Critical Week: And they called it puppy love

It's been another busy week in awards season, with screenings every night and lots of films to watch at home on links during the day. I also somehow have to find time to write about them all. It was great to catch up with festival breakout hit Pillion, Harry Lighton's offbeat romance starring Harry Melling (above) and Alexander Skarsgard. It's notorious for its dominant-submissive sexuality, but is actually a rather sweet and moving drama. By far the biggest movie was the European premiere of Wicked: For Good and I got to meet Cynthia Erivo and Ariana Grande, along with director Jon Chu, at a reception before the screening. Unsurprisingly, the film is spectacular, much darker and more emotional than the first part. I also saw two gorgeous animated adventures: In Your Dreams is a fabulously colourful trip into the imagination, and Arco skilfully uses hand-drawn style anime to tell a pointed story from the future.

BEST OUT THIS WEEK:
In Your Dreams
Arco • Jay Kelly
Night of the Juggler
ALL REVIEWS >

At another starry awards screening, Kate Winslet presented her directing debut Goodbye June, alongside costars Toni Collette, Timothy Spall, Andrea Riseborough and Johnny Flynn, plus gifted young screenwriter Joe Anders (who happens to be Winslet's son). It's a funny and moving ensemble film. The Broadway cast of Merrily We Roll Along, including Tony winners Daniel Dadciffe and Jonathan Groff, features in a superbly filmed stage performance of Stephen Sondheim's powerful exploration of art and friendship. 

A bit further afield, Tom Blyth stars in the perhaps too-snappy investment banking comedy Bull Run. Jorma Tommila is back for the entertaining and outrageously grisly Finnish action sequel Sisu: Road to Revenge. The Danish drama Sauna is a darkly thoughtful romance. Hong Kong drama Valley of the Shadow of Death, explores grief and redemption in an involving faith-based story. From Argentina, 300 Letters deconstructs a romance in ways that are sexy, funny and moving. And I finally caught up with the breakout animated hit KPop Demon Hunters, which is a lot of bright-hued fun, packed with great music. On top of all of that, I attended the seriously epic UK premiere of the first episode of Stranger Things season 5.

Coming up this next week, I plan to watch Timothee Chalamet in Marty Supreme, Amanda Seyfried in The Testament of Ann Lee, Nicolas Cage in The Carpenter's Son, Emma Mackey in Ella McCay, June Squibb in Eleanor the Great, British-Nigerian drama My Father's Shadow, Iraqi drama The President's Cake, French drama Nino and Taiwanese drama Left-Handed Girl, plus a premiere screening of Landman season 2.

Critical Week: Let's get weird

After two straight months of film festivals, I made the decision to sit out the 30th Raindance Film Fest, which is underway in London this week. It's always packed with great screenings, unsung films often with filmmaker Q&As. But I've needed some mental health space. I also had to prepare for the annual Critics' Circle Services to the Arts award today, which this year went to Emma Thompson. As chair of the Film Section, I sat next to her for lunch and then delivered a speech about her career before she replied with a fabulous speech of her own about the nature of criticism and its impact on her life. There were about 75 members of the Circle in attendance from across all six sections - film, theatre, dance, music, books and art. A superb afternoon.

BEST OUT THIS WEEK:
Causeway • Living
Weird: The Al Yankovic Story
Missing • Utama • Neptune Frost
PERHAPS AVOID:
Dear Zoe
ALL REVIEWS >

Movie-wise, the surprising highlight was the pastiche biopic Weird: The Al Yankovic Story, starring Daniel Radcliffe as the king of parody songs. It's a riotously hilarious film, and the screening was accompanied by a lively launch party for Roku in the UK. Other films included the violent and entertaining action drama Medieval, starring Ben Foster, Michael Caine and Sophie Lowe; the superbly unsettling urban horror drama Nanny, with Anna Diop as a Senegalese woman in New York; the remarkable Sadie Sink in the melodramatic and rather slushy drama Dear Zoe; the latest from Cornish filmmaker Mark Jenkin, the folkloric freak-out Enys Men; and a new inventively nutty mind-bender from Justin Benson and Aaron Moorhead, the paranormal adventure Something in the Dirt.

