Flare 7: Send up a flare

So BFI Flare: London LGBTQ+ Film Festival is over for another year, although the British Film Institute continues Flare-themed events year-round, including a special section on BFIPlayer. This was the 32nd year for this festival, one of the largest queer-focussed cinema events on earth. And it's the 20th year that I have been accredited to cover it, so it's always great to reconnect with my Flare buddies every year, hang out with the filmmakers and get some inspiration to make movies myself. Not counting revival screenings, I saw 24 feature films and 26 shorts in this year's festival. All of the features have been covered on this blog, with full reviews en route (Shico Menegat from Hard Paint is pictured above)...

MY BEST OF THE FEST

1. 120 BPM (Robin Campillo, Fr)
2. Hard Paint (Filipe Matzembacher & Marcio Reolon, Br)
3. Malila: The Farewell Flower (Anucha Boonyawatana, Tha)
4. The Wound (John Trengove, Sa)
5. Postcards From London (Steve Mclean, UK)
6. Sidney & Friends (Tristan Aitchison, UK)
7. The Happy Prince (Ropert Everett, UK)
8. Conversations With Gay Elders (David Weissman, US)
9. My Days of Mercy (Tali Shalom-Ezer, US)
10. Love, Simon (Greg Berlanti, US)

Special mention: Freak Show. Rift. Antonio Lopez 1970: Sex Fashion & Disco. Good Manners. Stumped. Love, Scott.

FLARE SHORTS

Watching films on a big screen with an audience is the best way to watch any film, really, but it's rare to get the chance to see short films like that. So I love catching as many as possible at film festivals. Here are my 10 favourites from the range I caught at this year's Flare...

1. Vertical Lines (Kyle Reaume, Can 14m) • There's an uncanny authenticity to this little film, which centres on a bedtime conversation about the meaning of body scars as a young couple gets to know each other. While remaining light and relaxed, the deeper themes are profoundly moving - and very important.
2. Calamity (Severine de Streyker & Maxime Feyers, Bel 22m) • A hilariously deadpan tone accompanies this sharp-edged comedy about a young man reluctantly introducing his trans girlfriend to his idiotic family.
3. The Sermon (Dean Puckett, UK 12m) • In the style of an exploitation film, this British short hilariously skewers blind religiosity with skill and wit.
4. Sununú: The Revolution of Love (Olivia Crellin, UK 25m) • The remarkable story of the first trans political candidate in Ecuador, this warm doc follows a young couple as they prepare for the birth of their first child while setting out to change their country.
5. Half a Life (Tamara Shogaolu, Egy 12m) • Narrated by a young activist, this animated doc artfully and pointedly explores both the Arab Spring riots and the current social situation in Cairo.
6. Ursinho (Stephane Olijnyk, Br 45m) • A mini-feature, this drama follows a lonely man in a Rio favela who has an encounter with an almost fantastical stranger on Copacabana.
7. Cas (Joris van den Berg, Ned 48m) • Another rather long short, this drama centres on a happy couple whose relationship is strained by a houseguest who stays around a bit too long.
8. Blood Out of a Stone (Ben Allen, UK 14m) • There's an earthy authenticity to this British short about two young guys trying to connect on an offbeat date.
9. Landline (Matt Houghton, UK 13m) • Artfully shot and edited, this quietly powerful short doc uses recordings and dramatisations from a helpline for gay farmers.
10. Edmund the Magnificent (Ben Ockrent, UK 14m) • It may be a bit arch and ridiculous, but this heightened comedy, narrated by Ian McKellen, recounts the story of a farmer (David Bradley) trying to breed his prized gay pig.

Full reviews of features and short reviews of the shorts will be on the main website, linked to my BFI Flare page.

Flare 5: Stand out from the crowd

The 32nd BFI Flare: London LGBTQ+ Film Festival is entering its final days, and there's a sense of exhaustion among the journalists who have been trying to see as many films as possible, starting each morning with a 10am press screening and usually finishing with a bit of a dance at 11pm in the BFI Southbank cafe. But the weather has taken a wet turn, so where else would you rather be? Here are a few highlights (pictured above are Laverne Cox, Abigail Breslin, Alex Lawther and AnnaSophia Robb)...

Freak Show
dir Trudie Styler; with Alex Lawther, Ian Nelson 17/US ****
While it might be a bit arch, pushing to make its point, this film has such a strong message about identity that it's both powerfully moving and deeply important. Anchored by an offbeat, beautifully textured performance from Alex Lawther, it's a story about a colourful teen who simply refuses to fit in at his high school, which leads to both triumphs and serious challenges. And it's gorgeously shot by Dante Spinotti.

Alaska Is a Drag
dir-scr Shaz Bennett; with Martin L Washington Jr, Maya Washington 17/US ***.
Expanded from a 2012 short, this warm drama centres on three people who feel trapped in the middle of nowhere, trying to make life a bit more colourful than it is. It's a gently involving story, with strongly sympathetic characters who are very well-played by a fresh cast. So it's charming and moving. And even with some rather insistent plot points, it raises important issues without ever preaching about them.

Malila: The Farewell Flower
dir Anucha Boonyawatana; with Sukollawat Kanarot, Anuchit Sapanpong 17/Tha ****
This odyssey from Thailand weaves together themes from religion, politics and sexuality as it follows a young man on a profound voyage of self-discovery. It's not a traditional narrative, instead occupying more in a spiritual space, including a touch of magical realism, and it moves at the pace of a slow-flowing river. But it's beautiful to look at, provocative in its ideas and ultimately moving in what it has to say.

Antonio Lopez 1970: Sex Fashion & Disco 
dir-scr James Crump; with Bill Cunningham, Jessica Lange 17/UK ****
A fast-paced, skilful portrait of an artist who isn't very well-known outside fashion circles, this film is infused with the sensuality of its 1970s period. Through lively, expressive interviews and a wealth of footage and stills, Antonio Lopez springs to life before our eyes, making us wish we had a chance to get to know him, because he seems like someone we'd probably fall in love with, just like everyone else did... FULL REVIEW >