Director Sam Taylor-Johnson and her actor husband Aaron Taylor-Johnson wrote the script themselves for A Million Little Pieces, adapting James Frey's controversial memoir detailing his time in rehab. It's beautifully made, raw and wrenching. Set in the late 70s and early 80s, Driven recounts the story of John DeLorean (Lee Pace) through the eyes of his shifty neighbour (Jason Sudeikis). It's uneven, but lively and very entertaining. And French filmmaker Francois Ozon shifts gears again for By the Grace of God, a powerful, sharply well made fact-based drama about men taking on the Catholic Church because they were abused as boys.
I also caught up with Adam, a New York-set drama that's been generating controversy because it dares to have a central character who makes a terrible mistake and learns from it. Since it's dealing with trans and queer issues, it's understandably touchy. But the film is also important, and very nicely made. And from Mexico, the 80s-set drama This Is Not Berlin is a sharply observant, skilfully shot and acted coming-of-age journey with vividly resonant themes. By contrast, the offbeat British crime thriller Killers Anonymous is a choppy mess, so it's a mystery how they lured Gary Oldman, Suki Waterhouse and Jessica Alba to be in it (albeit clearly filmed apart from the main plot).
This is a long weekend in London. I'll be blogging about FrightFest, and since the weather looks good I may brave the Notting Hill Carnival as well. Screenings include Henry Cavill in Night Hunter, Matthias Schoenaerts in The Mustang, the Norwegian drama Phoenix and the Argentine drama Rojo.
