Critical Week: Smile for the camera

I'm travelling these days, visiting friends and family in Southern California, where I was born. I've certainly been enjoying the sunshine and fish tacos! And of course the Christmas spirit. Work has taken a back seat, with no screenings and refreshingly few deadlines. And I'm working on those pesky year-end best lists. The only film I've watched was revisiting the Knives Out sequel Wake Up Dead Man on Netflix - still one of my favourite movies of the year, this is a smart, funny whodunit with some added insight into compassion and faith. The ensemble is fantastic too, led by the excellent Josh O'Connor and Daniel Craig, plus a fabulous scene-stealing Glenn Close.. 

BEST OUT THIS WEEK:
Is This Thing On? • Cover-up
The Voice of Hind Rajab
ALL REVIEWS >

On the plane flight over here, along with various TV episodes, I finally caught up with the guilty pleasure comedy Nonnas, a silly but warmly enjoyable true story starring Vince Vaughn as a guy opening a restaurant in Staten Island with a group of Italian grandmas as chefs. And Mariska Hargitay's documentary My Mom Jayne, is an intimate and involving exploration of her connection with her mother Jayne Mansfield. I also rewatched Frank Capra's classic It's a Wonderful Life somewhere over Greenland. This film never ages - it's just as entertaining and moving as ever. One of the best movies of all time.

Coming up this next week, I still have a few movies I need to watch for awards voting deadlines, but otherwise it's more likely that I'll see a few more holiday classics with friends and family.

Critical Week: Run for your life

The 69th London Film Festival kicked off last night, so things will be very busy over the next 10 days, with pretty much wall-to-wall screenings, meetings and parties. And already, first two days have been pretty glamorous. George Clooney, Adam Sandler and filmmaker Noah Baumbach turned up to present their new film Jay Kelly. It's a smart, witty and moving look at legacy, relationships and regret. And the opening night film on Wednesday was Rian Johnson's Knives Out whodunit Wake Up Dead Man, attended by the entire starry ensemble (see below). It's a wonderfully entertaining film, funny and spooky, with serious underlying themes too.

BEST OUT THIS WEEK:
A House of Dynamite • Urchin
Roofman • I Swear • Plainclothes
ALL REVIEWS >

And then there was the heart-stopping A House of Dynamite, Kathryn Bigelow's smart, complex multistrand nuclear thriller starring Idris Elba and Rebecca Ferguson. Diego Luna and Jennifer Lopez star in the musical remake of Kiss of the Spider Woman. The tone is a bit uneven, but the film is powerful. Hunter Doohan stars in The Wilderness, an outdoor experience drama that feels a bit overly pointed, but has a strong message. And from France, Souleymane's Story is a vividly honest exploration of the challenges facing a young asylum seeker over two momentous days. I also attended a live performance of Ghost Stories at the Peacock Theatre

Reviews of London Film Festival movies are linked to this page: SHADOWS @ LFF >

Films I'm watching this coming week at London Film Fest include Emma Stone in Bugonia, Bradley Cooper in Is This Thing On, Daniel Day-Lewis in Anemone, Julia Roberts in After the Hunt, Jessie Buckley in Hamnet, Jacob Elordi in Frankenstein, Brendan Fraser in Rental Family, Tessa Thompson in Hedda, Joel Edgerton in Train Dreams, . There's also a live performance of Theatre of Dreams at Sadler's Wells.

View this post on Instagram

A post shared by Rich Jack Cline (@ukcline)

Critical Week: A new friend

These have been busy days with a variety of events and lots of errands before I travel over the coming weeks. But I caught up with two terrific all-audience movies that have been showing up at festivals and will likely feature at awards time. Wallace & Gromit: Vengeance Most Fowl is the loveable Aardman duo's first film in 15 years, and it's a pure joy. It's so much fun, in fact, that I can't imagine how it could be any better if it tried - a barrage of terrific verbal and visual gags, pastiche moments and a superb thriller-style plot. And then there's the Latvian animation Flow, which is a bit rough-looking but also utterly mesmerising as it follows the astonishing adventures of a cat as its world is flooded.

BEST OUT THIS WEEK:
The Last Dance
All We Imagine As Light
ALL REVIEWS >

And then there was this season's big awards movie, Brady Corbet's The Brutalist, a four-hour epic (including an intermission) about an immigrant architect (Adrien Brody) in mid-20th century America. It's riveting and powerfully pointed. Daniel Craig is fully immersed in an unusual role for Luca Guadagnino's Queer, based on the William Burroughs novel about sex and drugs in Latin America. It's a stunning film, if a little enigmatic. And Isabelle Huppert is at her understated best in Hong Sang-soo's loosely observational drama A Traveler's Needs. I also attended the UK premiere performance of the exhilarating Exit Above at Sadler's Wells.

