Showing posts with label parasite. Show all posts
Showing posts with label parasite. Show all posts

Thursday, 20 February 2020

Critical Week: Nose to nose

I've had a line-up of events and stage shows this week, rather than movies, which makes a very nice change. I only saw three films: The Call of the Wild is based on the Jack London novel about a dog's adventure in the Yukon, with a human cast including Harrison Ford, Omar Sy (pictured) and Dan Stevens. There is no dog cast, as that's Terry Notary in digital motion capture. The film is a lovely adventure but you can always tell that it's not a real dog.

There are actual horses in Dream Horse, based on the true story of a syndicate in a small Welsh village that raised a thoroughbred champion against the odds. Toni Collete leads an eclectic cast in an earthy, crowd-pleasing charmer. And Rosamund Pike stars as Marie Curie in the biopic Radioactive, which recounts the earth-changing scientist's life with some ambitious but distracting flourishes. And because I had the time, I revisited Parasite in a cinema packed-out with a paying audience, and loved it all over again. I originally saw it at a small press screening in September.

Outside the cinema I had the fringe theatre play Undetectable at the Kings Head (already reviewed) and the extremely starry press night for Message in a Bottle (review incoming), a thrilling dance performance staged to Sting's memorable songs and pointedly themed around the refugee experience. There was also a lively launch event for the new production of the Hairspray musical, which opens in April at the Coliseum starring Michael Ball and Paul Merton. I attended the Critics' Circle National Dance Awards, which was a terrific ceremony packed with luminaries from the dance world, including Cats star Francesca Hayward, who was named Best Female Dancer for her work with the Royal Ballet. And finally, the British Film Institute hosted the launch of the 34th edition of BFI Flare, London's LGBTIQ+ film festival, another lineup of great cinema that runs 18-29 March at BFI Southbank. The event included the lively annual launch party, complete with a seriously yummy cake designed to match the festival artwork (see below). This is my 22nd year covering this festival.

There's a bit more stage to come this week too, plus press screenings of The Invisible Man with Elisabeth Moss, Colour Out of Place with Nicolas Cage, Villain with Craig Fairbrass, Scott Graham's drama Run, the noir thriller Blood on Her Name and the romcom Straight Up.




Saturday, 8 February 2020

Out on a limb: Oscar picks & predictions

And so Oscar night rolls around again, much earlier than usual, capping a crazily truncated awards season. Here are who I think has a good chance of winning, and who I hope will win. My track record isn't great here, and this year there are some big questions lingering, mainly how much love Ampas voters will have for a Korean movie. Parasite is undoubtably the best movie of the year, perhaps the decade. But Oscars rarely actually go to the "best", as they're too busy honouring people they like. As always, I'm hoping for upsets and surprises...

BEST PICTURE

Should win: Parasite
Will win: 1917
Dark horse: Once Upon A Time ... in Hollywood

INTERNATIONAL FEATURE

Should win: Pain and Glory
Will win: Parasite

DOCUMENTARY FEATURE

Should win: Honeyland
Will win: American Factory
Dark horse: For Sama

ANIMATED FEATURE

Should win: I Lost My Body
Will win: Klaus
Dark horse: Missing Link

DIRECTING

Should win: Parasite - Bong Joon Ho
Will win: 1917 - Sam Mendes
Dark horse: Once Upon A Time ... in Hollywood - Quentin Tarantino

ADAPTED SCREENPLAY

Should win: The Two Popes - Anthony McCarten
Will win: Little Women - Greta Gerwig
Dark horse: Jojo Rabbit - Taika Waititi

ORIGINAL SCREENPLAY

Should/will win: Parasite - Bong Joon Ho & Han Jin Won
Dark horse: Once Upon A Time...In Hollywood - Quentin Tarantino

ACTRESS IN A LEADING ROLE

Should/will win: Renee Zellweger - Judy

ACTOR IN A LEADING ROLE

Should win: Antonio Banderas - Pain and Glory
Will win: Joaquin Phoenix - Joker

ACTRESS IN A SUPPORTING ROLE

Should/will win: Laura Dern - Marriage Story
Dark horse: Florence Pugh - Little Women

ACTOR IN A SUPPORTING ROLE

Should win: Al Pacino - The Irishman
Will win: Brad Pitt - Once upon a Time ... in Hollywood