Movies to watch this next week include the sequel Black Panther: Wakanda Forever, Dustin Hoffman and Sissy Spacek in Sam & Kate, Romain Duris in Final Cut, Latin American horror in Blood-Red Ox, the Australian romance Expired and the surreal comedy Homebody.

Critical Week(s): Lights, camera, action!

I've rather enjoyed stepping out of my usual routine over the past month or so, with a long catch-up break visiting friends and family after two years, then two weeks of film festival capped by the all-night mayhem of this year's Oscar ceremony. Whether I'll return to my usual schedule is still up in the air, but I'm definitely re-thinking how I spend my time. For example, I was unable to attend the only press screening of Marvel's latest epic Morbius, and I was fine with that. It's the first one I've missed, and I feel that if the studio doesn't want me to see a movie, that's going to be OK from now on. This post is catching up on about two weeks of regular-release movies I watched between festival films... 

BEST NEW FILMS:
The Worst Person in the World
Poppy Field • Jump, Darling
Mothering Sunday • Down in Paris
PERHAPS AVOID:
Sonic the Hedgehog 2
ALL REVIEWS >

The most starry of these films was The Bubble, which being a Judd Apatow movie is of course far too long for what it is: a comedy about making a movie during the pandemic. It has its moments, and the cast is up for it, but tighter editing and sharper writing never go amiss. Much more fun was The Lost City, a relentlessly silly romp in the jungle with Sandra Bullock, Channing Tatum and Daniel Radcliffe. On the other hand, Sonic the Hedgehog 2 merely honed in on the most irritating things about the likeable 2020 movie, so this one feels painfully unfunny and manages to waste Jim Carrey as well.

Further afield, Jennifer Reeder's offbeat horror Night's End is witty and very clever, creating a terrific sense of gnawing fear, plus some big jolts. Francois Ozon's expertly made French drama Everything Went Fine is based on a true story about dying with dignity, but manages to avoid politics for something more engagingly personal. The Shakespeare Sisters adapt William Shakespeare's iconic romance into the present-day comedy Much Ado, making the most of a low budget and talented cast. Antony Hickling's thoughtful odyssey Down in Paris is a fascinating night of earthy soul-searching. And the British horror comedy Followers finds a new way to use video-screen imagery to create tension, even if the film feels a bit thin.

Coming up this next week, I'll be watching the blockbuster sequel Fantastic Beasts: The Secrets of Dumbledore, Jake Gyllenhaal in Ambulance, Nicolas Cage in The Unbearable Weight of Massive Talent, Dermot Mulroney in Agent Game, the French comedy Anais in Love, the Irish thriller You Are Not My Mother and the quirky biopic Aline.

Critical Week: The plane! The plane!

That'll be me tomorrow - flying off to paradise. Well, to see my parents, who happen to live in Los Angeles (not tropical, but can't complain). Anyway, that's a photo from the new film adaptation of the classic 1970s TV series Fantasy Island. Although the filmmakers seem unsure what they wanted to achieve, including some of the show's cheesy humour alongside corny melodrama and grisly horror. It never settles into one thing, and the story never comes together. A real waste of a solid cast that includes Michael Peña, Maggie Q, Michael Rooker and Austen Stowell. But hopefully the cast and crew had a nice holiday on that lovely island.

Much better was Onward, Pixar's new brother-centred animated adventure that's packed with comedy, action and, yes, emotion. It's simply gorgeous, perhaps more aimed at boys than girls. Daniel Radcliffe continues to eschew Hollywood with Guns Akimbo, a bonkers action movie from New Zealand that has great energy and rather a lot of gratuitous gore. Showing at Cinequest and Outfest Fusion over the next week or so, Breaking Fast is a superbly thoughtful comedy-drama about a gay Muslim who finds love unexpectedly.