Over the next couple of weeks, I'll be visiting friends and family in Southern California, and I'm sure to see some awards screenings before my ballots are due. There's also the question of what I might watch on the plane! I'll be posting about the movies as I see them...

LFF: The usual suspects

The 66th London Film Festival wrapped up on Sunday night with the European premiere of Glass Onion, the Knives Out sequel. Most of the cast was on-stage to introduce the film and have a post-screening Q&A along with filmmaker Rian Johnson. This was follows by the first LFF closing party I've ever been invited to (thanks, Netflix!) - a huge event themed around the movie. In the end, I saw 40 festival films, which isn't bad at all for not being press accredited. And I have several more screening over the coming weeks. Here's a final list of highlights, plus the award winners and my favourites from the festival...

Glass Onion
dir-scr Rian Johnson; with Daniel Craig, Janelle Monae 22/US ****
After the gleeful chaos of Knives Out, writer-director Rian Johnson returns with another fiendishly well-constructed whodunit for Daniel Craig's lively sleuth Benoit Blanc. This film isn't quite as camp, but it's even funnier as the plot crashes through its crazy twists and turns, subverting the mystery genre itself before giving in to its more enjoyable pleasures: make everyone a suspect before unpeeling a satisfyingly thumping conclusion.

The Inspection
dir-scr Elegance Bratton; with Jeremy Pope, Gabrielle Union 22/US ****.
There's striking artistry in the way filmmaker Elegance Bratton recounts an autobiographical narrative about a Black gay man in US Marines boot camp during the "don't ask, don't tell" years. Never preachy, the film has an earthy, intensely internalised tone that puts its complex characters into a razor-sharp perspective. And its knowing authenticity adds both deep emotion and a textured, vital comment on the nature of bigotry

My Policeman
dir Michael Grandage; with Harry Styles, Emma Corrin 22/UK ***
Because there's such a compelling story at the centre of this British drama, it is packed with strikingly emotional and provocative moments. But the filmmaking is oddly timid, thinning the material in a way that makes it feel soapy. Set in two intriguing periods, the premise raises important issues that deserve attention. So more nuance in the characters and storytelling could have provided an even more potent kick... FULL REVIEW >

Getting It Back: The Story of Cymande
dir Tim MacKenzie-Smith; with Patrick Patterson, Sam Kelly 22/UK ***.
Unsung and hugely influential, the British group Cymande is overdue for a documentary, and this beautifully assembled film is a superb overview. Shot and edited with the same soulful groove the band injected into the music industry, the movie features an entertaining collection of interviews, music and archival film. Director Tim MacKenzie-Smith clearly has a lot of affection for the band. And so do we after watching his film.

A W A R D S

• Best Film: CORSAGE
• Audience Award: BLUE BAG LIFE
• Documentary: ALL THAT BREATHES
• First Feature: 1976
• Immersive: AS MINE EXACTLY
• Short Film: I HAVE NO LEGS AND I MUST RUN
• Audience Award - Short: DROP OUT
• Surprise film: THE MENU

R I C H ’ S   B E S T   O F   F E S T

1. NO BEARS
2. CAUSEWAY
3. DECISION TO LEAVE
4. THE BANSHEES OF INISHERIN
5. LIVING
6. THE INSPECTION
7. ALL THE BEAUTY AND THE BLOODSHED
8. TRIANGLE OF SADNESS
9. BLUE JEAN
   
10. GLASS ONION

As I have time, full reviews of London Film Festival films will be linked to SHADOWS' LFF PAGE >

Critical Week: The holiday's over

The new James Bond movie was already delayed by six months when it became one of the first casualties of the pandemic way back in March 2020. So finally getting to see it was a momentous occasion, with press screenings held alongside the London world premiere (we didn't get the stars, but we had martini-flavoured popcorn). And it was worth the wait, because No Time to Die is a big, beefy, complex finale to Daniel Craig's five 007 films.

BEST OUT THIS WEEK:
Getting Away With Murder(s)
No Time to Die
Freshman Year • The Carnival
ALL REVIEWS >

Other films paled in comparison. Best Sellers is a mildly amusing literary comedy with Michael Caine and Aubrey Plaza. Falling for Figaro is a silly opera comedy with Danielle Macdonald and Joanna Lumley, but there's more going under the surface. And then there was American Night, a lurid Italian made Tarantino-wannabe thriller that has some style but never gels. Much better were two astute docs: David Wilkinson's Getting Away With Murder(s) takes a fresh approach to seeking justice for those who carried out the Holocaust, while Marco Berger provocatively explores masculinity in The Carnival. I also saw a preview screening of a beautifully delicate British drama that I can't say anything about - it's not out until next year.

