Critical Week: Say your prayers

After having virtually no spring at all, the weather in London has finally warmed up, just in time for the Cannes Film Festival in the South of France. I'm avoiding that crowded, chaotic festival as usual, and hoping for a couple of quieter weeks at home, and nicer weather will be a bonus. But the movies keep coming, and there were two films this week that take on religion: the drama Are You There God? It's Me Margaret adapts the classic 1970 novel into a nuanced coming-of-age drama starring Abby Ryder Fortson (above). Less textured is Jesus Revolution, which stars Kelsey Grammer as real-life pastor Chuck Smith, who brought hippies into his Southern California church in the late-1960s. It's preachy but watchable.

BEST OUT THIS WEEK:
Butterfly Vision
Are You There God? It's Me, Margaret
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And then there's the blockbuster of the week: Fast X is the latest romp for Vin Diesel's car-crashing crew, which fans will love even though it's both ridiculous and predictable. The doc Being Mary Tyler Moore recounts the inspiring story of the iconic actress who had a major impact on culture. I also attended two theatre shows: Skid / Saaba at Sadler's Wells are two superbly physical pieces by a gifted Swedish company, and Once on This Island at Regent's Park Open-Air Theatre is an involving musical set in the Caribbean.

This next week I'll be watching Disney's live-action remake of The Little Mermaid, Ben Affleck in Hypnotic, the animated adventure Boonie Bears: Guardian Code, the British whodunit Medusa Deluxe and the documentary My Name Is Alfred Hitchcock. I'll also attend the press nights for The Misandrist at the Arcola and Corps Extremes at Sadler's Wells (reviews here soon).

Critical Week: Too cool

The weather in London has been diabolical this week, more wintry than spring-like with grey skies, rainshowers and weather that's oddly cold for this time of year. So not too bad for moviewatching. I enjoyed Ben Affleck's new film Air a lot more than expected, but then I wasn't expecting much for a movie about trainers. It's a sharply well-written drama about Nike's creation of the Air Jordan brand, and has terrific performances from Affleck, Matt Damon, Jason Bateman, Viola Davis and more. And the new adaptation of the roleplaying fantasy game, Dungeons & Dragons: Honour Among Thieves, was also a pleasant surprise: a rare blockbuster that's colourful, funny and thoroughly engaging. Thankfully it takes its cues more from The Princess Bride than Marvel or DC. I wrote reviews of it for three different outlets.

BEST OUT THIS WEEK:
Chrissy Judy • Summoning Sylvia
Dungeons & Dragons
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Further afield, Summoning Sylvia is a riotously silly horror comedy about a group of camp friends in a haunted house, but it has serious undertones that give it unexpected weight. Missing is a well-made thriller told through computer screens (it spins off from Searching), gripping even if the story holds no water at all. A verbatim adaptation of a recording, Reality is the riveting re-enactment of the arrest of a whistleblower, starring a superb Sydney Sweeney. Cairo Conspiracy is a strikingly involving mystery about government interference in religious leadership in Egypt. Of course, exiled filmmaker Tarik Saleh had to shoot it in Turkey and Sweden. And the lightly futuristic Japanese drama Plan 75 is a thoughtful meditation on mortality that's not particularly easy to watch, understandably. 

This coming week is mercifully slow after the past few months. I'll be watching Taron Egerton in Tetris, the Norwegian black comedy Sick of Myself, the Moroccan drama El Houb, the addiction doc Blue Bag Life, and the biographical doc Little Richard: I Am Everything. I also have a theatre show and museum exhibition to check out (reviews here soon).

Critical Week: School daze

Well, Britain didn't reopen as planned on Monday, as the mishandling of new variants meant any lightening of regulations has been delayed. Thankfully, the accelerated vaccination programme seems to be making headway, so fingers crossed for any steps we can take back to normality. Cinemas, theatres, restaurants, bars and clubs particularly depend on this. In the meantime, big films are beginning to appear again, some with enormous press screenings. This past week's main offerings included the teen comedy-horror mashup Freaky, an uneven but witty concoction in which serial psycho Vince Vaughn swaps bodies with cute high schooler Kathryn Newton. And those vrooming speedsters were back on the Imax screen for F9 (aka Fast & Furious 9), which is an unusually joyless instalment in the saga but pushes the spectacle to new (ahem!) heights.