I didn't have time to watch any other films this past week - other than revisiting Orlando (1992), for the first time on a big screen. It was screened at BFI Southbank as part of the Tilda Swinton season, and it was introduced on-stage by Swinton and writer-director Sally Potter, who offered a hilarious unscripted stream-of-conscience commentary (see below). A real joy. And the film hasn't aged at all - it still feels bracingly present-day.

There are several films I'm hoping to catch up with in cinemas while in California, including Emily Blunt's A Quiet Place Part II, Ben Affleck's The Way Back, Annette Bening's Hope Gap, Javier Bardem's The Roads Not Taken, and the cycling comedy The Climb. Whether I'll have time for any of those is yet to be seen...

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Sally Potter and Tilda Swinton provide priceless entertainment before last night’s screening of the eerily timeless masterpiece #Orlando

A post shared by Rich Jack Cline (@ukcline) on Mar 3, 2020 at 5:40am PST

Critical Week: Kitties for Christmas

On Tuesday evening I was able to get into two huge press screenings, easily the most surreal double bill of the year. First up was Cats, Tom Hooper's bizarrely imagined adaptation of Andrew Lloyd Webber's already bizarre musical. It looks like nothing you've seen before, awful and brilliant at the same time. Immediately after that, the critics shuffled across Leicester Square for the only press screening of Star Wars: The Rise of Skywalker, the ninth film in the 42-year-long movie saga. It's very entertaining, but a little too carefully concocted to be the masterpiece we were hoping for.

Being busy planning the announcement of the London Critics Awards nominations, I didn't have a lot of time for screenings this week. But I did catch up with Ryan Reynolds in 6 Underground, a massively colourful action romp directed by Michael Bay with little concern for plot or character or coherence. The Courier is an odd patchwork action thriller, as it seems like stars Gary Oldman, Olga Kurylenko and William Moseley never met each other. But it's slick and fast. And Daniel Radcliffe continues to defy expectations, playing a real-life 1970s South African hippie activist in Escape From Pretoria, a grippingly straightforward prison-break movie with a political angle.

Over Christmas I'll be catching up with some late-season awards movies, and also binging on the TV series I've fallen behind on. I'm definitely looking forward to some down time, especially a slowdown in the glut of emails relating to the three film awards I vote for.

Critical Week: Vikings and knights

It seems obvious that the Lego's main rival would want its own movie, and there was a press screening this week of Playmobil: The Movie. It's not as sharp or smart as The Lego Movie, but it has a frantic energy that might keep kids entertained. Aside from wacky voice work from the likes of Daniel Radcliffe and Adam Lambert there's not much here for adults. A much bigger family film opens this week, of course. Disney's remake of its classic The Lion King, was screened to the press a bit late in the day. The state-of-the-art animation is staggering, and the story is well-told. Although the emotional impact feels oddly muted compared to the more expressive original.

Off the beaten path, Willem Dafoe stars in the artful Opus Zero, a complex drama that challenges the audience with its exploration of the creative process. Chain of Death is a slow-burning psychological thriller about a guy (John Patrick Amedori) caught up in a tangled web of murder/suicide for no logical reason. My Friend the Polish Girl is an offbeat British drama shot as a doc gone wrong. It's clever and darkly provocative. And the French drama Hidden Kisses is a strikingly well-told story that explores the nature and effects of homophobia in a society that refuses to educate its children. Powerfully timely and deeply moving.

This coming week's movies include the all-star British comedy spoof Horrible Histories: The Movie - Rotten Romans, Sienna Miller in American Woman and the French WWII thriller Transit. I also have films to watch that are part of OutFest in Los Angeles, including Cubby, Seahorse, Label Me and Sell By.

Critical Week: She's gonna blow!

Back from Venice, I had a week to recover before being hit by two big film festivals at home - the 24th Raindance starts on Wednesday, and press screenings for the 60th London Film Festival (5-16 Oct) started on Monday. But we also need to watch normal releases coming into cinemas, and the biggest this week was Deepwater Horizon, starring Mark Wahlberg as the super-heroic supervisor who kicks into action mode as the biggest oil spill in US history unfolds off the coast of Louisiana. The film is very well made, but relentlessly celebrates its machismo.

