. His relaxed stage style instantly puts the audience at ease, poking fun at the things on our minds at the moment. The pandemic is a major topic of conversation, as are the scandals and corruption that are rife within Boris Johnson's government. But Djalili isn't a particularly edgy comic: he's more like a naughty schoolboy, saying things he knows will get him in trouble, then doing a little dance for joy before moving to something even more transgressive.

This approach simply puts a big stupid grin on the faces of everyone in the audience, laughing at gags that perhaps aren't that funny but touch just the right nerve. And the way he interacts with the crowd makes it seem like he isn't working at all - he's simply spending some time trying to make us giggle, willing to tell an appalling dad joke, to do some goofy physical slapstick or put on a wide range of accents, knowing that this might be borderline offensive. Then he hits us with a timely, pointed zinger that reminds us how carefully put together the show actually is. In other words, he's a consummate entertainer, hilariously reminding us of his roles in big movies over the years while demonstrating hints of vulnerability. He may be a middle-aged man now, but he's also just a kid who wants us to like him. And the best way for him to know that we do is to make us laugh. And laugh. And it works beautifully.

Hammersmith Eventim Apollo • 18.Dec.21

For tickets and information, visit: OMID'S WEBSITE

Critical Week: Suit up

Awards season is cranking up with various bodies chiming in on the best films of 2021. Indeed, the London Critics' Circle announces its nominations tomorrow! As chair, I've had quite a bit of work to do this week to make that happen, so it will be nice to enter the holiday season while the members are considering the nominees for the final round of voting in January. I have a couple of nominees to catch up with myself. In the mean time, there were two big movies screened to critics this past week. The King's Man is Matthew Vaughn's 100-years-earlier prequel to his Kingsman films. A great cast helps make it watchable, but the tone varies wildly between hyperviolent action and serious war thriller. Spider-Man: No Way Home is even more audacious, but manages to stir its chaos into a coherent, entertaining romp through the multiverse with Tom Holland, Benedict Cumberbatch, Zendaya and others. Spoilers abound, so writing that review was tricky.

BEST OUT THIS WEEK:
Swan Song • Cyrano
Spider-Man: No Way Home
Lola and the Sea
ALL REVIEWS >

Even more starry, Don't Look Up is a smart, funny social satire about two astronomers (Jennifer Lawrence and Leonardo DiCaprio) trying to warn a wilfully disbelieving world that the planet is about to be obliterated. Mahershala Ali is terrific in the lightly futuristic Swan Song, an elegant exploration of memory and identity. Comedians come together for A Clusterfunke Christmas, a silly and occasionally hilarious pastiche of TV holiday movies. Berlin Film Festival winner Happening is a very serious French drama about a teen in the 1960s, when abortion is illegal. From Belgium, Lola and the Sea is a thoughtful, observational film about a young trans woman and her deeply bigoted dad. And from Turkey, Not Knowing is a bracing look at the dangers of self-involvement, tapping into a range of big topics.

This coming week, I'll be watching Paul Thomas Anderson's Licorice Pizza, Romola Garai's Amulet, and awards contenders including The Worst Person in the World, Minyan, Great Freedom and Mass.

Critical Week: I feel pretty

This is the final week before my first ballots are due in this year's awards cycle. I vote in three sets of film awards - London Critics, The Dorian Awards, Online Critics - and it can be tricky to make sure I'm voting for the right movie that's eligible for the right award. Even more difficult is seeing movies that are major contenders when the distributors simply refuse to show them to us. And I still have gaps among this year's titles (haven't yet had a chance to see Licorice Pizza or Don't Look Up, for example). 

BEST OUT THIS WEEK:
Lamb • Being the Ricardos
West Side Story • I Am Syd Stone
ALL REVIEWS >

But I did catch up with three big ones this week: Steven Spielberg's dazzling remake of West Side Story is worth catching on the biggest screen possible, with its explosion of fantastic dance choreography, iconic songs and a hugely moving story. Guillermo del Toro's remake of Nightmare Alley has a powerhouse cast (including Bradley Cooper, Cate Blanchett, Toni Collette and Rooney Mara) and is a hyper-stylish mystery noir. And Peter Dinklage has the title role in a musical remake of Cyrano, spectacularly directed by Joe Wright with a strong emotional kick.

Slightly more adventurous films include Todd Stephens' Swan Song, which stars Udo Kier as a retired stylist who rediscovers his fabulous self; the creepy and blackly witty Icelandic drama Lamb, starring Noomi Rapace; the ambitious, provocative and rather scattershot journalism comedy-drama France, starring Lea Seydoux; and the sensitive Swiss-Turkish drama Beyto. I also had Peter Duncan's riotously entertaining filmed pantomime Cinderella and another excellent collection of shorts in The French Boys 2.

Over the next week, I'll continue to catch up with movies big and small, including Tom Holland in Spider-Man: No Way Home, Harris Dickinson in The King's Man, Mahershala Ali in another movie called Swan Song, Tate Donovan in Wild About Harry, the Belgian drama Lola and the Sea, the Turkish drama Not Knowing and the animated adventure Summit of the Gods.

