Critical Week: Party season

Well, we're coming up to the end of the year, and awards are pouring in at a rapid pace, with top 10 lists and critics groups announcing their honours. I've been busy with Golden Globes ballots and organising the London Critics' Circle nominations announcement this week (we announce our winners on 4th February). We also announced that we're giving special awards to Jeffrey Wright and Colman Domingo at our 44th ceremony. There have also been a couple of Christmas parties, of course, as we prepare for the holidays this weekend. So I've only seen three films...

BEST OUT THIS WEEK:
All of Us Strangers
Society of the Snow
Memory • The Iron Claw
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The British drama How to Have Sex earned several nominations, and I understood why as I finally caught up with it. Starting as a raucous drunken holiday comedy, it quickly shifts into something much more provocative and important. Debut writer-director Molly Manning Walker is certainly one to watch. And then there was the lavish French swashbuckling adventure The Three Musketeers: Milady, the second part in this all-star adaptation, putting Eva Green's shadowy character at the centre of the mayhem. It looks great, and the cast is terrific, keeping it enjoyable even when the plot bogs down in detail. I also saw the Mexican drama The Trace of Your Lips, a beautifully made and rather intensely erotic drama about isolation and connection.

I won't see many movies this coming week, but I will need to watch the Aaron Eckhart thriller The Bricklayer, the biopic Tchaikovsky's Wife and the immigrant drama Norwegian Dream. 

HAPPY CHRISTMAS!

Critical Week: Take the wheel

It's been another week of movies here, and I'm enjoying how things are back to a relatively normal schedule after months of intensity. The biggest movie this week was an online feature: Ghosted is an engaging action romcom that reteams Ana de Armas and Chris Evans. Rather a lot mopier, To Catch a Killer stars Shailene Woodley as a troubled cop pulled into an FBI investigation into a mass-shooter. It's dark and timely, but feels somewhat undercooked.

BEST OUT THIS WEEK:
A Thousand and One
The Three Musketeers: D'Artagnan
PERHAPS AVOID:
Padre Pio
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The best surprise this week is The Three Musketeers: D'Artagnan, a familiar story sharply well told with a first-rate French cast and properly thrilling action. The latest in the franchise, Evil Dead Rise is never very scary but will please fans with its outrageously excessive gore. And then there's the inventive and hugely engaging Filipino comedy I Love You Beksman, which kicked off the Queer East Fest in London on Tuesday. 

Outside the cinema, I loved the Nederlands Dans Theater programme at Sadler's Wells. And this was my first year attending the Critics' Circle Theatre Awards as a voting member (I am a member of the Critics' Circle Theatre Section, in addition to being chair of the Film Section). These awards are great fun, held at @sohoplace, the first new theatre built in the West End in 50 years. And most winners were in attendance, so it was great to celebrate them.

This next week I'll be watching the biopic Big George Foreman, Jay Baruchel in the story of BlackBerry, Kate Bosworth in Last Sentinel, the Greek drama Broadway, the Swedish comedy RSVP and the dance art film Transparent.