Critical Week: Pleased to meet you

It's been another eclectic week at the cinema, with a very, very wide range of movies to watch. Sophisticated audience will love the nuances in Materialists, Celine Song's second film, which plays on the romcom formula. It stars Dakota Johnson, Pedro Pascal and Chris Evans. Rather a lot more low-brow, Smurfs features voice work from Rihanna, James Corden, Nick Offerman and John Goodman. It's very silly, and also occasionally funny.

BEST OUT THIS WEEK:
Unicorns • Friendship
ALL REVIEWS >

The sweeping Irish romance Four Letters of Love stars powerhouse actors Helena Bonham Carter, Pierce Brosnan and Gabriel Byrne, but its strongest roles go to the terrific Fionn O'Shea and Anne Skelly. A prickly bromance is at the centre of the provocative black comedy Friendship, starring Tim Robinson and Paul Rudd. Despite its three-hour running time and rather grim title, the German drama Dying is mesmerising, witty and wonderfully thoughtful. The first film in the Oslo Stories Trilogy, Dreams is an astute and involving look at teen longing. And because I'm seeing the sequel this weekend, I finally caught up with the animated action comedy The Bad Guys, which is cool, funny escapism.

This coming week we have Pedro Pascal in The Fantastic Four: First Steps, Liam Neeson in The Naked Gun,  Sam Rockwell in the animated sequel The Bad Guys 2, Fiona Shaw in Park Avenue, the mystery thriller Gazer, Slovenian drama Little Trouble Girls, and the second chapter in the Oslo Stories Trilogy, Love. I'm also looking forward to the 100-year restoration of Eisenstein's iconic Battleship Potemkin, which I've never seen projected. And there's a special 3D premiere of the new trailer for Avatar: Fire and Ash.

The Best of 2023: 43rd Shadows Awards

The year-end ritual is complete, as I compile my lists of the best of the year. This post is merely a preview - there is so much more on the website if you dare! Meanwhile, my voting continues in various awards (Golden Globes, London Critics, Online Critics, Galeca Dorian Awards), bearing only passing resemblance to these lists due to eligibility rules. And I'll add my usual Critical Week note below...

BEST FILM:

1. All of Us Strangers (Andrew Haigh)
2. Past Lives (Celine Song)
3. Joyland (Saim Sadiq)
4. Poor Things (Yorgos Lanthimos)
5. Reality (Tina Satter)
6. Anatomy of a Fall (Justine Triet)
7. The First Slam Dunk (Takehiko Inoue)
8. The Zone of Interest (Jonathan Glazer)
9. Killers of the Flower Moon (Martin Scorsese)
10. Barbie (Greta Gerwig)

DIRECTOR:

1. Celine Song - Past Lives
2. Tina Satter - Reality
3. Andrew Haigh - All of Us Strangers
4. Jonathan Glazer - The Zone of Interest
5. JA Bayona - Society of the Snow

SCREENWRITER:

1. Celine Song - Past Lives
2. Andrew Haigh - All of Us Strangers
3. Saim Sadiq - Joyland
4. Molly Manning Walker - How to Have Sex
5. Greta Gerwig, Noah Baumbach - Barbie

ACTRESS:

1. Sandra Huller - ​​Anatomy of a Fall, The Zone of Interest
2. Emma Stone - Poor Things
3. Sydney Sweeney - Reality
4. Teyana Taylor - A Thousand and One
5. Lily Gladstone - Killers of the Flower Moon

ACTOR:

1. Ali Junejo - Joyland
2. Andrew Scott - All of Us Strangers
3. Cillian Murphy - Oppenheimer
4. Koji Yakusho - Perfect Days
5. Colman Domingo - Rustin, The Color Purple

SUPPORTING ACTRESS:

1. Da'Vine Joy Randolph - The Holdovers, A Little White Lie, Rustin
2. Rosamund Pike - Saltburn
3. Danielle Brooks - The Color Purple
4. Jodie Foster - Nyad
5. Claire Foy - All of Us Strangers

SUPPORTING ACTOR:

1. Paul Mescal - All of Us Strangers, Foe, God's Creatures, Carmen
2. Robert Downey Jr - Oppenheimer
3. Mark Ruffalo - Poor Things
4. Alessandro Borghi - The Eight Mountains
5. Aaron Pierre - Brother, Foe

WORST FILM:

1. Expend4bles (Scott Waugh)
2. Winnie-the-Pooh: Blood and Honey (Rhys Frake-Waterfield)
3. Hunt Club (Elizabeth Blake Thomas)
4. Haunted Mansion (Justin Simien)
5. Assassin Club (Camille Delamarre)

TV SERIES:

1. The Bear (FX)
2. Lessons in Chemistry (Apple)
3. Ted Lasso (Apple)
4. Dave (FX)
5. Succession (HBO)

POP SINGLE:

1. People Pleaser - Cat Burns
2. Flowers - Miley Cyrus
3. Heaven - Niall Horan
4. Padam Padam - Kylie
5. Chemical - Post Malone

C R I T I C A L  W E E K : 
Everything’s new

I've been in catch-up mode, but have limited my viewing, preferring to take a bit of time off for a change. Watching movies is work for me! But I caught up with Wim Wender's wonderful drama Perfect Days, a pointed observation about life through the eyes of a hugely likeable Japanese toilet cleaner. And then there was Franz Rogowski giving another staggering performance in the thoughtful French drama Disco Boy, Ferzan Ozpetek's nostalgic and involving personal drama Nuovo Olimpo, the familiar but effective immigrant romance Norwegian Dream and two very strong docs: Beyond Utopia, a riveting look at a pastor who helps people escape from the North Korea, and 20 Days in Mariupol, a devastating account of Russia's horrific siege on the Ukrainian port city.

This coming week I will continue catching up with films for voting purposes, because there are still a lot of those! New screenings kick off with Jodie Comer in The End We Start From.

Critical Week: Don't even think about it, punk

As many of London's critics decamp to Venice for the next 10 days, I'm kind of wishing I was there again this year, but glad I can relax just a little. Although the month is pretty busy with screenings and theatre press nights. The summer blockbusters are behind us, and now we have the usual oddball mix of autumn movies. A bigger one this week was Denzel Washington's return to his vigilante character in The Equalizer 3, which is well made enough to be watchable, but it's still a celebration of brutality. Much higher brow was the festival favourite Past Lives, a simply gorgeous debut for writer-director Celine Song and one of the best films I've seen all year. Then somewhere in between we had Nandor Fodor and the Talking Mongoose, an entertaining 1930s-set British comedy based on a bonkers true story and starring Simon Pegg and Minnie Driver,

BEST OUT THIS WEEK:
The First Slam Dunk • Passages
Ernest & Celestine: A Trip to Gibberitia
Bobi Wine: The People's President
REVIEWS >

More offbeat fare included Jennifer Reeder's stylised horror Perpetrator, which inventively explores femininity and gender issues with rather a lot of bloodletting. From Japan, The First Slam Dunk is flat-out one of the best films of the year, an animated basketball drama with great characters and thrilling action. From France, another terrific animated adventure in the lively, music-infused sequel Ernest & Celestine: A Trip to Gibberitia. And I also finally caught up with the 1945 British classic romcom I Know Where I'm Going, which was simply heaven to watch on a big screen. There were also lots of FrightFest films.

This coming week I'll be watching the sequel My Big Fat Greek Wedding 3, the Armenian drama Amerikatsi, the British doc A Life on the Farm, and the festival films Big Easy Queens and Summer Qamp.