Critical Week: Bump in the dark

London critics caught up this week with the freak-out sequel The Woman in Black: Angel of Death, set 40 years after the first film, so it has an all-new cast (including Jeremy Irvine and Helen McCrory) facing that eerie ghost at Eel Marsh House. Honestly, why would anyone ever go in there?

The biggest screening this week was for The Hunger Games: Mockingjay Part 1, the thrilling third film in the series starring Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Julianne Moore, Philip Seymour Hoffman, Elizabeth Banks and so on. It captures the book's intensely grim tone almost too well and is also a terrific exploration of the birth of a leader, setting things up for the more battle-intensive final part, a year from now. The only other starry movie this week was Tommy Lee Jones' The Homesman, a gruelling Wild West road movie in which he stars in alongside Hilary Swank and a number of superb A-list cameo players (Meryl Streep!). It's extremely straight-faced and rather bleak, but always involving.

Further afield there were four foreign films: essentially a filmed stage play, the drama Diplomacy chronicles the touchy negotiations between German and French officers at the end of WWII, hinging on terrific performances by Andre Dussolier and Niels Arestrup; also from France, Eastern Boys is an uneven but intriguing drama about the strange relationship between a businessman and a Ukrainian working the streets for money; from Switzerland, The Circle uses documentary and drama to reconstruct the relationship between two men in a rapidly closing free society; and Snails in the Rain is a darkly thoughtful but ultimately simple Israeli drama about a young man whose girlfriend notices that something is up.

This coming week, we have the Stephen Hawking biopic The Theory of Everything, the Jim Carrey-Jeff Daniels sequel Dumb and Dumber To, the black comedy The Mule, the holiday comedy Home for Christmas, the Mexican drama Four Moons, the Roger Ebert doc Life Itself, and the French foreign-student doc School of Babel

Critical Week: Metal-on-metal

Having opted to take a holiday the last week of June, I missed key press screenings of two July blockbuster sequels. But I caught up with them this week. Transformers: Age of Extinction is yet another loud and incoherent robot fighting extravaganza from Michael Bay - just as ludicrous as the previous films while wasting an all-new cast including Mark Wahlberg, Stanley Tucci, Kelsey Grammer and acclaimed rising star Jack Reynor, plus this episode's requisite scantily clad female Nicola Peltz. Fortunately, I cleansed the memory of that movie from my system with How to Train Your Dragon 2, a strong film in its own right with a startlingly complex script, unusually detailed animation and the most thrilling movie action sequences we've seen all year.

Also this week, I caught up with Philip Seymour Hoffman's intriguing but relatively thin Philadelphia drama God's Pocket; Michael Caine in the engaging but somewhat lightweight French drama Mr Morgan's Last Love; the rather too-repressed but sharply well-made period drama A Promise, starring Rebecca Hall and Alan Rickman; the moving and visceral American indie Hide Your Smiling Faces; the extremely well-observed Danish mystery thriller Keeper of Lost Causes; and the blackly comical Spanish zombie-soccer thriller Goal of the Dead, which actually has its moments. There were also two artful but deeply pretentious epics: from Mexico, Julian Hernandez's I Am Happiness on Earth is a sensual exploration of physical connections. And with Norte, the End of History, gifted Filipino filmmaker Lav Diaz takes an unnecessary four hours to tell a darkly involving story about crime and unjust punishment. I also managed to revisit Bob Fosse's classic 1972 film version of Cabaret, starring a particularly fabulous Oscar-winning Liza Minnelli.

This coming week, we have the Daniel Radcliffe rom-com What If, the acclaimed British feel-good drama Pride, the British football drama Believe, the Britain's Got Talent-inspired Pudsey the Dog: The Movie, and the Aussie skateboarding movie All This Mayhem, among other things.

Critical Week: Everyone play nice

It's been an odd week of screenings for London critics, with a variety of offbeat movies that probably have very specific audiences. The starriest one was A Late Quartet, in which Philip Seymour Hoffman, Christopher Walker, Catherine Keener and Mark Ivanir play a long-time string quartet whose tenuous bond is shaken by a few unrelated events. It's beautifully made and acted, although a bit dull. And if you have a problem with actors pretending to play instruments, look away now. The other semi-mainstream offerings were the Halloween-themed Fun Size, a resolutely unfunny comedy romp, and the somewhat better For a Good Time, Call...,  an underdeveloped friendship comedy-drama. At least the films were livened up by Chelsea Handler and Justin Long, respectively.

Further afield, we had Shock Head Soul, an artful, ambitious but utterly impenetrable doc-drama about psychoanalysis, and London: The Modern Babylon, Julien Temple's dazzling look at the psyche of Londoners - it's utterly essential viewing for anyone interested in history or social culture. Or London, of course. And finally, I turned off all the lights in my flat and stayed in one evening all alone to rewatch Stanley Kubrick's The Shining, which is being reissued in UK cinemas this week. I hadn't seen it in 32 years, and it was even scarier than I remembered!

Next week is another random collection of screenings, including Anthony Hopkins as Hitchcock, the British black comedy May I Kill U, the long-awaited award-winning Romanian film Aurora, the Indian drama The Pool,the musician doc Hit So Hard, and the photojournalist doc McCullin.