Critical Week: Break on through

Awards season continues apace, and I enjoyed being in the room with winners like Timothée Chalamet, Jessie Buckley and Paul Thomas Anderson on Sunday at the 46th Critics' Circle Film Awards on Sunday, attending as a voting member, rather than as chair, for the first time in 15 years (see below). As for watching movies, the comical thriller Cold Storage is a lot of fun, starring Joe Keery and Georgina Campbell as night watchmen who stumble into an alien fungal nightmare, with added Liam Neeson and Lesley Manville.

BEST OUT THIS WEEK:
My Father's Shadow
Pillion • Twinless • Scarlet
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I also caught the staggeringly gorgeous Japanese anime thriller All You Need Is Kill, based on the same novel as Tom Cruise's Edge of Tomorrow. The skilful animation and immersive story make it hugely entertaining. And then there was the K-pop concert film Stray Kids: The DominATE Experience, a great introduction to this band's impressive musicality. Although the 4DX screening was a bit exhausting for two and a half hours. I also watched three more documentaries: the Oscar/Bafta-nominated Mr Nobody Against Putin is wonderfully inspiring, powerfully moving and eye-opening; The Librarians is a blood-boiling tale of politically motivated censorship hiding behind religiosity and the important heroes who are fighting it; and Everybody to Kenmure Street covers a momentous 2021 Glasgow standoff in a way that's thrilling, emotive and timely.

Coming up this next week, I'll be watching Margot Robbie and Jacob Elordi in Emerald Fennell's Wuthering Heights, Daphne Keen in Whistle, the animated adventure Goat, Stephen Graham in The Good Boy, horror thriller Jimmy and Stiggs and Cairo-set action in Eagles of the Republic, plus catching up with more docs, including Apocalypse in the Tropics and The Alabama Solution, plus a live performance of Sweet Mambo at Sadler's Wells.

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Critical Week: And they called it puppy love

It's been another busy week in awards season, with screenings every night and lots of films to watch at home on links during the day. I also somehow have to find time to write about them all. It was great to catch up with festival breakout hit Pillion, Harry Lighton's offbeat romance starring Harry Melling (above) and Alexander Skarsgard. It's notorious for its dominant-submissive sexuality, but is actually a rather sweet and moving drama. By far the biggest movie was the European premiere of Wicked: For Good and I got to meet Cynthia Erivo and Ariana Grande, along with director Jon Chu, at a reception before the screening. Unsurprisingly, the film is spectacular, much darker and more emotional than the first part. I also saw two gorgeous animated adventures: In Your Dreams is a fabulously colourful trip into the imagination, and Arco skilfully uses hand-drawn style anime to tell a pointed story from the future.

BEST OUT THIS WEEK:
In Your Dreams
Arco • Jay Kelly
Night of the Juggler
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At another starry awards screening, Kate Winslet presented her directing debut Goodbye June, alongside costars Toni Collette, Timothy Spall, Andrea Riseborough and Johnny Flynn, plus gifted young screenwriter Joe Anders (who happens to be Winslet's son). It's a funny and moving ensemble film. The Broadway cast of Merrily We Roll Along, including Tony winners Daniel Dadciffe and Jonathan Groff, features in a superbly filmed stage performance of Stephen Sondheim's powerful exploration of art and friendship. 

A bit further afield, Tom Blyth stars in the perhaps too-snappy investment banking comedy Bull Run. Jorma Tommila is back for the entertaining and outrageously grisly Finnish action sequel Sisu: Road to Revenge. The Danish drama Sauna is a darkly thoughtful romance. Hong Kong drama Valley of the Shadow of Death, explores grief and redemption in an involving faith-based story. From Argentina, 300 Letters deconstructs a romance in ways that are sexy, funny and moving. And I finally caught up with the breakout animated hit KPop Demon Hunters, which is a lot of bright-hued fun, packed with great music. On top of all of that, I attended the seriously epic UK premiere of the first episode of Stranger Things season 5.

Coming up this next week, I plan to watch Timothee Chalamet in Marty Supreme, Amanda Seyfried in The Testament of Ann Lee, Nicolas Cage in The Carpenter's Son, Emma Mackey in Ella McCay, June Squibb in Eleanor the Great, British-Nigerian drama My Father's Shadow, Iraqi drama The President's Cake, French drama Nino and Taiwanese drama Left-Handed Girl, plus a premiere screening of Landman season 2.

Raindance: Take your shot

The 33rd Raindance Film Festival kicked off on Wednesday with the world premiere of the British drama Heavyweight and a properly epic afterparty at with special honours were presented to screen icons Celia Imrie and Jason Isaacs. The festival runs over the next 10 days with a flurry of independent films. I'm trying to limit how many I watch, aiming for one per day. So here are the first two...

Heavyweight
dir-scr Christopher M Anthony; with Jordan Bolger, Nicholas Pinnock 25/UK ****
Unfolding in real time and largely in a single room, like a stage play, this British boxing drama has a propulsive pace as it traces the run-up to a championship bout. Writer-director Christopher Anthony keeps the tension high with edgy dialog, beefy performances, prowling camerawork and a churning underscore. The sheer machismo on display is perhaps a bit exhausting, but it's balanced by a terrific sense of underlying emotion.

A Cell Phone Movie
dir-scr Will Sterling; with Will Sterling, Tessa Glanville 25/US ****
As the title indicates, this meta-comedy was shot on a mobile phone. It looks great, skilfully filmed in wide-screen and sharply well-edited too. Actor-filmmaker Will Sterling is a charming lead, and the comedy is warm and off-the-cuff, with a continual stream of witty gags about trying to make a no-budget movie. Even more engaging are the thoughtfully serious sequences that dig deeper into the characters and situations.

