Critical Week: Take the call

Once again, I am avoiding the chaos of the Cannes Film Festival and enjoying the much lighter screening schedule in London these days. I know I'll catch up with the best from Cannes over the coming months. And I'm abandoning London myself next week until early June. Back to the movies, we had a lively themed screening of rising-star filmmaker Curry Barker's horror thriller Obsession. It's an unusually engaging scary movie, funny and moving. And hugely unnerving too.

BEST OUT THIS WEEK:
Orphan • Diamonds • Obsession
High Tide • The Christophers
The Wizard of the Kremlin
ALL REVIEWS >

There were also several starrier movies to watch. The comedy-drama Miss You Love You is essentially an extended conversation between Allison Janney and Andrew Rannells. But they are so good that it's riveting, beautifully written and directed by Jim Rash. Sally Field and Lewis Pullman make a terrific duo in Remarkably Bright Creatures, a heartwarming tale about being open to the world around you, centring around an octopus. Scoot McNairy and Emilia Jones are excellent as a father and daughter in the sensitive memoir Fairyland, which skilfully captures the subculture of 1970s-80s San Francisco. And from Hong Kong, We're Nothing at All is an extraordinary blend of personal drama and riveting procedural thriller, circling around a bomb explosion on a bus. I also watched a live performance of Remachine at Sadler's Wells East.

Coming up this next week, I only have one press screening due to the Cannes slump, but it's the first Star Wars movie in seven years, The Mandalorian and Grogu. I may see it twice. And of course it's the 70th Eurovision Song Contest live from Vienna on Saturday night. Another reason for so few screening is that I'm flying to California next week to visit family. I'll be sure to report back on my in-flight viewing and whatever else I get up to over there. 

Critical Week: Keep an eye out

Working on a television crew kept me out of cinemas for much of this week, but I had a couple of days off to catch up on movies and other things. New films this week included Salem's Lot, yet another adaptation of one of my favourite Stephen King novels, although this film's approach features standard cheap scares rather than the book's brainer chills. Joaquin Phoenix is back for Todd Phillips' sequel Joker: Folie a Deux, starring with Lady Gaga in a very well-made, twisted drama about mental illness. But it's unnecessarily bleak. 

BEST OUT THIS WEEK:
Things Will Be Different
Daaaaaali • Maya and the Wave
PERHAPS AVOID:
Salem's Lot
ALL REVIEWS >

Further afield, there was Quentin Dupieux's wonderfully surreal biopic Daaaaaali!, taking an appropriately bonkers look at the iconic artist. Two low-budget American films were worth a look: All Kinds of Love is a relaxed romcom with strong characters, while Beauty Grace Malice is an offbeat thriller with engaging themes. And the doc Maya and the Wave recounts the astonishing story of surf champ Maya Gabeira with some jaw-dropping footage. I also attended a special screening of the TV series La Máquina with a lively intro from Gael Garcia Bernal and Diego Luna. And I reviewed two live events: Frontiers: Choreographers of Canada at Sadler's Wells and Foreverland at Southwark Playhouse.

The TV series I'm working on wraps this week after shooting eight episodes, just in time for the start of the 68th London Film Festival on Wednesday. In the diary this coming week: Steve McQueen's Blitz, Sean Baker's Palme d'Or winner Anora, Ralph Fiennes in Conclave, Samuel L Jackson in The Piano Lesson and the Chinese action movie Stuntman, plus Chicos Mambo's live show Tutu.