CINEMATOGRAPHY

Should/will win: 1917 - Roger Deakins

COSTUME DESIGN

Should win: Once Upon A Time ... in Hollywood - Arianne Phillips
Will win: Little Women - Jacqueline Durran

FILM EDITING

Should win: The Irishman - Thelma Schoonmaker
Will win: Ford v Ferrari - Michael Mccusker & Andrew Buckland
Dark horse: Parasite - Yang Jinmo

MAKEUP AND HAIRSTYLING

Should win: Judy - Jeremy Woodhead
Will win: Bombshell - Kazu Hiro, Anne Morgan & Vivian Baker

ORIGINAL SCORE

Should win: 1917 - Thomas Newman
Will win: Joker - Hildur Gudnadottir
Dark horse: Little Women - Alexandre Desplat
Always a contender: Star Wars: The Rise of Skywalker - John Williams

ORIGINAL SONG

Should/will win: (I'm Gonna) Love Me Again -  Rocketman, Elton John & Bernie Taupin
Dark horse: I Can't Let You Throw Yourself Away - Toy Story 4, Randy Newman

PRODUCTION DESIGN

Should win: Once Upon A Time ... in Hollywood - Barbara Ling, Nancy Haigh
Will win: 1917 - Dennis Gassner, Lee Sandales
Dark horse: Parasite - Lee Ha Jun, Cho Won Woo

SOUND EDITING

Should win: 1917 - Oliver Tarney & Rachael Tate
Will win: Ford v Ferrari - Donald Sylvester

SOUND MIXING

Should win: 1917 - Mark Taylor & Stuart Wilson
Will win: Ford v Ferrari - Paul Massey, David Giammarco & Steven A Morrow

VISUAL EFFECTS

Should win: 1917 - Guillaume Rocheron, Greg Butler & Dominic Tuohy
Will win: Avengers: Endgame - Dan Deleeuw, Russell Earl, Matt Aitken & Dan Sudick

Tuesday, 31 December 2019

The Best of 2019: 39th Shadows Awards

As always, hacking down the list of some 500 movies I've seen this year to just 10 is tricky business. But it feels like a discipline that specifically goes with this job. I keep a running set of lists each year, and it gets seriously out of control - usually there are around 100 on each list! Note that each film listed here played in a UK or US cinema to a public audience in 2019, although some are yet to go on general release, if ever.

There are longer lists (top 50 films, for example) and a lot more on the website at 39TH SHADOWS AWARDS. My number one movie this year is one of the most bracingly original films I've seen in years - gripping, genre-defying and pointedly timely. Korean filmmaker Bong Joon Ho has made some great movies in his career, and this one is masterful, breathtaking cinema. It definitely deserves the attention it's getting in mainstream awards categories this year....

BEST FILM:

  1. Parasite (Bong Joon Ho)
  2. Pain and Glory (Pedro Almodovar)
  3. Portrait of a Lady on Fire (Celine Sciamma)
  4. Wild Rose (Tom Harper)
  5. Honeyland (Tamara Kotevska, Ljubomir Stefanov)
  6. The Irishman (Martin Scorsese)
  7. 1917 (Sam Mendes)
  8. Queen & Slim (Melina Matsoukas)
  9. Once Upon a Time ... in Hollywood (Quentin Tarantino)
  10. I Lost My Body (Jeremy Clapin)


BEST FILM OF THE 2010s:

  1. Leviathan (Zvyagintsev, 2014)
  2. A Separation (Farhadi, 2011)
  3. Boyhood (Linklater, 2014)
  4. The Act of Killing (Oppenheimer, 2012)
  5. Parasite (Bong, 2019)
  6. We Need to Talk About Kevin (Ramsay, 2011)
  7. Inception (Nolan, 2010)
  8. Fire at Sea (Rosi, 2016)
  9. Moonlight (Jenkins, 2016)
  10. A Fantastic Woman (Lelio, 2017)


DIRECTOR:

