Critical Week: You're winding me up

After the Bafta Film Awards on Monday, the final stretch of this year's awards race is as unpredictable as ever. Apart from Zoe Saldaña and Kieran Culkin, most categories are still up in the air. A flurry of awards this weekend will further muddy the water before it all climaxes at Oscar on March 2nd. Meanwhile, movies are still arriving in cinemas, and this week's biggest was The Monkey, another enjoyably creepy film from Osgood Perkins, this time with Theo James as twin protagonists. It's funnier than it is scary. 

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From the Netherlands, Invasion is a slickly made thriller set in sunny Caribbean locations as beefy marines take on an unexpected attack from a (fictional) rogue South American nation. It's fun but anticlimactic. The Brooklyn drama Barrio Boy is an involving depiction of Latino subculture with a story that explores homophobia in somewhat elusive ways. From China, the animated epic Chang'An is a spectacular mix of gorgeous imagery, visceral battles and moving poetry. And the entertaining, finely made documentary I Am Martin Parr explores the British photographer's inimitable career. I also attended the programme launch for the 39th BFI Flare film festival (coming 19-30 March), plus the monumental Vollmond at Sadler's Wells and the rhythmic Trash! at the Peacock.

This coming week I'll be watching Woody Harrelson in the underwater thriller Last Breath, Ralph Fiennes in The Return, Toby Jones in Mr Burton, Bruno Dumont's The Empire, Georgian drama April and the documentary Ernest Cole: Lost & Found.

Critical Week: Mask up

The weather in the UK has broken all records, unbearably hot temperatures for a nation that has so little air conditioning. Thankfully, I was able to escape to cool theatres and cinemas! And the warm weather is continuing, so I'll be on the look out for ways to avoid the sweatiness. Films this past week included the Austen-style period romance Mr Malcolm's List starring Freida Pinto and Sope Dirisu. It's engaging but feels very gimmicky. And then there was Paws of Fury: The Legend of Hank, a surprising remake of Blazing Saddles as an animated kid-friendly romp set in feudal Japan. It's silly fun, perhaps too messy for children, but fans of the original will enjoy the references, including Mel Brooks voicing a new take on his original role.

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A little further afield is the British historical drama Prizefighter, about 1800 boxing champ Jem Belcher. It's simplistic, but is boosted by having Russell Crowe and Ray Winstone in key roles. Katie Holmes writes, directs and stars in the pandemic romance Alone Together, which is warm and engaging, and also predictable. The comedy-drama The Shuroo Retreat, follows a journalist to a wacky self-help weekend, with results that are funny and remarkably complex. The British romantic drama You Are My Sunshine is clearly a labour of love by inexperienced actors and filmmakers. It's awkward but has its moments. And there were two more selections of shorts in the Girls Feels series: Forces of Nature and Skin Deep, taking bold, insightful looks at young women coming of age.

Films to watch this coming week include the animated adventure DC League of Super-Pets, Juliette Binoche in Both Sides of the Blade, Will Poulter in The Score, Billy Porter's comedy-drama Anything's Possible and the horror thriller Hypochondriac.

Critical Week: Pandaemonium

Surprisingly, one of the best films screened to London press in the past week is the animated sequel Kung Fu Panda 3, which takes the saga of reluctant hero Po to a satisfying climax with wit, action and real emotion. Other sequels this week include the visually impressive third Divergent adventure Allegiant, which reverts to explanatory dialog and essentially pointless action. And Gerard Butler's lively follow-up action romp London Has Fallen is absolutely preposterous but thinks it's edgy and real.

It was also a mixed bag for prestige dramas this week. Tom Hiddleston is superb as Hank Williams in the choppy biopic I Saw the Light. Michael Shannon reunites with Jeff Nichols for Midnight Special, a blockbuster story cleverly told as an arthouse drama. Reese Ritchie and Freida Pinto are solid in the uneven Iran-set British drama Desert Dancer. And the ambitious Italian mob drama Suburra beautifully brings its complex plot strands together.

Documentaries included a fascinating look at a corner of cinema history in Peter de Rome: Grandfather of Gay Porn and the perhaps slightly too academic but harrowingly important The Brainwashing of My Dad. And I also caught up with Mexican Men, a collection of five visceral short films by Julian Hernandez and Roberto Fiesco.


Coming up this week, we have Meryl Streep in Florence Foster Jenkins, JJ Abrams' alien-attack spin-off 10 Cloverfield Lane, Russell Tovey in The Pass, Tom Sturridge in Remainder, the British gaming action thriller The Call Up, Laurie Anderson's Heart of a Dog and the photographer doc Mapplethorpe: Look at the Pictures.

Critical Week: Well well well...

UK critics had a chance to catch up with Russell Crowe's directing debut The Water Diviner this past week. It's a moving true story set in the aftermath of World War I, but its earnestness tries the patience. As does a somewhat gratuitous romantic subplot involving Olga Kurylenko as an impossibly gorgeous Turkish hotelier. The biggest film of the week was Insurgent, which held its world premiere in London before the only press screening on Monday. It's an improvement on the original, with stronger characters, terrific acting and even more impressive visuals.

Critics were also treated to a lively morning screening of the hilarious DreamWorks animated romp Home, and an evening screening of Liam Neeson's latest action movie Run All Night, which was better than expected. Stonehearst Asylum is a nutty mental institute thriller by Brad Anderson with an all-star cast that includes Ben Kingsley, Michael Caine, Kate Beckinsale and Jim Sturgess. Listen Up Philip is a funny and awkward comedy about writers starring Jason Schwartzman, Jonathan Pryce and the amazing Elizabeth Moss. Still is a low-budget British film that majors in moody set design and intense characters at the expense of personal involvement. And 3 in a Bed is an even smaller-budget British romance that proves that anyone can make a movie, including amateurs.

We also had some press screenings for the British Film Institute's Flare: London LGBT Film Festival, which kicks off on Thursday night at BFI Southbank. The opening film is I Am Michael, a bracingly open-handed drama starring James Franco and Zachary Quinto that's bound to spark a lot of discussion. And we also watched the director's cut of 54, Mark Christopher's 1998 disco-era drama that was eviscerated by the studio at the time and makes a lot more sense with key narrative elements reinstated. Great performances too from Ryan Philippe, Salma Hayek, Breckin Meyer and Mike Myers, plus a glimpse of a young Mark Ruffalo. I've seen a lot more BFI Flare movies already, and will be covering the festival here as usual.

Over the next week, BFI Flare will take up most of my time, but I also have screenings of Will Ferrell's Get Hard, the true thriller Kidnapping Freddy Heineken and a pair of somewhat self-explanatory docs: Altman, about the filmmaker, and I Am Big Bird, about the Sesame Street performer.