London Film Festival screenings this week included the bonkers but strongly pointed Berlin winner Bad Luck Banging or Loony Porn, the sharply astute Belgian drama Playground, the stylish British horror Shepherd, and the gorgeously animated Japanese drama Belle.

This coming week, there are still more London Film Festival press screenings ahead of the opening night next Wednesday, including the Palme d'Or winner Titane and the opening night film The Harder They Fall. I'll also be watching Wes Anderson's The French Dispatch, the musical Dear Evan Hansen and the doc Pier Kids.

London Film Fest: Strike a pose

Definitely feeling like a zombie today, needing more sleep and more time to write! But there are only four more days, so I'll try to hold on. The 63rd BFI London Film Festival is such a mind-boggling collection of films that it's impossible to see even half of them. In the queues today, we were chatting about the movies we are missing, even though we're desperate to catch them. But the scheduling makes it impossible (not enough press screenings, overlapping showtimes, etc). It's also fun to compare best and worst films we've seen so far. The bad ones are pretty common between us all, but everyone has a different favourite. My favourite so far is the first film listed here. And down at the bottom is this week's Critical Week...

Portrait of a Lady on Fire [Portrait de la Jeune Fille en Feu]
dir-scr Celine Sciamma; with Noemie Merlant, Adele Haenel 19/Fr *****
With a staggeringly astute screenplay and sharply observant direction, French filmmaker Celine Sciamma breathes inventive life into this period drama. She fills scenes to the brim with subtext, and not only mines her richly layered story for resonant themes but also creates complex characters the audience can fall in love with. So the film's otherworldly beauty becomes a provocative depiction of both art and romance.... FULL REVIEW >

Knives Out
dir-scr Rian Johnson; with Daniel Craig, Ana de Armas 19/US ****
A bit of silly good fun, this play on the whodunit genre has a fiendishly constructed script packed with clever twists and turns, plus an superb ensemble of nutty characters. Some elements are a bit too broad for their own good, but writer-director Rian Johnson makes a film that's consistently amusing as it keeps the audience on its toes and piles on one surprise after another. It also gently brushes on some topical themes just to keep it relevant... FULL REVIEW >

Greed
dir-scr Michael Winterbottom; with Steve Coogan, Isla Fisher19/UK ***
Steve Coogan and Michael Winterbottom team up for another comedy, although this one is a bit more deliberately pointed then their usual collaborations. Yes, there are still moments of inspired silliness dotted throughout the ambitiously fragmented narrative, and it's expertly played by a strong ensemble cast. Many actors bring their considerable improvisational skills to the screen, although with so many big issues as satirical targets, the film feels heavy handed.

Moffie
dir Oliver Hermanus; with Kai Luke Brummer, Ryan de Villiers 19/SA ****
Strikingly well-made, and carrying a devastating emotional kick, this South African drama tells a deeply personal story that has much wider implications. Writer-director Oliver Hermanus creates gorgeous-looking films, and this one is augmented by beautiful cinematography and clever editing. It gets deep under the skin of a nation still grappling with its past, and offers a remarkably resonant look at issues of racism and homophobia.

