Showing posts with label outfest. Show all posts
Showing posts with label outfest. Show all posts

Sunday, 22 August 2021

Outfest: Connect your way

Each year as Outfest takes place in Los Angeles (this year a little later than usual), I get sent links to view some of the films that are part of the programme. And I also discover that there are several films I've already caught at other festivals. Outfest is one of the leading LGBTQ+ festivals in the world, and if features some great movies from top filmmakers. Here are short comments about seven terrific features with links to the full reviews on the site, starting with one of my favourite films of the year so far...

Sweetheart
dir-scr Marley Morrison; with Nell Barlow, Jo Hartley 21/UK ****.
Packed with jaggedly witty observations, this British comedy gets into the mind of a teen who thinks her life couldn't get any worse. Writer-director Marley Morrison tells a hugely engaging story about a character brought to vivid life by gifted actor Nell Barlow. The pacing may meander in the middle, but this is a breathtaking feature debut, and one of the most astute movies about adolescence in recent memory... FULL REVIEW >

Jump, Darling
dir-scr Phil Connell; with Cloris Leachman, Thomas Duplessie 20/Can ****.
This comedy-drama centres on a luminous, no-nonsense performance from the late Cloris Leachman, a lead role that feels like a gift. Writer-director Phil Connell tells an engaging story about people who find inspiration at opposite ends of their lives. While invoking the spirit of Hedwig as these defiant people refuse to be put into boxes, this is a complex celebration of how empowering it is to be honest with yourself... FULL REVIEW >

Boy Meets Boy
dir Daniel Sanchez Lopez; with Matthew J Morrison, Alexis Koutsoulis 21/Ger ****
Freeform filmmaking adds earthy authenticity to this German drama, which follows two young men over 15 hours. Filmmaker Daniel Sanchez Lopez assembles this mainly in visceral closeup, seemingly shot on a phone camera as characters take a loosely meandering journey. The approach gives the film a striking sense of intimacy. So if the plot feels thin, the attractive actors and sparky subtext make this worth a look... FULL REVIEW >

Firstness
dir-scr Brielle Brilliant; with Tim Kinsella, Allex Jording 21/US ****
Drenched in New Mexico sunshine, this offbeat drama takes a refreshingly open-handed approach that's easy to engage with. With her first feature, writer-director Breille Brilliant takes a premise that could easily seem a bit creepy and makes it something affirming and almost inspirational in the way it celebrates the wonderful variety in human expression. It's a disarmingly gentle film that challenges us without even a moment of preachiness... FULL REVIEW >

Firebird
dir Peeter Rebane; with Tom Prior, Oleg Zagorodnii 21/Est ****
Based on a true story, this Cold War drama traces a romantic triangle in a Russian military setting. Director Peeter Rebane keeps the focus on the characters as they navigate a perilous situation, pulling the audience into the story. This adds vivid personal emotions to the visually stylised filmmaking, and also adds wider resonance. Some earthy grit might have helped, but the film is strongly engaging and very moving... FULL REVIEW >

Potato Dreams of America
dir-scr Wes Hurley; with Tyler Bocock, Marya Sea Kaminski 21/US ****
Heavily stylised and hugely imaginative, this coming-of-age story unfolds with offbeat insight and witty observations. Expanding on his 2017 short doc Little Potato, writer-director Wes Hurley depicts his own experiences with cleverly inventive imagery, using a mix of stage-like sets and real-world locations. And the sparky characters are full of life, adding to the film's brisk pace and warm-hearted approach to topics that shouldn't actually be controversial at all... FULL REVIEW >

Knocking
dir Frida Kempff; with Cecilia Milocco, Albin Grenholm 21/Swe ****
Cleverly shot with a focus on thoughts and feelings, this Swedish thriller has a slow-burn quality that inexorably pulls the audience into its web of unnerving fear. Director Frida Kempff, writer Emma Brostrom and actor Cecilia Milocco take us deep into the mind of an unhinged woman who feels that something around her isn't right. And she seems so convinced about it that she pulls us into the mystery... FULL REVIEW >

I've also caught up with a few Outfest shorts at other festivals...

For more information: OUTFEST 



Sunday, 21 July 2019

Outfest: Make your mind up

I've had a chance to remotely cover a few titles from this year's Outfest, which is running in Los Angeles until next Sunday. It's always great to be able to keep up with festival films from a distance, and these movies grapple with big issues in ways that are funny, emotional and challenging. Here are three blurbs linked to full reviews, plus longer comments on a British doc...

