Critical Week: Watch out

There were a range of more offbeat movies to watch this week, which always makes this job a bit more fun. Not a blockbuster in sight! Furthest afield was the Belgian-Congolese odyssey Omen, a powerful exploration of identity with terrific characters and colourful settings. From Ireland, All You Need Is Death is a delightfully unnerving folk horror about a cursed song. And from Japan, Spy x Family Code: White is frankly bonkers animation (a feature expanded from the Netflix series) about a assembled family made up of a spy, an assassin, a telepath and a dog who can see the future. Jaw-droppingly hilarious.

BEST OUT THIS WEEK:
Close Your Eyes • Opponent
The Teachers' Lounge • Omen
Since the Last Time We Met
ALL REVIEWS >

Back to more mainstream fare, we had the Amy Winehouse biopic Back to Black, a strongly well-made if incomplete film anchored by a tremendous performance by Marisa Abela. I loved The Book of Clarence, an uneven biblical comedy-drama that's both silly and earnest, but works thanks to LaKeith Stanfield. And then there was Liuben is an awkwardly dubbed Spanish-Bulgarian drama with a strong story about a repressive society. And the delightful Steve! (Martin): A Documentary in 2 Pieces engagingly traces the comedian's life from stand-up to movie stardom and beyond.

I also watched three films from Argentina: Close Your Eyes is an epic-length mystery that makes the most of its extended running time with an attention to character and detail; Since the Last Time We Met is a remarkably sensitive look at a rekindled relationship; and Carnal Sins is a clever, beautifully made folk horror about a monster in the woods. 

This coming week I'll be watching Zendaya in Challengers, Johnny Depp in Jeanne du Barry, Matthew Modine in Hard Miles, the Canadian romcom The Nature of Love, Mexican drama All the Fires, the mock-doc Swede Caroline and the final compilation in the series Boys on Film 24: Happy Endings.

Critical Week: Let it burn

A much-promised heatwave failed to materialise in London this week. It's been a bit warmer, but not worth planning to be outside instead of in a cinema. Press screenings this week were lower key than they have been - no blockbusters this week. Caleb Landry Jones has been rightfully winning awards for his textured turn in Nitram, a fact-based story from Australia that's involving and very chilling. 

BEST OUT THIS WEEK:
The Quiet Girl • Vortex
Everything Everywhere All at Once
This Much I Know to Be True
ALL REVIEWS >

Two films skilfully mangled genres. Emergency looks like a standard American stoner comedy romp, but is actually much darker and deeper in its exploration of race and class issues. All My Friends Hate Me looks like a standard British reunion comedy, but is actually an unnerving exploration of 30-something insecurities. The experimental military drama Foxhole takes a pointed, involving look at war by putting its cast into action on three very different battlefields. The Chilean drama The Sea tackles issues of love and sexuality in offbeat, impossible to stereotype ways. And the documentary The Princess chronicles Princess Diana's life using only news and paparazzi footage, creating a powerful narrative in the process.

This coming week, films to watch include Tom Cruise's 35-years-later sequel Top Gun: Maverick, the 50-years-later sequel The Railway Children Return, Jesse Buckley in Men, Rebel Wilson's comedy Senior Year, the Romanian drama Uppercase Print and the Chinese drama River of Salvation.