Showing posts with label sav rodgers. Show all posts
Showing posts with label sav rodgers. Show all posts

Thursday, 14 March 2024

BFI Flare: Be yourself tonight

One of my favourite festivals each year, the 38th edition of the British Film Institute's Flare: London LGBTQIA+ Film Festival kicked off last night with the European premiere of Layla. Over the next 10 days, BFI Southbank is transformed into a lively space with a range of events, club nights and conversations alongside screenings of some of the most diverse movies on earth. Many of these films are impossible to see anywhere else, so I always look forward to discoveries. And it's also fun to reconnect with the gang of "Flare Friends" who gather annually to celebrate this important aspect of the industry. Here's the first collection of highlights, with my usual Critical Week report down below...

Layla
dir-scr Amrou Al-Kadhi; with Bilal Hasna, Louis Greatorex 24/UK ****
With wonderfully loose authenticity, this breezy British drama hones in on the often contradictory nature of being human. Writer-director Amrou Al-Kadhi refreshingly resists creating characters who are easy to pigeon-hole, and the situations don't resolve themselves in the tidy ways we have grown to expect on-screen. Instead, the film has some strong things to say about how our self-image is a key factor in our work and relationships. And even more importantly, it's a relentlessly charming movie.

The Summer With Carmen
dir Zacharias Mavroeidis; with Yorgos Tsiantoulas, Andreas Labropoulos 23/Gr ****
An astutely written and directed meta comedy about the nature of filmmaking, this Greek film playfully pokes fun at both itself and low-budget queer movies. Multiple layers of narrative feed together inventively to explore family relationships, friendships, romance, lust and even pet ownership for a group of 30-something guys. And as it knowingly grapples with issues of loyalty and masculinity, the film is warm, funny and very sexy... FULL REVIEW >

Silver Haze
dir-scr Sacha Polak; with Vicky Knight, Esme Creed-Miles 23/UK **.
Beautifully shot like an artful fly-on-the-wall doc and played with remarkable authenticity by a fresh cast, this film is watchable as an observant slice of life. Writer-director Sacha Polak captures the rhythms of British working class situations with plenty of energy, although the plot is so slim that this could have been an effective 20-minute short. There's also a problem with the naturalistic dialog, which is difficult to hear... FULL REVIEW >

Calls From Moscow
dir Luis Alejandro Yero; with Dariel Diaz, Daryl Acuna 23/Cub ****
Shot fly-on-the-wall style, this sharply well-made film follows the lives of four young Cuban men who are living in limbo in wintry Moscow. They have travelled there with hopes of bettering life for themselves and their families back home by hopefully moving into the European Union. But they're stuck here without documents, and being queer in Russia isn't easy. Filmmaker Luis Alejandro Yero takes an unusually artful approach, revealing inner feelings  through overheard conversations, music and silence.

Chasing Chasing Amy
dir Sav Rodgers; with Sav Rodgers, Kevin Smith 23/US ***.
Kevin Smith's 1997 comedy Chasing Amy stars Ben Affleck as a comic writer who falls in love with a lesbian played by Joey Lauren Adams. It's been considered problematic for its gender politics, but filmmaker Sav Rodgers found it inspiring because of its honest depiction of openly queer people. So he made this documentary both to say thank you and to understand why the movie generated so much controversy... FULL REVIEW >

Full reviews will be linked on Shadows' BFI FLARE PAGE >
For festival information, BFI FLARE >

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C R I T I C A L  W E E K

Outside the festival, I also watched Sydney Sweeney as a nun in the delightfully gruesome and camp horror thriller Immaculate; Bill Skarsgard in the mayhem-packed hyperviolent action comedy Boy Kills World; Cate Blanchett as a nun in the gorgeous, powerfully involving Aussie drama The New Boy; Caleb Landry Jones in Luc Besson's enjoyably bonkers but somewhat empty thriller Dogman; Emile Hirsch in the rather messy a psychological thriller State of Consciousness; and the complex, delightful queer romance Glitter & Doom. Live on-stage, there was the gifted New York City Ballet at Sadler's Wells, pointed drama Blue at Seven Dials Playhouse, and Company Wayne McGregor's fascinating Autobiography at Sadler's Wells.

Coming up this week are the blockbuster sequel Ghostbusters: Frozen Empire, Australian drama Limbo, Irish drama Baltimore. On stage at Sadler's Wells, there's UniVerse, a second Wayne McGregor show, as well as the medieval re-enactment performance Assembly Hall.

Sunday, 15 October 2023

LFF: Find your feet

And that's a wrap on the 67th London Film Festival. I enjoyed taking a slightly less involved approach this year, seeing lots of great movies without trying to see everything I wanted to see. There are still several big titles I need to catch over the coming months before awards voting deadlines, so I have lots to look forward to. The closing night party was great fun too. Here are some final highlights, including the closing film The Kitchen. My favourites are below, along with the award winners...

Chicken Run: Dawn of the Nugget
dir Sam Fell; voices Thandiwe Newton, Zachary Levi 23/UK ****
After their great escape in the 2000 classic, the gang returns for an impossible mission. Every moment in the film is packed with throwaway gags, sharp comedy and thrills that riff on heist and action movies. Of course, Aardman's attention to detail shines in the painstaking stop-motion animation, as characters and sets overflow with personality. And the film reminds us to find the bravery to do the right thing.

Poor Things
dir Yorgos Lanthimos; with Emma Stone, Willem Dafoe 23/UK *****
Taking on another fantastical story, Yorgos Lanthimos grounds and deepens this wildly stylised fable with darkly provocative themes. It may be visually extravagant, often going wildly over the top with full-on performances from a daring cast of excellent actors, and yet everything remains grounded in sympathetic emotions. So what the story is saying about polite society becomes almost revolutionary, encouraging us to go against the grain and speak the truth.

The Kitchen
dir Kibwe Tavares, Daniel Kaluuya; with Kane Robinson, Jedaiah Bannerman 23/UK ***.
Set in the near-future, this British film combines elements of comedy, drama and thriller to tell the warm story of a father-son relationship between a man and a teen boy. It's a bit repetitive and takes its time getting to the point, but the characters are beautifully written and played, and the film is directed with understated skill by first-timers Kibwe Tavares and Daniel Kaluuya. Brimming with energy, it's engaging and entertaining, with a sharp point.

Chasing Chasing Amy
dir-scr Sav Rodgers; with Sav Rodgers, Kevin Smith 23/US ***.
Kevin Smith's 1997 comedy Chasing Amy stars Ben Affleck as a comic writer who falls in love with a lesbian played by Joey Lauren Adams. It's been considered problematic for its gender politics, but filmmaker Sav Rodgers found it inspiring because of its honest depiction of openly queer people. So he made this documentary both to say thank you and to understand why the movie generated so much controversy.

All full festival reviews will be linked to Shadows' LFF PAGE >

RICH'S BEST OF THE FEST
  1. All of Us Strangers
  2. Poor Things
  3. The Zone of Interest
  4. The Eternal Memory
  5. Robot Dreams
  6. In Restless Dreams
  7. May December
  8. In Camera
  9. Saltburn
  10. Tiger Stripes
Honourable mention: Nyad, Samsara, Totem, The Lost Boys, Fingernails, Shortcomings, Blackbird Blackbird Blackberry, Anselm, Chicken Run: Dawn of the Nugget

OFFICIAL LFF AWARDS
  • Best Film: Evil Does Not Exist
  • Sutherland Award for First Feature: Mika Gustafson for Paradise Is Burning 
  • Grierson Award for Documentary: Bye Bye Tiberias
  • Audience Award: tbc