Sell By
dir-scr Mike Doyle • with Scott Evans, Augustus Prew, Kate Walsh 19/US ***.
This gentle ensemble comedy circles around a group of 30-something characters who are struggling with romantic issues and life plans. Writer-director Mike Doyle gives the film a flippant tone, revealing how people use acerbic humour to cope with problems. The central question is whether all relationships have a sell-by date, and while the story structure feels more than a little predictable, the endings at least feel nicely organic... FULL REVIEW >

Cubby
dir Mark Blane • with Mark Blane, Joseph Seuffert, Christian Patrick 19/US ***.
"Based on a lie", this black comedy recounts the offbeat adventures of filmmaker Mark Blane when he moved to New York. It's a quirky, personal little film that unfolds with its own rhythms and themes. This makes it tricky to identify with, even if the characters remain engaging and intriguing. The way things develop may be stylised and often downright askew, but it's underscored with a sense of honesty...
FULL REVIEW >

Label Me
dir-scr Kai Kreuser • with Renato Schuch, Nikolaus Benda 19/Germany ****
Dark and thoughtful, this German drama is beautifully understated as it explores the complexities of identity for an immigrant who is afraid to let anyone see who he really is. Within a brief running time, writer-director Kai Kreuser maintains a tight focus on the shifting balance of power between two central characters, wasting no time on melodrama or the usual gyrations of plot structure...
FULL REVIEW >

Seahorse
dir Jeanie Finlay; with Freddy McConnell
release US Apr.19 tff • 19/UK BBC 1h31 ****

The title of this involving narrative documentary refers to the fact that male seahorses carry their unborn young. As he approaches 30, the articulate, charming Freddy McConnell decides to stop testosterone treatment and give birth to his own child. He understands the emotional and physical ramifications of what lies ahead, and he knows he has the support of his entire family. He originally plans to have the child with his close friend CJ, who is also trans, but ends up on his own, relying on help from his mother as he goes for ultrasound scans, deals with morning sickness and, ultimately, childbirth. Freddy is a deep thinker who has worked out his identity as a gay man, even though he knows people find that complicated. But pregnancy makes him feel like an alien, like he has violated his own masculinity. He also has to face harsh criticism online, and also among his relatives. And the process prompts him to try to mend his strained relationship with his father.

The film is fluidly shot and edited, taking a quick-paced and natural journey through the story as Freddy copes with the changes to his body and keeps his eye on his goal of becoming a father. The details are often astonishing, especially as they carry such a strong emotional impact, right to the powerfully moving water birth. Filmmaker Jeanie Finlay takes a bracingly honest approach, never shying away from anything while remaining sensitive to the nuances of Freddy's situation. She also clearly relaxes Freddy and his family as they so openly share their thoughts and feelings with the camera. Home movies offer lovely, telling glimpses of Freddy's childhood with his sister and parents, who understood early on what was going on with him. It's fascinating to watch him go through a box of childhood mementos, including his crushes on masculine actors and his early avoidance of his given names. The journey he takes through pregnancy brings a continual stream of surprises, And the film's most powerful element is the way it presents Freddy's odyssey as utterly normal, even if it's also exceptional.



More 2019 Outfest films reviewed...


ADAM
dir Rhys Ernst
19/US ***.
FULL REVIEW >

END OF THE CENTURY
dir Lucio Castro
19/Arg ****
FULL REVIEW >

FIREFLIES
dir Bany Khoshnoudi
18/Mex ***.
FULL REVIEW >

FROM ZERO TO I LOVE YOU
dir Doug Spearman
19/US ***
FULL REVIEW >

THE GARDEN LEFT BEHIND
dir Flavio Alves
19/US ****
FULL REVIEW >

JOSE
dir Li Cheng
18/Gua ****
FULL REVIEW >

JONATHAN AGASSI SAVED MY LIFE
dir Tomer Heymann
18/Isr ***.
FULL REVIEW>

NEVRLAND
dir Gregor Schmidinger
19/Aut ****.
FULL REVIEW>

THE SHINY SHRIMPS
dir Cedric le Gallo, Maxime Govare
18/Fr ***.
FULL REVIEW >

STRAIGHT UP
dir-scr James Sweeney
19/US ***.
FULL REVIEW >

THIS IS NOT BERLIN
dir Hari Sama
19/Mex ****

TU ME MANQUES
dir Rodrigo Bellott
19/US ****.

VITA & VIRGINIA
dir Chanya Button
18/Ire **.
FULL REVIEW >



NB. I'll keep adding titles here as I see the films.