Critical Week: You're a winner, baby

Arriving back in London, there's a lot to catch up on, both with writing and movie watching. But I'm working my way through it all, fending off jet lag and surprisingly not too bothered by the cold, wet, dark days here. Awards season is in full swing now, so there are plenty of for-your-consideration films to watch, plus TV series as I am voting in both film and TV categories in this year's Golden Globes. I've only just begun to catch up.

BEST OUT THIS WEEK:
Anatomy of a Fall
The Eternal Memory
ALL REVIEWS >

Films this week included yet another unexpected performance from Nicolas Cage, this time as a hapless nice guy propelled into a surreal social media flurry in Dream Scenario. It's smart and strange, and wonderfully provocative. Brie Larson, Teyonah Parris and Iman Vellani are back as The Marvels, an bonkers action comedy that's funny but vacuous. Ayo Edebiri and Rachel Sennott lead the teen comedy Bottoms, which is rude and amusing, and never quite gets to the point. The important and engaging doc Every Body is a bracingly honest look at life for three intersex people, bursting with humour and music. And I caught up with this one on the plane...

The Covenant
dir Guy Ritchie; with Jake Gyllenhaal, Dar Salim 23/US ***.
Set in 2018 Afghanistan, this remarkably understated thriller may be fictional, but it has a strong ring of truth to its story of an American soldier who feels a moral responsibility for helping the interpreter who saved his life. Director-cowriter Guy Ritchie recounts the story with an edgy authenticity that often feels like a documentary, so even when the bigger action beats emerge, they feel grounded in human experience. And performances have a terrific earthiness that avoids the usual militaristic bombast.

Films this coming week include Joaquin Phoenix as Napoleon, Zac Efron in The Iron Claw, Alexander Payne's The Holdovers, Julia Garner in The Royal Hotel, James Marsh's Samuel Beckett biopic Dance First, Hayao Miyazaki's The Boy and the Heron, Japanese monster reboot Godzilla Minus One, the doc American Symphony and the restored classic The Red Shoes.

Critical Week: Stay cool

This is an almost comically hyped-up cinematic week, as #Barbenheimer heralds the release of two of the year's most anticipated releases, Greta Gerwig's Barbie and Christopher Nolan's Oppenheimer. Annoyingly, Universal refused to let me attend any Oppenheimer press screenings, but I'll still see it. Of course, Warners launched Barbie in a big splash of pink, and it's a hugely enjoyable film, far smarter than expected, with a strong point underpinning its candy-coloured hilarity. Teyonah Parris, Jamie Foxx and John Boyega (above) star in the funky comedy-thriller They Cloned Tyrone, which oozes style as it tells a bonkers story that also has a much more serious edge to it. More gleefully ridiculous, Joy Ride is an entertaining and perhaps too-riotous romp following Ashley Park, Stephanie Hsu, Sherry Cola and Sabrina Wu into various crazy situations in East Asia.

BEST OUT THIS WEEK:
Oppenheimer • Barbie
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Much more subtle films included Julia Louis-Dreyfus reteaming with writer-director Nicole Holofcener for the comedy You Hurt My Feelings, which astutely observes relationship issues from a knowing perspective. The stunningly well written, directed and acted drama Mutt follows a young trans man as he reconnects with three people from his past. The literally breathtaking thriller The Dive remains contained around two sisters who have a terrifying underwater crisis. There were also two docs: the sassy and profoundly moving Kokomo City, about Black trans sex workers caught between their various communities, and Bobi Wine: The People's President, a riveting portrait of a populist politician standing up against corrupt rule in Uganda. I also caught two superbly masculine shows at the end of Sadler's Wells Flamenco Festival.

Tomorrow I'll buy a ticket to see Oppenheimer in 70mm but not Imax, as those are all sold out. In addition, I'll be watching the romantic comedy Red, White & Royal Blue, plus the French drama Smalltown Boys, the Malaysian thriller Walid, the animated adventure Mavka: The Forest Song, the Tibetan doc Baato, and the 23rd Boys on Film shorts collection Dangerous to Know.

Critical Week: Things are heating up

These strange times continue to challenge the film industry, as distributors keep shifting release dates, and changing the rules about attending press screenings (I had my first screening this week that required a negative covid test). But it's definitely getting busier, and it's great to be seeing the big movies on huge screens again. Let's just hope that hospital numbers don't rise again. As for the movies this week, one of the more intriguing was the English-language Polish thriller Mosquito State, which is very big on style (see above) even if the plot remains rather elusive. One of the most entertaining Marvel blockbusters yet, Shang-Chi and the Legend of the Ten Rings is a thrilling martial arts action adventure adeptly led by Simu Liu and Awkwafina. Yahya Abdul-Mateen II leads the identically named nearly 30-years-later sequel Candyman, a punchy political horror that's more darkly unsettling than scary. 

BEST OUT THIS WEEK:
Candyman
The Last Bus • The Nest
PERHAPS AVOID:
Mosquito State
The Pebble and the Boy
ALL REVIEWS >

A hit West End musical based on a true story, Everybody's Talking About Jamie has been adapted into a surprisingly emotive film. It's still exuberant and inspiring, but everything feels much more intense now. From Peru, the animated adventure Ainbo: Spirit of the Amazon looks fantastic and features some lovely magical touches in its rather simplistic story. From Germany, the English-language futuristic thriller The Colony blends Waterworld/Mad Max-style imagery to say some intriguing things about humanity. And it was great to catch the restored 1963 Joseph Losey classic The Servant on a big screen. Still rivetingly deranged after all these decades, it's adeptly anchored by devastating performances from Dirk Bogarde and James Fox.

I'm also watching films as part of both Outfest (Los Angeles) and FrightFest (London) at the moment. These have included the award-winning nonbinary drama Firstness, the quirky autobiographical memoir Potato Dreams of America and the astonishing Swedish thriller Knocking. There are a few more of these to come, and they're being covered both on the site and in other blog posts.

This coming week I'll be watching more FrightFest movies,Jennifer Hudson as Aretha Franklin in Respect, the family drama A Wake, the British drama Second Spring, the British thriller Shorta, the German revenge thriller Plan A and the true boxing drama The Champion of Auschwitz.