Wednesday, 4 June 2025

SXSW London: Lose yourself

The first SXSW London festival kicked off on Monday night with the world premiere of the Eminem fan doc Stans, and it runs through the week until Saturday with a rather blinding range of music gigs, panel discussions, talks, events and, yes, films. They've packed rather a lot into these six days, using venues scattered across East London, with Shoreditch as the epicentre. I also attended a panel this week, hosted by the Golden Globes, exploring the global nature of storytelling. Participants came from Britain, Turkey and Ukraine, and there was a strong interaction with the audience in attendance, talking about what kinds of stories resonate beyond cultural barriers. I'll also be attending a TV series premiere this week, and several more movies. Here are three film highlights so far...

Stans 
dir-scr Steven Leckart; with Eminem, Dr Dre 25/US ****
Rather than tracing the artist's career or personal life, this documentary explores the interaction between Eminem and his most earnest fans, noting that the term "stan" was coined from his eponymous 2000 hit. This approach makes the film unusually intimate, highlighting how music connects into deeper issues. And because Eminem's music is so soul-baring, it has an unusual resonance that can silence critics who don't quite get it.

Cactus Pears

dir-scr Rohan Parashuram Kanawade; with Bhushaan Manoj, Suraaj Suman 25/Ind ****.
Hushed and observational, this beautifully shot Indian drama focusses on a 30-year-old gay man who has escaped his home culture but is now is forced to make peace with it. Packed with local traditions and interpersonal details, the film is powerfully involving as writer-director Rohan Parashuram Kanawade continually finds unexpected layers of resonance. And in a skilfully low-key way, the film offers a strong sense of hope.

Cielo

dir-scr Alberto Sciamma; with Fernanda Gutierrez Aranda, Fernando Arze Echalar 25/Bol ****
Gorgeously shot in spectacular mountain landscapes populated by lively characters, this Bolivian drama opens with a beautiful but darkly disturbing sequence that opens with a young girl swallowing a fish. With vibrant colours, writer-director Alberto Sciamma infuses this fable with offbeat magical realism, pulling us into an odyssey that is packed with moments that are touching, provocative and wonderfully funny.

Full reviews are coming, and will be linked to Shadows' SXSW LONDON PAGE >

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C R I T I C A L  W E E K

BEST OUT THIS WEEK:
The Life of Chuck 
Dangerous Animals • Mountainhead
ALL REVIEWS >
Alongside the festival, I also watched Ana de Armas in the John Wick spinoff Ballerina. It's slickly well-made and entertaining, but oddly unsurprising. Natalie Portman and John Krasinski make an engaging duo in the comical adventure Fountain of Youth. It's a lot of fun, but there's not much to it. Nick Kroll and Andrew Rannells star in the black comedy I Don't Understand You, which is enjoyable but never quite bridges the gap between silliness and nastiness.

This coming week I'll be watching the live-action(ish) remake of How to Train Your Dragon, Kerry Washington in Shadow Force, Jonathan Groff in A Nice Indian Boy, the reimagined pop musical Juliet & Romeo and the drama Franklin. I'll also attend the premiere of the third season of Squid Game and the dance show Inside Giovanni's Room.


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