We also had Renee Zellweger in the surprisingly entertaining sequel Bridget Jones's Baby, David Oyelowo and Lupita Nyong'o in the genuinely inspiring true drama Queen of Katwe, Daniel Radcliffe and Toni Collette in the intense undercover thriller Imperium, and Sam Neill in the absolutely delightful Kiwi adventure Hunt for the Wilderpeople.

From Ireland, Emma Greenwell stars in the gently amiable but also nicely pointed gardening drama Dare to Be Wild. And there were three docs: filmmaker Brian De Palma takes us through his career in the aptly titled De Palma, a vivid depiction of the past 60 years of Hollywood. The Guv'nor energetically traces the life of British boxer and enforcer Lenny McLean, largely through the eyes of his son Jamie. And Francofonia is Russian filmmaker Aleksandr Sokurov's witty, experimental exploration of the Louvre (it's a companion piece to his 2002 Hermitage drama Russian Ark).

I'll report on London festival films once that event kicks off, and also on Raindance movies I catch up with. Other movies in the diary this week include Emily Blunt in The Girl on the Train, Mel Gibson in Blood Father, Luke Treadaway in A Street Cat Named Bob and Anne Fontaine's The Innocents.

Requisite Blog Photos: Let's face it...

Critical Week: Hard work

Being a film critic isn't a bad job: you get to see movies for free, after all, and people pay you to write what you think of them. On the other hand, they don't pay you that much anymore. And sometimes you have to sit all the way through something like Pudsey the Dog: The Movie, an almost unwatchable mess that really should be left to the trained professionals. Actually, it had potential to be a charming little adventure. But no.

So we turn to two sequels that have emerged as some of the best films of the year: How to Train Your Dragon 2 is even more ambitious than the superb first film, and it has the best action sequences in cinema at the moment. And Dawn of the Planet of the Apes may not be as delicately surprising as the reboot three years ago, but it's a remarkably complex thriller without a true villain. And the acting is hugely involving. But the best film this week was the Cannes hit Pride, a shameless British crowd-pleaser in the vein of Billy Elliot and The Full Monty, with terrific characters addressing a strongly resonant political issue through the true story of gay activists supporting striking miners in the Thatcher years.

Also this past week: Daniel Radcliffe brings his awkward charm to the quirky rom-com What If, costarring Zoe Kazan, Rafe Spall and Adam Driver; Nicolas Cage acts his socks off in the violent revenge thriller Rage, as a dad who wants to kill everyone for hurting his teen daughter; and Brian Cox plays the great Man Utd coach Matt Busby in Believe, a charmingly scruffy British comedy-drama that pushes the sentimentality button. There were also two docs: the fast-moving All This Mayhem traces the turbulent lives of Aussie skateboard-champion brothers Tas and Ben Pappas; and the inventive, colourful Big Joy: The Adventures of James Broughton tells the life story of the experimental filmmaker with a surge of emotional energy.

Coming up this week: Emma Roberts in the adaptation of James Franco's book Palo Alto, Gerard Depardieu in Abel Ferrara's controversial Welcome to New York, Disney's animated spin-off of a spin-off Planes: Fire and Rescue, the acclaimed 20,000 Days on Earth about Nick Cave, and the mystery-documentary The Galapagos Affair: Satan Came to Eden,

FLARE 2: Surprising connections

It was a weekend of parties at the 28th BFI Flare film festival - and they show no signs of stopping for the rest of the week. Much of this involves networking with filmmakers, critics and actors, which is great fun, and makes a nice change from the usual day-to-day business of watching movies then spending hours writing about them alone at my desk. But during a festival I have swathes of time to kill between screenings, so I enjoy getting to know people visiting from all over the world. Yesterday I even had a couple of hours to walk along the river in the sunshine and take in a gallery or two at the Tate Modern. Anyway, here are more programme highlights...