Links:
Shadows LONDON FILM FEST homepage (full reviews will be linked here) 
Official LONDON FILM FEST site 

~~~~~~~ ~~ ~~~ ~~~~
C R I T I C A L   W E E K

I haven't seen any regular press screenings this past week - only 22 London Film Festival movies! This coming week, after the festival ends, it'll be time for Angelina Jolie back in horns for Maleficent: Mistress of Evil, Ken Loach's Sorry to Bother You, the political thriller Sons of Denmark and the doc Mystify: Michael Hutchence,

Critical Week: Monkey business

The onslaught of family-friendly movies continued at press screening this week, and I think we might have seen everything now in this particular wave. The biggest movie is Dora and the Lost City of Gold, starring Isabela Moner, Eva Longoria and a scene-stealing Michael Pena as the explorer family on the hunt for a legendary Inca city. It's very, very silly, but also a lot of fun. The Art of Racing in the Rain, by contrast, takes the heartwarming approach to a story about a dog and his race-driver master (Milo Ventimiglia). It's even sillier. As for animation, there was UglyDolls, a lively and engaging if relentlessly corny fable about misfit toys. And Asterix: The Secret of the Magic Potion is finely animated and quite sophisticated in its humour, even it if it's also thoroughly ridiculous.

More serious fare included the offbeat drama The Peanut Butter Falcon, an involving and gorgeously shot and performed road movie starring Shia LaBeouf and Dakota Johnson. Halle Berry and Daniel Craig star in Kings, an uneven but audacious experiential take on the 1992 Los Angeles riots. The British drama The Last Tree is a strikingly beautiful coming-of-age drama that's emotionally resonant but never feels terribly deep. Also from Britain, Wicked Witches is a very cheaply made but thoroughly nasty horror about female vampires (not actually witches). And the American indie Ecco is an ambitious thriller that struggles on various fronts.

This coming week's screenings include Julianne Moore in After the Wedding, Naomi Watts in Luce, Lupita Nyong'o in Little Monsters, the pre-teen drama Good Boys, the rom-com One Last Night and the Iranian drama Permission. I'm also watching films that will feature at this year's FrightFest, later this month in London.

Critical Week: The need for speed

There were two late press screenings for London-based critics of movies coming out this week. Doug Liman's American Made is a lively odyssey starring Tom Cruise as Tom Cruise - no, as real-life smuggler Barry Seal, who got was running arms for the CIA and White House and drugs for the Colombian cartels in the 1980s. It's entertaining, but overwhelmed by Cruise's presence. Steven Soderbergh's Logan Lucky is a scruffy heist comedy with Channing Tatum, Adam Driver and a scene-stealing, against-type Daniel Craig. There's not much to it, but it's a lot of fun.

Rather more serious, Taylor Sheridan's Wind River stars Jeremy Renner and Elizabeth Olsen in a mystery thriller set on a native American reservation in snowy Wyoming. It looks amazing and has a strong emotional kick. And then there's the goofy comedy Unleashed, which lacks discipline but has a certain charm as a dog and cat are transformed into their owner's idea of boyfriend material. Finally, Loving Vincent is the extraordinary Vincent van Gogh drama made using hand-painted animation. It looks simply dazzling, and features strong, recognisable performances from Douglas Booth, Saoirse Ronan, Chris O'Dowd and Helen McCrory.

This weekend I am catching up on some screeners at home before heading off to Venice for the 74th edition of the film festival on the Lido. Films on offer there include Alexander Payne's Downsizing, Darren Aronofsky's Mother!, George Clooney's Suburbicon, Guillermo Del Toro's The Shape of Water, Andrew Haigh's Lean on Pete, S Craig Zahler's Brawl in Cell Block 99, Martin McDonagh's Three Billboards Outside Ebbing, Missouri, and many, many more. I'll be updating the blog regularly...

Requisite Blog Photo: Feeling lucky, punk?

Bonus extra pic, with @maysamoncao and @ruhulabdin

Critical Week: A cry for help

Jennifer Connelly gives a storming performance in Shelter, written and directed by her husband Paul Bettany and costarring the excellent Anthony Mackie. The film tries to say too much about homelessness, but the drama is involving and the themes important. I've tried to keep this week a bit slow screening-wise, but caught the British comedy A Christmas Star, a goofy romp in the vein of the Nativity! movies - in other words, almost charming enough to make up for its silliness. And The Hallow is an Irish horror about a family that finds sludgy demons living in the woods. It's enjoyably yucky, but not very scary.

But of course the big film of the week was Spectre, the 24th James Bond movie, which I thoroughly enjoyed because it combines the darkly personal elements of Skyfall with old-style 007 storytelling. And for sheer wonder, I have binge-watched the entire first series of David Lynch and Mark Frost's 25-year-old classic gonzo mystery Twin Peaks and am now diving into the second, which I know will remember was more troublingly surreal. I hadn't seen the show since it originally aired 1990-1992, when I participated in Operation Pine Weasel to save the show from cancellation! On Wednesday evening I'm attending the London diner/bar experience The Owls Are Not What They Seem - and I'll cover it here later this week.

I'm preparing for a break in November, so have a few films to catch up with over the next week, including awards-season contenders like Steven Spielberg's Bridge of Spies and Tom McCarthy's Spotlight, as well as the horror comedy Scouts Guide to the Apocalypse, the South African heist movie Momentum and the drag-queen doc Queen of Ireland.

Olympics Day 1: Rule Britannia

Filmmaker Danny Boyle did the UK proud last night with an opening ceremony that managed to reflect the nation's history, culture, arts and personality with artistry, humour and spectacle. From the gorgeous set pieces depicting this "green and pleasant land" as well as the devastation of empire and industry, the show pivoted into moments that were absurd (Daniel Craig parachuting into the stadium with the Queen), ridiculous (Mr Bean trying to play along with Chariots of Fire) and sublime (massive appearances from British children's literature characters like Mary Poppins, Lord Voldemort, the Queen of Hearts and Cruella DeVil).

There was a lot of music - perhaps a bit too bewildering in its swirling melange, and Paul McCartney singing Hey Jude was a bit anti-climactic. But it was great to see nods to Britain's social heritage, from women's rights to labour unions to the National Health Service. And the cauldron, combining flames representing each participating nation, is simply breathtaking.

Today saw the doling out of the first gold medals, and China emerged with surprise victories in swimming and shooting to top the medals chart. There's a lot more tomorrow, including the start of the diving competition. And I get to see my first live event tomorrow - volleyball at Earl's Court.