BEST OUT THIS WEEK:
Supernova • I Carry You With Me
The Man Standing Next • Bare
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Smaller movies this week included Harvey Keitel as Lansky, a finely made but familiar biopic tracing the fascinating life of the notorious gangster. The intriguing but never quite provocative The God Committee stars Kelsey Grammer in a serious role, exploring the people who decide who receives an organ transplant, and who doesn't. From Spain, the silly animated romp Dogtanian and the Three Muskehounds brings the 1980s 2D cartoon characters to 3D imagery, with mixed results. And the horror comedy Vicious Fun is a snappy and rather cartoonish play on horror movie tropes, centred around a film critic.

Coming up this next week I have Channing Tatum as George Washington in the action pastiche America: The Motion Picture, Timothy Spall in The Last Bus, the fantastical romance Jumbo and the shorts collection Upon Her Lips: Heartbeats. I'll also be heading to a West End theatre to finally catch Everybody's Talking About Jamie ahead of the movie adaptation in the autumn.

Critical Week: Body issues

Cinemas are now absolutely jam-packed with awards movies, leaving people unsure what they should watch. The box office is always ruthless, rarely rewarding the films that actually deserve it. And the awards are skewing populist as well this year. After the producers (PGAs) and actors (SAGs) went all over the place, all eyes are on the directors (DGAs) this weekend to restore a sense of order before Bafta and Oscar arrive. But could Bohemian Rhapsody, A Star Is Born and Green Book knock the more ambitious, accomplished films out of the spotlight?

Press screenings this week included the much-anticipated Akita: Battle Angel, which James Cameron developed before handing off the directing job to Robert Rodriguez. It's a big, action movie, with lots of action, flashy effects, some cool themes and, erm, bashing robots. The Lego Movie 2: The Second Part has huge shoes to fill, and is thankfully relentlessly hilarious as it rockets through its insane plot with engaging, silly characters, outrageous storytelling, inventively crazed visuals and a nonstop peppering of references to everything, including itself.

A little off the beaten path, Untogether is an artful romantic comedy-drama starring Jamie Dornan, Jemima Kirke, Lola Kirke and Ben Mendelsohn. It's sharply made, observant and a little mopey. Lucid is an independent British thriller about a young guy who learns to control his dreams, sort of. It's intriguing and visually stunning. Wretched Things tells three stories linked by themes about sex and morality. It's inventive and beautifully shot and performed, if a little on the nose. He Loves Me is a fiercely artful Greek drama with no dialog (there's a voiceover) about two men on a beach holiday trying to save their relationship.

And finally, I managed to watch the recent American TV production of Rent: Live, which turned out to be the dress rehearsal, and it showed in the low-energy performances and uneven technical quality. But it was also far too frantic, busy and even a bit dated. Surely a stripped-down update would give new life to this awesome musical.

This coming week, I'll buy a ticket to see How to Train Your Dragon: The Hidden World, as I was unable to attend the only press screening. I also have screenings of Liam Neeson in Cold Pursuit, Penelope Cruz in Everybody Knows and two docs: The Gospel of Eureka and The Sunday Sessions.

Critical Week: Purging the underworld

Aside from films I saw as part of BFI Flare, I caught up this past week week with Keanu Reeves' latest career boost movie John Wick, a rippingly stylish revenge thriller that's far better than it has any right to be. Also enjoyable, but not quite as artistically ambitious, Fast & Furious 7 (aka Furious 7) is a thunderously entertaining step in the franchise, including a lot more emotion than these actors have attempted before. And they just about get away with it. The action stuntwork looked pretty cool on the Imax screen.

Further afield there was the superb Cliff Curtis in the dark and intense true story The Dark Horse; the astonishingly grim and unnerving Belgian thriller The Treatment, which compares chillingly with The Silence of the Lambs and Seven (yes it's that good); and the raucous documentary Electric Boogaloo: The Wild, Untold Story of Cannon Films, a mist-see for movie fans tracing the Hollywood career of Israeli cousins Menahem Golan and Yoram Globus, who produced an outrageous run of films over about 15 years.

We now have two short weeks with the four-day Easter weekend in between. Film screenings on the schedule include Anna Kendrick in The Last Five Years, Juliette Binoche and Kristen Stewart in Clouds of Sils Maria, Jack Reynor in the Sundance-winner Glassland, the German thriller The Samurai, the comedy Undocumented Executive and the documentary Lambert & Stamp.