  1. Pedro Almodovar (Pain and Glory)
  2. Alma Har'el (Honey Boy)
  3. Bong Joon Ho (Parasite)
  4. Celine Sciamma (Portrait of a Lady on Fire)
  5. Sam Mendes (1917)
  6. Melina Matsoukas (Queen & Slim)
  7. Jennifer Kent (The Nightingale)
  8. Quentin Tarantino (Once Upon a Time ... in Hollywood)
  9. Ladj Ly (Les Miserables)
  10. Alice Rohrwacher (Happy as Lazzaro)


SCREENWRITER:

  1. Celine Sciamma (Portrait of a Lady on Fire)
  2. Lena Waithe (Queen & Slim)
  3. Pedro Almodovar (Pain and Glory)
  4. Bong Joon Ho, Han Jin Won (Parasite)
  5. Agnes Varda (Varda by Agnes)
  6. Susanna Fogel, Emily Halpern, Sarah Haskins, Katie Silberman (Booksmart)
  7. Anthony McCarten (The Two Popes)
  8. Scott Alexander, Larry Karaszewski (Dolemite Is My Name)
  9. Charles Randolph (Bombshell)
  10. Joe Talbot, Rob Richert (The Last Black Man in San Francisco)


ACTRESS:

  1. Jessie Buckley (Wild Rose, Judy)
  2. Florence Pugh (Midsommar, Little Women, Fighting With My Family)
  3. Renee Zellweger (Judy)
  4. Liv Hill (Jellyfish)
  5. Sarah Bolger (A Good Woman Is Hard to Find)
  6. Baran Kosari (Permission)
  7. Lupita Nyong'o (Us, Little Monsters)
  8. Scarlett Johansson (Marriage Story, Jojo Rabbit, Avengers: Endgame)
  9. Awkwafina (The Farewell, Jumanji: The Next Level)
  10. Charlize Theron (Bombshell, Long Shot)


ACTOR:

  1. Adam Driver (Marriage Story, The Report, The Rise of Skywalker, The Man Who Killed Don Quixote)
  2. Antonio Banderas (Pain and Glory, The Laundromat)
  3. George MacKay (1917, Ophelia)
  4. Tom Burke (The Souvenir)
  5. Choi Woo Shik (Parasite)
  6. Jonathan Pryce (The Two Popes, The Man Who Killed Don Quixote)
  7. Daniel Kaluuya (Queen & Slim)
  8. Robert Pattinson (The Lighthouse, High Life, The King)
  9. Lucas Hedges (Honey Boy, Waves, Ben Is Back, Mid90s)
  10. Eddie Murphy (Dolemite Is My Name)


SUPPORTING ACTRESS:

  1. Laura Dern (Jeremiah Terminator LeRoy, Marriage Story, Little Women)
  2. Julie Walters (Wild Rose)
  3. Taylor Russell (Waves)
  4. Karen Gillan (Avengers: Endgame, All Creatures Here Below, Jumanji: The Next Level, Stuber)
  5. Da'Vine Joy Randolph (Dolemite Is My Name)
  6. Allison Janney (Bad Education, Bombshell, Ma)
  7. Tilda Swinton (The Souvenir, Avengers: Endgame, The Dead Don't Die, The Personal History of David Copperfield)
  8. Thomasin McKenzie (Jojo Rabbit, The King)
  9. Riley Keough (Earthquake Bird, The Lodge)
  10. Idina Menzel (Uncut Gems)


SUPPORTING ACTOR:

  1. Noah Jupe (Honey Boy, Ford v Ferrari)
  2. Bruce Dern (Once Upon a Time in Hollywood, The Mustang)
  3. Swann Arlaud (By the Grace of God)
  4. Jamie Bell (Rocketman, Skin)
  5. Wesley Snipes (Dolemite Is My Name)
  6. Al Pacino (The Irishman, Once Upon a Time in Hollywood)
  7. Baykali Ganambarr (The Nightingale)
  8. Jonathan Majors (The Last Black Man in San Francisco, Out of Blue)
  9. Richard Madden (1917, Rocketman)
  10. Joe Pesci (The Irishman)


WORST FILM:

  1. Rambo: Last Blood (Adrian Grunberg)
  2. Black and Blue (Deon Taylor)
  3. 6 Underground (Michael Bay)
  4. Maleficent: Mistress of Evil (Joachim Ronning)
  5. Godzilla: King of the Monsters (Michael Dougherty)
  6. Escape Plan: The Extractors (John Herzfeld)
  7. Killers Anonymous (Martin Owen)
  8. Ecco (Ben Medina)
  9. Triple Frontier (JC Chandor)
  10. Cats (Tom Hooper)



