Critical Week: Mother knows best

The glittering Bafta Film Awards on Sunday had controversy in their wake, thanks to some bad decisions by both Bafta and the BBC regarding editing, disclaimers and an offensive but completely involuntary Tourette's tick. But the show itself included some terrific surprises that have shaken up awards season, including Wunmi Mosaku's well-deserved supporting actress award and especially Robert Aramayo taking lead actor alongside his rising star award for I Swear, a film that speaks far more meaningfully to the controversy than clumsy online commentators. Jessie Buckley also cemented her hold on lead actress with the best speech of the night. And the biggest highlight was seeing Huntr/x perform Golden live.

BEST OUT THIS WEEK:
Sirat • All You Need Is Kill
The Testament of Ann Lee
ThePresident's Cake
Palestine Comedy Club
PERHAPS AVOID:
Scream 7
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As for movies this week, Neve Campbell is back for Scream 7, a fact that fuels the movie's wittiest meta-jokes. Otherwise, this is the least scary, knowing, twisty instalment yet in the series. Lithuanian filmmaker Romas Zabarauskas is back with another thoughtful drama, The Activist, and this one has ripples of a thriller as it explores anti-LGBTQ+ violence. Matthew Simpson made the London-set thriller Disremember entirely on his own (both on camera and behind it), and it's a stylishly riveting thriller about memory and mental instability. And the documentary Palestine Comedy Club follows a group of seriously intrepid standups as they face the outbreak of war in their homeland with sharply observational wit. I also attended a special premiere of the steamy fifth episode of Bridgerton season 4 part 2, followed by a Q&A with cast members Luke Thompson and Yerin Ha, plus showrunner Jess Brownell and director Tom Verica (see below).

Coming up this next week, I'll be watching Ryan Gosling in Project Hail Mary, Glen Powell in How to Make a Killing, Pixar's new movie Hoppers, acclaimed Chinese epic Resurrection, Belgian drama Wild Foxes and anime crime drama The Last Blossom. I'm also attending the UK premiere of the new series The Madison, which stars Michelle Pfeiffer and Kurt Russell.

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Critical Week: This round's on me

As movie awards season heats up, things are getting busier for me - we're in the final week of voting in the London Critics' Circle Film Awards. I'm the chair of this group, so have quite a lot to do over the next few weeks before we announce our winners. Only a couple of the films I saw this week are awards-worthy. Ben Affleck earned a SAG nomination for his role in The Tender Bar, a gentle and somewhat uneven personal drama that also stars Tye Sheridan and is directed by George Clooney. On the big screen, I had a press screening of the fifth Scream movie, another self-referential meta-horror that plays it rather straight rather than going for something original. But it's fun to see Neve Campbell, Courteney Cox and David Arquette back together on-screen.

BEST OUT THIS WEEK:
Memoria • Cow • Belle
Save the Cinema • Scream
ALL REVIEWS >

Smaller movies this week included the nutty horror The Free Fall, which plays out in swirly confusion before a terrific but very late reveal. Lucy Hale stars in Borrego, an underpowered thriller set on the drug-overrun desert on the California-Mexico border. There's more arthouse horror in The Scary of Sixty-First, a stylish and sexy Manhattan freak-out. And from Switzerland, The Fam (La Mif) is a riveting doc-style drama set in a children's care home.

Films to watch this coming week include Michael B Jordan in A Journal for Jordan, Christoph Waltz in Rifkin's Festival, the Brazilian thriller The Pink Cloud and the mountain-climber doc Torn, plus awards contenders Test Pattern, El Planeta, Azor and Wheel of Fortune and Fantasy .

Critical Week: Here comes the judge

It's been a busy week, even if press screenings have been a little thin. The World Cup semifinal featuring England on Wednesday night erased all planned screenings that night. And Thursday was the summer party for the Critics' Circle - that was good fun. I'm the vice chair of the film section, so as one of the event hosts had to skip that evening's screening of Mission: Impossible - Fallout (I'll catch up on that in a week or so).

But I did see a few films. The Children Act stars Emma Thompson (above), who is simply devastating as a high court justice who gets caught up in a thorny case. Based on an Ian McEwan novel, it refreshingly refuses to simplify characters, plots or themes, and leaves us with a lot to think about. Conversely, Skyscraper is best watched with the brain disengaged: it's a preposterously stupid action thriller that's far too serious for its own good. Dwayne Johnson is, as usual, the best thing about it, but was clearly told to rein in his charm and wit.

Hearts Beat Loud is a moving, gorgeous drama starring Nick Offerman, Kiersey Clemons and Toni Collette. The story is interwoven with engaging, earthy songs, so it's involving even if it's a little over-crafted. And A Swingers Weekend is a loosely awkward comedy-drama about three couples trying to spark up their relationships at a lake house. The darker scenes are far more interesting than the rather tepid sexy silliness.

This coming week will be busy, with the all-star musical sequel Mamma Mia! Here We Go Again, Jodie Foster in Hotel Artemis, Glenn Close in The Wife, Denzel Washington in The Equalizer 2, Sylvester Stallone in Escape Plan 2, Jonathan Rhys Meyers in Damascus Cover, Oona Chaplin in Anchor and Hope, and the costume designer doc Love, Cecil.