Full reviews of festival films will be linked here in due course: SHADOWS @ RAINDANCE >

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C R I T I C A L  W E E K

BEST OUT THIS WEEK:
Red Path • 28 Years Later
Love & Rage: Munroe Bergdorf
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This week I got to attend the glamorous world premiere of Jurassic World: Rebirth, with the full cast and crew in attendance, including Scarlett Johansson, Jonathan Bailey and Mahershala Ali. And the film is great fun. The new Pixar animation Elio is an enjoyable if familiar space romp, but it's packed with dazzling touches. Danny Boyle and Alex Garland are back with 28 Years Later, a superbly ripping addition to the franchise. John Travolta stars in the wobbly but watchable caper comedy High Rollers. Harry Melling and Caleb Landry Jones lead the cast of Scottish period weirdness Harvest, which struggles to make its point. Writer-director Eva Victor stars with Naomi Ackie in the beautifully written and directed Sorry, Baby, putting a truthful spin on a big event. Leonie Benesch is excellent as an overworked nurse in the expertly shot Swiss drama Late Shift. And the properly stunning Tunisian drama Red Path tells a riveting true story with power and emotion. I also attended the opening night cabaret for this year's London Clown Festival

This coming week there are many more films at Raindance, plus Brad Pitt in F1, Dylan O'Brien in Ponyboi, the indie comedy Rent Free, the French comedy Colours of Time and the Colombian drama Salt Water, plus the premiere for Lena Dunham's TV series Too Much and three live performances: Quadrophenia at Sadler's Wells, Jonah Non Grata at Soho Theatre and Botis Seva's Until We Sleep at Sadler's Wells East.

Critical Week: Love is all around

As the year-end holidays get closer, more and more awards bodies are presenting their nominations. Monday it was the Golden Globes, which I am voting in for the second year. The new collection of 300 international critic voters has seriously shifted the nominations into something very interesting this year. Meanwhile, there's a new romantic comedy in the cinema: What Happens Later, directed by Meg Ryan, who stars alongside David Duchovny as exes who cross paths in an airport. There are no other actors on-screen, and their charisma makes the movie enjoyable if corny. Another actor-turned-director, Eva Longoria shows serious skill with the whizzy, hugely entertaining biopic Flamin' Hot, which tells the story of the janitor who rebooted Frito-Lay, from his colourful perspective.

BEST OUT THIS WEEK:
American Fiction • Wonka
The Zone of Interest • Every Body
The Lost Boys • The Taste of Things
Chicken Run: Dawn of the Nugget
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More serious fare came from Michael Winterbottom, whose 1940s Israeli drama Shoshana feels almost painfully timely and informative. It's a sometimes odd mix of politics and romance, but is hugely involving. From Poland, Agnieszka Holland's terrific drama Green Border has courted controversy for its honest depiction of heartless right-wing immigration policies, simply by telling an honest story from three wrenching perspectives. From Germany, the drama The Teachers' Lounge skilfully follows a young teacher as her optimism is dealt a blow from a flurry of rumours and accusations. It's riveting and rather scary. From Romania, Radu Jude's Do Not Expect Too Much From the End of the World. And I was in the theatre for another panto this week, Puss in Boots at Wonderville.

Movies this week include a trip to the cinema to catch The Three Musketeers: Milady, since I missed the only press screening. And there's more catching up needed to see films before the next voting deadlines. The London Critics' Circle announces our nominations next Wednesday...

Critical Week: Driving home for Christmas

I seen many films this week, largely due to work required prior to the announcement of the London Critics' Circle Film Awards nominations yesterday. This involved compiling my own ballot, then counting all the others that came in, tabulating the results, giving nominees a heads-up, working on a press release and preparing the announcement event, which was hosted by young actors Ellie Bamber (Willow) and Fionn O'Shea (Handsome Devil) at the May Fair Hotel as a low-key Christmas party. The nominations are listed HERE if you're interested in comparing them with all the other awards spiralling around at the moment.

BEST OUT THIS WEEK:
Puss in Boots: The Last Wish
Living • Corsage • Women Talking
ALL REVIEWS >

Now things are calming down for the holidays. Whew! Of the films I saw this past week, the most ambitious was Noah Baumbach's White Noise, a busy and somewhat unfocussed comedy-drama about a family dealing with a range of big issues. The cast is excellent, led by Adam Driver and Greta Gerwig, and it ends with a fabulous burst of choreography. Will Smith plays a real-life historical icon in Emancipation, set at the end of the Civil War as an escaped slave faces brutal trackers and ends up fighting on the battlefield. It's ambitious and admirable, but the themes get a bit lost. Christian Bale leads the cast of Scott Cooper's moody period mystery The Pale Blue Eye, playing a detective who works alongside a young Edgar Allan Poe (a superbly wide-eyed Harry Melling) to investigate a murder at West Point in 1830. It's mesmerising but ultimately a bit thin. And the animated adventure The Amazing Maurice, based on the Terry Pratchett novel, has some wonderful thematic depth beneath the usual slapstick wackiness and slick digital imagery.

This coming week I will continue to catch up with movies before writing up my year-end lists. There's quite a pile-up of these, and I have a list of about 10 priority titles, plus eight more if-time ones. A couple of them are forthcoming releases, such as Kore-eda's film Broker and the documentary Wildcat.