Showing posts with label sinister. Show all posts
Showing posts with label sinister. Show all posts

Monday, 17 September 2018

House of Horror: Terror in Essex

Opening on 28th September in an abandoned building in the woods near Brentwood, Essex, House of Horror calls itself an immersive 4D experience. But that doesn't quite go far enough. This is a freak-out that puts you right in the middle of a series of bonkers scenarios lifted from horror movies in a deliberate attempt to scare the liver out of you.

They let the press in for a dress rehearsal a few weeks before launching to the public, and I have to say it was more fun than I expected. And not quite as scary as I hoped. But then, I'm a jaded film critic who finds it difficult to blur the line between fact and fiction. Elements of the event were disorienting, creepy and downright revolting, but I never felt in danger. That said, I never got to enter the final, dreaded Room 13. But the effort that went into creating the previous 12 rooms was impressive. 

Here's the scoop without any spoilers...

When you arrive, you're asked to sign a rather long waiver consenting to possible injury and death, then turn over everything you have in your pockets (the only thing you can carry into the house is the cloakroom ticket). There's street food and drinks while you wait your turn, then a shouting masked man verbally abuses you as he drags your group of 10 into the superbly dilapidated building.

Inside there's a brief orientation video after which a hood is placed over your head and you're led into the next room. A series of carefully staged experiences follow, as each room combines wit and nastiness to keep you as off-balance as possible. There are ghostly spirits, evil demons, mechanical mishaps and maniacal medical workers with knives and chainsaws. In one room, there's a challenge to complete that involves something truly disgusting. In another you're blinded by strobe lights and told to find a way out. There's also more pitch-black weirdness and some claustrophobic grisliness.

Finally you emerge, blinking into a large area where there's more food and drink, plus a chance to strike an appropriate pose in the photo booth (see below) and recover before signing another waiver and entering the ominous Room 13, if you dare. I wasn't able to go in there, sadly. But I had a lot of fun in the previous 12, and I didn't need to evoke the safe words. 

The actors are all excellent, with a few stand-out stars along the way. Some are funny and others are creepy, but each is hugely engaging, staring you down and involving you in improvised dialog that's often hilariously aggressive. This is a thoroughly physical experience, throwing you right into scenarios that are skilfully designed and constructed. Surprises lurk around each corner. Some rooms are astonishing in their attention to detail, others are a little more rough and ready. There are elements in each room that are seriously inventive, and there's no doubt that it will get better (and scarier) as the cast push the limits of each scenario.

House of Horror runs from 28th September to 31st October. For tickets and detailed information, visit: www.houseofhorror.co.uk

Note that the location is a challenge for anyone without a car, as it's too far to walk from Brentwood station. Also, the experience is not accessible for anyone with limited mobility. And it's advised to wear comfortable shoes and clothing you don't mind getting (ahem!) blood on.

Tuesday, 18 August 2015

Critical Week: Double trouble

Tom Hardy himself popped up at the press screening for his stylish and entertaining movie Legend, in which he delivers two astonishing performances as the Kray twins, who ran London's gangland in the 1960s. Ed Helms stars in Vacation, a next-generation sequel to the Chevy Chase comedies that's just as rude but more silly than edgy. Robert Redford and Nick Nolte star in the enjoyably earthy comedy A Walk in the Woods, based on the Bill Bryson book. Marcia Gay Harden heads to Costa Rica in the warm comedy-drama After Words, and has a life-altering encounter with a cheeky local. And Josh Hutcherson heads to Colombia in the realistic, gritty thriller Escobar: Paradise Lost, where he becomes entangled with the 1990s drug kingpin, played with disarming charm by Benicio Del Toro.

A little further afield, we had the sequel Sinister 2, which has an extreme embargo on it: until the day it opens. We also saw the beautifully made gentle Los Angeles drama Brahmin Bulls, with Sendhil Ramamurthy and Roshan Seth as father and son; actor-turned-filmmaker Craig Roberts' perhaps too audacious,but skilfully made British coming-of-age movie Just Jim; actor Steve Oram's even more experimental, and rather genius, sociological pastiche Aaaaaaaah!; the rather bleak but moving Australian homophobia drama Drown; and Dishonoured Bodies, a collection of nine somewhat preachy but very cleverly assembled experimental shorts by Spanish filmmaker Juanma Carillo.

This coming week we have the NWA biopic Straight Outta Compton, Zac Efron in We Are Your Friends, Kevin Costner in McFarland, Rupert Friend in Hitman: Agent 47 and M Night Shyamalan's The Visit.