Gerontophilia
dir Bruce La Bruce; with Pier-Gabriel Lajoie, Walter Borden 13/Can ****
Bruce LaBruce is working dangerously close to the mainstream in this gentle drama with romantic overtones. But even though there isn't a monster in sight, the film includes some of LaBruce's trademark jolts, not least in how the provocative subject matter is treated with unnerving honesty. It's about a young guy named Lake (Lajoie), who is startled to discover that he's attracted to geriatric men, specifically 81-year-old Melvyn (Borden, pictured above with Lajoie during a drunken game of strip poker). Intriguingly LaBruce frames this in an everyday style, focussing more on Lake's voyage of self-discovery than the transgressive sexuality. Even his girlfriend (Katie Boland) feels that this shift makes Lake a revolutionary saint. The film is a bit rough around the edges, but it's beautifully acted and shot and edited in a way that makes it thoughtful and warmly engaging.

The Passion of Michelangelo

dir Esteban Larrain; with Sebastian Ayala, Patricio Contreras 13/Chl ***.
With the aesthetic of a Pasolini film, this Chilean drama tells the true story of 14-year-old Miguel Angel (the astonishing Ayala), who in 1983 became nationally famous for his visions of the Virgin Mary, accompanied by a variety of miracles. But in the shadows he was being manipulated by Pinochet's government, which was trying to distract the populace from street protests. The film slightly muddles the story, forcing us to work to make much sense out of events that feel fragmented and a bit random. But as we think about it, the story worms its way under the skin as a telling exploration of misplaced religious fervour and cynical political manipulation.

The Punk Singer
dir Sini Anderson; with Kathleen Hanna, Adam Horovitz 13/US ***.

Lively and insightful, this biographical documentary traces the life of feminist punk artist Kathleen Hanna, a strikingly strong voice in the music scene from the 1990s until her sudden retirement in 2005. The film kind of races through the story, but is thoroughly engaging and ultimately inspirational in ways we don't expect. What makes it worth a look is the way it tells the story of a musical movement that has never quite been in the mainstream, but has had a major impact on the rest of the pop world. And as its catalyst, Hanna is a staggeringly important figure whose impact is still being felt. There's also a strikingly moving sidestory about Hanna's marriage to Beastie Boy Horovitz, who has been at her side through a very difficult illness that also rarely makes the headlines.

BEST OF YEAR
Kill Your Darlings
dir John Krokidas; with Daniel Radcliffe, Dane DeHaan 13/US ***. 
Based on a shocking true story about celebrities before they were famous, this dark drama is strikingly written, directed and acted to recount a series of unnerving events while evoking a mood that would later grow into a movement. It's a clever approach to a complex group of artists, even if it feels somewhat mannered... FULL REVIEW >

