A season of Italian films...

Over five days, a flurry of acclaimed films were specially screened at BFI Southbank as part of Cinema Made in Italy in London, sponsored by the British Film Institute and Rome's Cinecittà studios. I caught six of the films, and I spoke with two of my long-time favourites: actor-filmmaker Valeria Golino and director Isabel Coixet (interviews to come). There was a clear focus this year on women's stories, which provided a superb point of view to a variety of powerful stories. Here are notes on the films I watched...

La Gioia [aka Joy]
dir Nicolangelo Gelormini; with Valeria Golino, Saul Nanni 25/It ***.
Brisk and involving, this Italian drama pulls us in with characters who have vivid internal lives, including yearnings for companionship that are easy to identify with. At the centre, this is the story of a complex relationship, and director Nicolangelo Gelormini inventively depicts how it awakens the heart of a woman who had given up hope for herself. This is a dark, multi-layered story full of ideas that get deep under the skin... FULL REVIEW >

The Last One for the Road [Le Città di Pianura]

dir Francesco Sossai; with Filippo Scotti, Sergio Romano 25/It ****

Set in Veneto (the original title translates ironically as The Cities of the Plain), this lively comedy deconstructs the road movie genre as three men travel in circles looking for their next final drink together. While highlighting local culture and landscapes, director-cowriter Francesco Sossai cleverly explores generational issues using offhanded comedy. It's such a charmer of a film that it's impossible to watch without a smile on your face... FULL REVIEW >

Three Goodbyes  [Tre Ciotole]
dir Isabel Coixet; with Alba Rohrwacher, Elio Germano 25/It ****
Diving straight into the life of a long-term couple, this Italian drama immediately finds resonance with its authentic dialog and transparent performances. This isn't easy watch, as it circles the disintegration of a relationship. But director-cowriter Isabel Coixet balances the pain by filling the screen with honest emotion, warm humour and genuine affection. This is a lovely, involving film with something important to say... FULL REVIEW >

Fuori [aka Outside]
dir Mario Martone; with Valeria Golino, Matilda De Angelis 25/It ***.
Recounting the story of noted Italian actress and author Goliarda Sapienza, hinging around her brief but life-changing stint in prison, this slightly overlong film jumps around in time, which can be a little tricky to keep up with. But director Mario Martone grounds each scene in earthy realism, while Valeria Golino delves deeply under the lead character's skin. There's nothing remotely simple about this offbeat portrait of an artist... FULL REVIEW >

A Brief Affair [Breve Storia d'Amore]
dir-scr Ludovica Rampoldi; with Pilar Fogliati, Adriano Giannini 26/It ****
Opening amusingly with a chess game that includes a boxing interlude, this Italian comedy takes an offhanded approach to illicit attraction. Writer-director Ludovica Rampoldi playfully explores a fling that slides into a relationship. Then as the comedy becomes increasingly dark, the film builds some rather bonkers tension. But even if it starts to feel silly, it's impossible to look away. And it ends with a series of proper kicks... FULL REVIEW >

Heads or Tails? [Testa o Croce?]
dir Alessio Rigo de Righi, Matteo Zoppis; with Nadia Tereszkiewicz, Alessandro Borghi 25/It ***
From Italy, this beefy Western is told through the eyes of a woman who finds herself on the wrong side of the law with a handsome buttero, or cow-herder. Director-cowriter Alessio Rigo de Righi creates traditional genre imagery in terrific Italian locations while adding artful internalised touches that see into the characters' thoughts. The film has a meandering plot and a jaunty tone, finding edgy humour while poking fun at cliches... FULL REVIEW >

See also: BFI >  •  CINECITTA >

Critical Week: Up to no good

With the distraction of the Paris Olympics on television, and the fact that they're so close we can almost touch them from London, it's easy to lose sight of the movies screening in nice, cool cinemas. But there's a steady stream of releases, and I'm trying to keep up for the moment while anticipating a drastic change in my daily routine over the next few months. The biggest filmI saw this week was The Instigators, a reunion for Matt Damon with both Casey Affleck and director Doug Liman. It's an enjoyably scrappy action comedy with sharp character touches. The cheeky animated adventure Ozi: Voice of the Forest has a starry voice cast that includes Laura Dern, Amandla Stenberg, Djimon Hounsou and the late Donald Sutherland. This helps make up for a sometimes awkward, preachy script. 

BEST OUT THIS WEEK:
Kensuke's Kingdom
A Story of Bones • Kneecap
ALL REVIEWS >

Abbie Cornish elevates the low-budget psychological thriller Detained, which is twisty but undercooked. Robin Campillo's 1970s Madagascar coming-of-age drama Red Island is gorgeous to look at, and powerfully involving as it tackles personal and political issues. The British drama Sebastian is an intimate, moving profile of a writer who becomes an escort for research, then has to rediscover himself. The Chinese noir-style thriller Only the River Flows weaves wit and visual style into a darkly resonant odyssey. And the Saint Helena doc A Story of Bones packs a powerfully resonant kick in its exploration of the importance of remembering difficult history. I also saw Jamie Allan's stage magic show Amaze, and published a roundup of TV reviews for the summer, including The Bear, Shogun, The Boys, The Acolyte, Fallout, The Curse and more.

This coming week I'll be watching Cate Blanchett and Jamie Lee Curtis in Borderlands, Eugenio Derbez in Radical and a whole bunch of films that will be showing at London's FrightFest later in the month. I'm also heading up to Edinburgh for a week to cover the Fringe theatre festival, which I'll be covering here.