Critical Week: Smiles everybody

Screenings continue to be a mixed bag of current releases and awards contenders. Higher profile films this week include Javier Bardem in the Spanish film The Good Boss, a blackly comical satire about the tension between a boss and his employees. And the true World War II adventure Operation Mincemeat has a first-rate cast featuring Colin Firth, Matthew Macfadyen, Kelly Macdonald, Penelope Wilton, Jason Isaacs and Johnny Flynn.

BEST OUT THIS WEEK:
Flee • C'mon C'mon
The Hand of God
Boxing Day • Final Account
ALL REVIEWS >

The main reason why I saw so few films this week: I spend eight hours watching The Beatles: Get Back, Peter Jackson's hugely engaging documentary made from footage unseen for 50 years. It's essential for fans. Also a bit off the beaten path were the thoughtful and provocative Canadian drama I Am Syd Stone, addressing issues of sexuality in show business; Andrea Arnold's experiential doc Cow, following the life of a farm animal in a way that's riveting; the World War II doc Final Account, interviewing Germans who were children when the Nazis came to power; and the shorts collection The French Boys features five very strong dramas.

Coming up this next week, I will be watching Steven Spielberg's remake of the musical West Side Story, Bradley Cooper in Nightmare Alley, Lea Seydoux in France, the horror thriller Agnes, the drama Famous, the pantomime on film Cinderella and the shorts collection The French Boys 2.

Stage: Double-pricked for Christmas

Pricked: Sleeping Beauty Got Woke
by Tim Benzie, Paul Joseph
dir Tim McArthur
music Aaron Clingham
with Grant Cartwright, Joseph Pollard, Lucy Penrose, Chantelle St Clair, Charlie Wood
Royal Vauxhall Tavern • 25.Nov.21-6.Jan.22

Shut down by the pandemic lockdown just a few days into its run in 2020, the riotously silly Pricked returns to the Royal Vauxall Tavern stage with a few timely story tweaks, swapped-out musical numbers and two new cast members. While LAST YEAR'S PRODUCTION felt fresh and absurdly funny, this year's show has a ramshackle charm that holds the attention based more on the sheer energy of the cast than anything else. And for me it had a whiff of deja vu that made it feel even more topical.

The tale of Sleeping Beauty gives the story its structure, although director Tim McArthur crafts it into a wonderfully deranged pub show that's definitely not for kids. Each scene is a performance, almost like an audition, as the characters introduce themselves and chat to the audience before performing a song or two, drawing on a range of musical theatre numbers and pop tunes. Updates for this year include bracingly current references to politicians and popular culture, plus an inspired, deliberately corny Abba reunion sequence.

It's still the story of Princess Aurora (Cartwright), who has been cursed by Maleffluent (Polland) to fall into a deep sleep on her 18th birthday. But Fairy Merryweather (Penrose) and a passing Prince (St Clair) intervene, plotting to rescue Aurora from Maleffluent and her conflicted sidekick Raven (Wood). None of these characters seem to have a clue what's going on around them, played amusingly by a gender-scrambled cast that continually questions the things written for them to do in the script. This includes getting impatient with the dream sequences and flashbacks that distract them along the way to the glorious holiday-themed wedding finale.

With boundless energy and considerable vocal skill, each performer dives into the wackiness, dropping in barbed asides and a continual stream of throwaway gags alongside the expected smut and innuendo. This means that quite a bit of dialog gets muffled in the mayhem, but the atmosphere is so bawdy and enjoyable that it never matters. And with lighter pandemic restrictions this year, the audience can more properly get involved with call-and-response moments, including lots of cheering, booing and singing along with the cast.

photos by Chris Jepson • 26.Nov.21

Critical Week: Winter is coming

Yes, the weather has taken a turn in London, still sunny but much colder, perfect weather for going to the cinema. And holiday movies are starting to turn up as well. But I also saw a few big movies this past week, including House of Gucci, which stars Lady Gaga and Adam Driver in a soapy story of conniving and murder, and it's all true. It's also hugely entertaining. Nicole Kidman and Javier Bardem play Lucy and Ricky in Being the Ricardos, Aaron Sorkin's smart and pointedly topical drama set around the landmark 1950s sitcom. It's rivetingly well-made, and a lot of nostalgic fun too. 

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There were also two big animated features: Disney's Encanto is a charming, beautifully crafted bit of magic set in Colombia, while Sing 2 carries on the hilarious music-based antics of a group of animals as they take their show to the big time. I saw two British holiday-themed films: Aml Ameen's Boxing Day is a clever blend of traditional London romcom with a sharp depiction of the city's vibrant Caribbean subculture, while Silent Night is a black comedy starring Keira Knightley with a remarkably dark end-of-the-world edge to it. Less enjoyable was the sentimental drama Not to Forget, although its cast features ace Oscar-winning veterans Louis Gossett Jr, Cloris Leachman, Tatum O'Neal and Olympia Dukakis.

This coming week I'll be watching Javier Bardem in The Good Boss, Colin Firth in Operation Mincemeat, Noomi Rapace in Lamb, Stellan Skarsgard in Hope, the coming-of-age drama I Am Syd Stone and the Turkish drama Beyto.