Flare Shorts
I saw three shorts programmes over the weekend - 16 films in all ranging from 3 to 30 minutes long. Standouts include: Mathilde Bayle's The Swimming Trunks, a strikingly daring exploration of pre-sexuality; Christophe Predari's Human Warmth, a sensual, inventive look at lingering attraction; Mike Hoolboom's eerily moving Buffalo Death Mask, a nostalgic trip through the Aids epidemic; Stephen Dunn & Peter Knegt's Good Morning, a light morning-after comedy with a warm sting; and Mark Pariselli's Monster Mash, a hilarious riff on horror movies. Honourable mention goes to Laura Scrivano's one-man monologue The Language of Love and Karol Radziszewski's photographer doc Kisieland.

~~~~~~~ ~~ ~~~ ~~~~
CRITICAL WEEK
Along with the festival, critics still have the usual releases to watch. Screenings this week included slightly uneven the franchise launcher Divergent, which at least has terrific performances from Shailene Woodley and Kate Winslet. Two slightly underwhelming sequels were both sillier and less snappy than the originals: Muppets Most Wanted and Rio 2. And there was also the astonishing high school black comedy The Dirties and the involving but somewhat dense undersea Scandinavian thriller Pioneer.

This coming week, alongside BFI Flare, I'll also be watching Darren Aronofsky's biblical epic Noah, the Greek action epic The Legend of Hercules, the Pierce Brosnan comedy The Love Punch, Juliette Binoche in A Thousand Times Good Night, Kristen Scott Thomas in Before the Winter Chill, the British comedy Downhill and the Mexican drama The Golden Dream.

LFF 8: Hello ladies

Joseph Gordon-Levitt was on hand at the 57th London Film Festival this week to present his writing-directing debut Don Jon, looking every bit the dude on the red carpet that his movie requires. There's definitely a sense that the festival is winding down, as film journalists are starting to wake up from their zombie-like states with the thought that they may get to sleep in a few days. Here are some more highlights...

Don Jon 
dir Joseph Gordon-Levitt; with Joseph Gordon-Levitt, Scarlett Johansson 13/US **** 
Gordon-Levitt catches us off-guard with this remarkably assured writing-directing debut, which also gives him a chance to go against type as an actor. It's a warm and raucous comedy that wins us over as it reveals the soft side of a dedicated hard-man... FULL REVIEW >

Kill Your Darlings 
dir John Krokidas; with Daniel Radcliffe, Dane DeHaan 13/US ***.
Based on a shocking true story about celebrities before they were famous, this dark drama is strikingly written, directed and acted to recount a series of unnerving events while evoking a mood that would later grow into a movement. It's a clever approach to a complex group of artists, even if it feels somewhat mannered... FULL REVIEW >

Parkland
dir Peter Landesman with Zac Efron, James Badge Dale 13/US **.
With a documentary sense of detail, this film recounts JFK's assassination from a variety of previously unseen angles. It's skilfully made but lacks any sense of focus that might draw us in. There isn't a single well-developed character, and it oddly doesn't even centre on the hospital that gives the film its name... FULL REVIEW >

Blue Is the Warmest Colour 
dir Abdellatif Kechiche; with Adele Exarchopoulos, Lea Seydoux 13/Fr ****. 
Food, art and sex are the three elements of life in this evocative French drama, which takes a generous three hours to tell its story. This is an almost unnervingly honest film that holds us in rapt attention, shaking us even if we have nothing in common with the characters. Because it's about something much deeper than what's on screen... FULL REVIEW >

Tracks
dir John Curran; with Mia Wasikowska, Adam Driver 13/Aus *** 
As an account of an incredible journey, this film can't help but hold our interest, especially when the central figure is so beautifully played. But director Curran opts for glossy warmth rather than expansive nature, which leaves it feeling more like a movie and less like real life. [review coming soon]

Gloria
dir Sebastian Lelio; with Paulina Garcia, Sergio Hernandez 13/Chl **** 
This Chilean comedy-drama may have a rather meandering narrative, but it's packed with memorable scenes that bring its characters vividly to life. It's also a rare film that centres on a 50-something woman trying to make the most of life on her own terms... FULL REVIEW >

Festival Days: It's a conspiracy

Another film in both the Edinburgh and East End film festival is the eco-terrorism thriller The East, which also opened in UK cinemas this weekend. It's an intriguing cinematic experiment, playing with issues we usually only see in documentaries while also merging arthouse filmmaking sensibilities with some suspense-based thrills. In other words, there's something for everyone here!

As for screenings this week, I caught up with the East End Film Festival closer Lovelace, a someone straight-laced biopic of the world's most famous porn star. It's sharply well made and is packed with strong performances and amusing cameos. Daniel Radcliffe plays Allen Ginsberg in Kill Your Darlings, a true story set in his pre-writer days when he was in school with William Burroughs and Jack Kerouac (Ben Foster and Jack Huston). My comments on the film are embargoed for now, even though there are reviews all over the internet after its screenings at various film festivals, including Sundance in January. I also saw the film of Neil LaBute's play Some Girl(s), a provocative, thoughtful, slightly stagey drama starring Adam Brody. And there was also Emperor, a fictionalised take on how General MacArthur (Tommy Lee Jones) dealt with Emperor Hirohito after the war - plus a bit of romance and drama featuring Matthew Fox.

And I also saw a couple of other East End Film Festival titles: the hilarious mock-doc Discoverdale, which is like an Irish version of This Is Spinal Tap, although the band at the centre is a real one. And In the Name of is a wrenching drama from Poland about a priest struggling with his personal yearnings. Both are highly recommended.