Showing posts with label jada pinkett smith. Show all posts
Showing posts with label jada pinkett smith. Show all posts

Thursday, 27 July 2017

Critical Week: Against the law

The big movie screened this week for London critics was Kathryn Bigelow's Detroit, a powerfully riveting drama that, like last week's Dunkirk, unapologetically immerses the audience in a historical event. Plus noteworthy performances from British actors John Boyega (above) and Will Poulter. Lighter fare included the raucous comedy Girls Trip, which is very funny and has a surprisingly soft centre, and the Jack the Ripper style horror whodunit The Limehouse Golem, which is overfamiliar but very well-played.

Slightly outside the mainstream, we had the conceptual underwater horror of 47 Metres Down, which nerve-wrackingly traps two young women at the bottom of the sea surrounded by sharks; Gerard Butler trying to emote in the rather painfully obvious work-life balance drama A Family Man; Michael Winterbottom struggling to find a balance between documentary and fiction in the band tour movie On the Road (Wolf Alice fans should love it); and a sensitive doc tracing a likeable young musician's gender transition in Real Boy.

Coming up this week are the animated comedy The Emoji Movie, Tom Holland in Pilgrimage, Toni Collette in Fun Mom Dinner, Francois Ozon's L'Amant Double, Sundance hit Beach Rats, Berlin winner On Body and Soul, the dark comedy Kept Boy, and the tense drama Insyriated.

Wednesday, 1 July 2015

Critical Week: Back to black

Asaf Kapadia's documentary Amy provided an emotional experience for London critics this week, a beautifully made film recounting the wrenchingly sad story of local girl Amy Winehouse. It stood in stark contrast to the two other big releases of the week: the surprisingly loose and thoughtful sequel Magic Mike XXL, which combines silly striptease antics with an exploration of male friendship; and the formulaic Terminator Genisys, which attempts to reboot the sequel without any inventive writing or directing and only one solid performance (from Emilia Clarke). Although Arnie's deadpan humour livens things up.

I also caught up with last week's release Minions, the Despicable Me prequel that's surprisingly low-key and charming rather than the usual sharp-edged digitally slick action mayhem. And I watched the 10 shorts that Peccadillo has collected for Boys on Film 13: Trick & Treat - another terrific collection of mini-epics dealing with various aspects of sexuality.

Coming up this week: Saoirse Ronan and Domhnall Gleeson in Brooklyn, the doc-style horror film The Nightmare, the doc Misery Loves Comedy and a few more. Thankfully, with a heatwave in London, it's refreshing to take a break in an air-conditioned screening room!