Showing posts with label Peter Tatchell. Show all posts
Showing posts with label Peter Tatchell. Show all posts

Saturday, 30 October 2021

Raindance: Get up and go

The 29th Raindance Film Festival heads into its first weekend with a packed programme of independent movies. There's a strong festival vibe at the House of Raindance hub at Charing Cross, with nightly gatherings for filmmakers and press and industry delegates. And the programme of offbeat films always includes some real gems if you look for them. Here are some from the first couple of days, starting with the opening night film...

Best Sellers
dir Lina Roessler; with Michael Caine, Aubrey Plaza 20/Can ***
A snappy comedy centred on a generation gap, this movie is brisk enough to hold the interest, layering bigger ideas under a silly situation. Director Lina Roessler tells the story with a jaunty sensibility that plays on character eccentricities and narrative gimmicks. Little about the plot is unpredictable, but the tension between the characters touches a few nerves. It's also a gentle celebration of the power of literature... FULL REVIEW >

Hating Peter Tatchell
dir-scr Christopher Amos; with Peter Tatchell, Ian McKellen 21/Aus ****
Quick-paced and packed with terrific footage, this documentary traces the life and work of someone who's been called the most disliked man in Britain. Australian-born Peter Tatchell has unapologetically pursued justice on human rights issues, using civil disobedience to protest against wars, oppressive regimes and inequality based on race, gender and sexuality. This is a riveting, intimate, remarkably balanced film that carries a series of urgent kicks... FULL REVIEW >

The Man With the Answers
dir-scr Stelios Kammitsis; with Vasilis Magouliotis, Anton Weil 21/Gr ****
With an understated storytelling style, writer-director Stelios Kammitsis takes the audience on a road trip that meanders engagingly while exploring an unexpected connection between two young men. With its gently loping pace and warm comical touches, film is beautifully shot in lovely locations, sharply capturing the characters' personalities and physicality. And it has a lot to say about the freedom that comes from being honest with yourself and others... FULL REVIEW >

Father of Flies
dir-scr Ben Charles Edwards; with Keaton Tetlow, Page Ruth 21/US ***
Building a queasy sense of unease with disjointed imagery, writer-director Ben Charles Edwards further augments this horror film with cheap filmmaking tricks using music to create jump scares. While the tone is effectively nasty, and there are quite a few superbly chilling moments along the way, the film as a whole feels like a somewhat thin variation on the solid freak-out concept of the wicked stepmother.

Beans
dir Tracey Deer; with Kiawentiio, Rainbow Dickerson 20/Can ****
Recounting an involving story that's set during a 78-day land rights stand-off in 1990 Canada, this involving film skilfully mixes dramatic and documentary elements. Seen through the eyes of an alert child, the story has an earthy resonance that has strong echoes in current conflicts on a range of issues. In addition, writer-director Tracey Deer  infuses the film with autobiographical elements that add insight and unexpected emotions.


Full reviews of festival films will be linked at Shadows' RAINDANCE HOMEPAGE 
For full festival information, visit RAINDANCE FILM FEST 

Thursday, 20 May 2021

Critical Week: In your face

After a very long five-month lockdown, cinemas are once again open in the UK, and distributors are flooding screens with both new films and several that have been previously released online but really should get some big screen love. I'm hoping to revisit some titles over the coming weeks. New films I watched this week include Mainstream, which stars Andrew Garfield as an influencer who takes social media by storm. It's a bold, overreaching film that demands attention. On the big screen with an awesome sound system, I watched John Krasinski's sequel A Quiet Place Part II, once again starring Emily Blunt, Millicent Simmonds and Noah Jupe as a family trying to keep silent around terrifying monsters. It's a nail-biter, packed with thrillingly scary set-pieces.

BEST OUT THIS WEEK:
Hating Peter Tatchell • Nomadland
Ammonite • Minari • Undergods
PERHAPS AVOID:
Those Who Wish Me Dead
Rare Beasts
ALL REVIEWS >
Less effective was the thriller Those Who Wish Me Dead, with Angelina Jolie as a tough guy smokejumper. The plot was even more contrived than that, but the filmmaking is solid. A Hitchcock homage, The Woman in the Window is gloriously well-made, with a terrific cast led by Amy Adams and a plot that barely holds water. Finn Whitehead stars in the loose, relaxed drama Port Authority, as a homeless teen who falls for a trans dancer. Another British-based animated drama from Studio Ghibli, Earwig and the Witch is visually innovative but narratively awkward. From Austria, Why Not You is an involving, very dark drama about a young man struggling in the aftermath of a terrorist attack. And from Australia, Hating Peter Tatchell is a riveting, expertly assembled doc about the groundbreaking London-based activist.

Oddly, press screenings seem to be re-opening very slowly, and I only have one in the diary for this coming week, namely the dark drama Zebra Girl. But I suspect more will come along soon. In the mean time, there are screener links to watch for Zack Snyder's Army of the Dead, Emma Stone in Cruella, the Hollywood romcom Introducing Jodea and the documentary A Space in Time. I also have some theatre and dance performances to attend, so watch for those reviews here.