LFF 7: True stories

It was duelling red carpets on Leicester Square tonight at the 57th London Film Festival, as one side hosted Judi Dench and Steve Coogan (pictured) for Philomena while across the square fans and paparazzi were lined up for Joseph Gordon-Levitt and his film Don Jon. Yes, another day of too many films and lots of rain. I'm glad there are only four days to go. More highlights...

Philomena
dir Stephen Frears; with Judi Dench, Steve Coogan 13/UK ****
A shameless crowd-pleaser, this warmly engaging drama is based on a remarkable true story. And it also offers Dench and Coogan the chance to create complex, involving characters we can identify with. The film sometimes feels harshly edited, zipping through serious scenes with an emphasis on sentimentality. But it still wins us over. FULL REVIEW >

The Past 
dir Asghar Farhadi; with Berenice Bejo, Tahar Rahim 13/Fr **** 
Farhadi brings his surgically precise filmmaking to Paris with an interpersonal drama that, like A Separation, fills the screen with almost frighteningly complex characters who are struggling to get on with their lives together. Or apart, for that matter. Farhadi isn't one to let old wounds heal slowly; he'd rather rip off the plaster and pick away the scab FULL REVIEW >

The Armstrong Lie 
dir Alex Gibney; with Lance Armstrong, Oprah Winfrey 13/US ***. 
Gibney takes his usual detailed approach to this documentary about Lance Armstrong's stellar cycling career and notorious fall from grace. But it's an oddly assembled hybrid, as much of the material was shot for a very different doc about his comeback in 2009. And wile it's great footage, it throws the film somewhat off-balance. FULL REVIEW >

We Are the Best! 
dir-scr Lukas Moodysson with Mira Barkhammar, Mira Grosin 13/Swe **** 
After dipping into more experimental filmmaking, Moodysson returns to the lively improvisational style of Show Me Love and Together. He coaxes energetic, utterly charming performances from his three pre-teen leads, while exploring youthful rebellion from a cleverly askance angle FULL REVIEW >

Floating Skyscrapers 
dir Tomasz Wasilewski; with Mateusz Banasiuk, Marta Nieradkiewicz 13/Pol ****
Exploring a very dark side of Polish society, which echoes in many parts of the world, this drama is compelling and involving. As well as rather overwhelmingly bleak. But it's so beautifully shot and edited, with sharply naturalistic performances, that we can't help but be drawn in.
FULL REVIEW >

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C R I T I C A L   W E E K
Yes, I also caught some non-LFF movies this past week, including: the Arnie/Sly action thriller Escape Plan, Danny Dyer in the crime drama Vendetta, Sheridan Smith in the girly comedy Powder Room, the British mystery-spoof World of Hurt, and the arty American drama Five Dances. None of them were great (to put it mildly), but they were a nice contrast to the intensity of the festival films.

Coming this next week outside the LFF: the comedy Last Vegas, the biopic Mandela, the Dickens drama The Invisible Woman and the sequel Cloudy With a Chance of Meatballs 2. Among other things...

Critical Week: Cabin fever

Things always get a bit surreal for critics this time of year, as our usual press screenings are augmented by Raindance (25 Sep-6 Oct) and press screenings for the London Film Festival (9-20 Oct)....

At 21st Raindance Film Festival: Outpost 11 (pictured) is a superbly stylised British thriller set in a parallel steampunk Cold War reality. Claustrophobic and unnerving, it's seriously inventive, and deserves a proper release. Jake Squared is a self-indulgent trawl through a filmmaker's own middle-age angst, with a terrific cast including Elias Koteas, Jennifer Jason Leigh, Virginia Madsen and Mike Vogel. But it's far too gimmicky to work. Dirtymoney is a spin on the usual London crime drama, with a much more introspective approach and a strong central performance from Anthony Welsh. And Whoops! is a pitch-black comedy about an accidental serial killer. Strong characters make up for the goofy plot.

In advance of the 57th London Film Festival (more comments to come): The festival's opening film Captain Phillips is easily one of my best of the year. Joseph Gordon-Levitt's Don Jon is absolutely hilarious. The Spectacular Now is one of the most realistic teen movies we've seen. Afternoon Delight is a sharp comedy that goes to some very bleak places. Francois Ozon's Jeune & Jolie explores the very touchy topic of teen prostitution from an offbeat perspective that forces us to think. Alex Gibney's The Armstrong Lie uses the cyclist's 2009 comeback attempt to frame a detailed story of doping and deception. The British thriller Blackwood adds a clever twist to the ghost horror genre. And the Polish drama Floating Skyscrapers tackles machismo and homophobia from a startling angle.

Meanwhile: We had a very late press screening for the disappointing online-casino thriller Runner Runner, starring Justin Timberlake, Ben Affleck and an underused Gemma Arterton. And I also caught up with the schlocker Sharknado before its UK release next week: funniest bad movie ever!

This coming week, I have at least two Raindance movies: the Latin drama The Critic and the British comedy Convenience. LFF screenings include Robert Redford in All Is Lost, the comedy Drinking Buddies, the British rom-com Hello Carter, the animated/live-action hybrid The Congress, Bernard Rose's SX_Tape, the French drama Stranger by the Lake and the doc Teenage. And for everyday movies, we have the Stallone-Schwarzenegger thriller Escape Plan, the horror remake We Are What We Are and the Alec Baldwin/James Toback doc Seduced & Abandoned.