Arriving back in London, there's a lot to catch up on, both with writing and movie watching. But I'm working my way through it all, fending off jet lag and surprisingly not too bothered by the cold, wet, dark days here. Awards season is in full swing now, so there are plenty of for-your-consideration films to watch, plus TV series as I am voting in both film and TV categories in this year's Golden Globes. I've only just begun to catch up.
|
BEST OUT THIS WEEK: Anatomy of a Fall The Eternal Memory ALL REVIEWS > |
Films this week included yet another unexpected performance from Nicolas Cage, this time as a hapless nice guy propelled into a surreal social media flurry in
Dream Scenario. It's smart and strange, and wonderfully provocative. Brie Larson, Teyonah Parris and Iman Vellani are back as
The Marvels, an bonkers action comedy that's funny but vacuous. Ayo Edebiri and Rachel Sennott lead the teen comedy
Bottoms, which is rude and amusing, and never quite gets to the point. The important and engaging doc
Every Body is a bracingly honest look at life for three intersex people, bursting with humour and music. And I caught up with this one on the plane...
The Covenant
dir Guy Ritchie; with Jake Gyllenhaal, Dar Salim 23/US ***.
Set in 2018 Afghanistan, this remarkably understated thriller may be fictional, but it has a strong ring of truth to its story of an American soldier who feels a moral responsibility for helping the interpreter who saved his life. Director-cowriter Guy Ritchie recounts the story with an edgy authenticity that often feels like a documentary, so even when the bigger action beats emerge, they feel grounded in human experience. And performances have a terrific earthiness that avoids the usual militaristic bombast.
Films this coming week include Joaquin Phoenix as
Napoleon, Zac Efron in
The Iron Claw, Alexander Payne's
The Holdovers, Julia Garner in
The Royal Hotel, James Marsh's Samuel Beckett biopic
Dance First, Hayao Miyazaki's
The Boy and the Heron, Japanese monster reboot
Godzilla Minus One, the doc
American Symphony and the restored classic
The Red Shoes.
No comments:
Post a Comment