Critical Week: Look at yourself

Things should be quieting down this month, but the screening schedule has continued to be fairly busy with an eclectic collection of movies to watch. Making a very strong debut, writer-director Christian Swegal gives the fact-based drama Sovereign an unusually sensitive spin, centred around smart, thoughtful performances by Nick Offerman and Jacob Tremblay as a father and son with radical views that lead to tragedy. At the other end of the spectrum is James Gunn's witty, colourful new take on Superman, starring a likably human David Corenswet alongside Rachel Brosnahan and Nicholas Hoult. It's big and entertaining, but never surprising.

BEST OUT THIS WEEK:
The Other Way Around
Sovereign • Baby
Hidden Master
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The Dardenne brothers are back with Young Mothers, another riveting doc-like Belgian drama that pulls us deeply into a real-life situation, this time with teen girls who have babies. Jonas Trueba's Spanish comedy-drama The Other Way Around is the engagingly clever story of a couple planning to celebrate their separation, with added witty meta-filmmaking touches. From Brazil, Baby is a sensually shot and played drama about a teen just out of detention as he discovers connections in the tough streets of Sao Paulo. I also had an advance screening of the British drama I Swear, based on the involving true story of Tourette's campaigner John Davidson. It stars the always superb Maxine Peake, Shirley Henderson and Peter Mullan, with remarkable performances from Scott Ellis Watson and Robert Aramayo in the lead role at two ages (it'll be out in October). 

This coming week is also full. I'll be watching the new Smurfs movie, with Rhianna as Smurfette, Celine Song's new drama Materialists, Helena Bonham Carter and Pierce Brosnan in Four Letters of Love, Paul Rudd and Tim Robinson in Friendship, the German black comedy Dying and the first chapter in the Oslo Stories Trilogy, Dreams. 
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Critical Week: What's the point

London critics caught up with the next tentpole this week, namely Pirates of the Caribbean: Dead Men Tell No Tales (aka Salazar's Revenge), the fifth in the swashbuckling franchise starring Johnny Depp. While I enjoyed the previous four romps, this one felt overstuffed in every way (too many people, too many rambling plotlines, too many digital effects). I was happy when it finally ended.

Everything else was a bit smaller. Chris Evans is excellent in the sharply well-made drama Gifted, which manages to remain emotionally resonant without tipping into sentimentality. Tommy's Honour is a terrific story of the Scottish father and son who created the modern game of golf, nicely played by Peter Mullan and rising star Jack Lowden. Although the film is a bit uneven. The soapy Spanish comedy Wild Awakenings wins us over with its ridiculous tale of lust on a horse ranch. And the documentary Dying Laughing is a fascinating look at the life of a stand-up comic, as told by rather a lot of people who became very successful at it.

And finally, I revisited the early 1990s cult series Twin Peaks and rewatched the 1992 movie Twin Peaks: Fire Walk With Me before diving into the two-hour pilot episode for this 25-years-later sequel series. It's all rather bonkers, but sublimely so. And I look forward to the next 16 episodes.

Coming up this week is a very late press screening of Wonder Woman (buzz has been good but for some reason they are holding this one close to their chest), plus a number of films that will be screened at the forthcoming Sundance Film Festival London - watch this space. Meanwhile in France, the Cannes Film Festival winds up with its awards over the weekend. Expect controversy as usual.