N O N - F I L M   D I V I S I O N

TV SERIES: 
  1. Fleabag (BBC)
  2. Schitt's Creek (CBN)
  3. The Mandalorian (Disney)
  4. Years and Years (BBC)
  5. Special (Netflix)
  6. Call My Agent (Netflix)
  7. Chernobyl (HBO)
  8. Killing Eve (BBC)
  9. Jane the Virgin (ABC)
  10. The Good Place (Netflix)

SINGLE: 
  1. Juice (Lizzo)
  2. Circles (Post Malone)
  3. Slide Away (Miley Cyrus)
  4. Play God (Sam Fender)
  5. Bad Guy (Billie Eilish)
  6. Giant (Calvin Harris, Rag'n'Bone Man)
  7. Own It (Stormzy, Ed Sheeran, Burna Boy)
  8. Watermelon Sugar (Harry Styles)
  9. Orphans (Coldplay)
  10. Harmony Hall (Vampire Weekend)

Wednesday, 18 September 2019

Critical Week: Family time

These are busy days in the screening rooms, with festival films as well as the usual forthcoming releases. And the awards season has also begun to rear its head with for-your-consideration screenings. It'll be like this for the rest of the year! This week I caught up with the Cannes-winning Parasite by Bong Joon-ho, a staggering drama about a family of con-artists that continually twists and turns to keep the audience gasping. There was the second Shaun the Sheep Movie, Farmageddon, which is just as sweet and hilarious, if a bit more madcap, than the first. Melissa McCarthy, Tiffany Haddish and Elisabeth Moss all go against type in the thriller The Kitchen, which struggles to find its tone. And Ready or Not is a horror comedy that's funny and very grisly, but not scary at all.

Awkwafina is terrific in a dramatic role in The Farewell, a charming and involving drama set in China. The gifted Jennifer Kent (The Babadook) is back with the important, unnerving and rather long dramatic thriller The Nightingale, set in 19th century Tasmania. Celine Sciamma (Girlhood) is back with the staggeringly good, utterly unmissable period romance Portrait of a Lady on Fire. Richard Kind gets a rare serious role in the gentle, uneven virtual reality drama Auggie. The inventive but messy black comedy Groupers takes on homophobia in ways that will make everyone feel uncomfortable. And this beautiful documentary opens this week...

Mother
dir Kristof Bilsen; scr Kristof Bilsen, Xan Marquez Caneda
with Chutimon "Pomm" Sonsirichai, Maya Gloor, Elizabeth Rohner, Martin Woodli,
Walter Gloor, Joyce Gloor, Sara Gloor, Tanja Gloor
release UK 20.Sep.19 • 19/Belgium 1h22 ****

Reflective and intimate, this understated documentary simply follows women who initially seem completely different but reveal layers of common ground between them. Filmmaker Kristof Bilsen cuts between Thailand and Switzerland, quietly observing mothers and children as they connect to each other in unexpected ways. This gives the film a gently involving narrative, allowing the audience to experience these situations and emotions in a vivid way.

Pomm is a care worker from an isolated Thai village. She only gets to see her children when she's on holiday, and feels guilty that she isn't there all the time. Her job is to work with the Western patients at Baan Kamlangchay, an Alzheimer's care centre in Chiang-Mai. One of these is Elizabeth, a smiley woman who occasionally wonders where she is. "You're on holiday in Thailand," Pomm cheerfully reminds her, calling her "granny". Pomm feels that her patients are family, and she uses emotions to communicate with them. Meanwhile in Switzerland, Maya has early onset Alzheimer's at 57, and is being readied by her family to travel to Chiang-Mai. Maya's husband and daughters are sensitive to criticism that they are sending her away, but from their perspective this is a sacrifice, giving up their time with her so she can have a better life and proper care. As Pomm is grieving Elizabeth's death, Maya moves in, and they begin a new relationship.

The film is beautifully shot without ever being pushy about themes, offering remarkable insight into a variety of issues, including a young woman who needs to work two jobs to support a family she rarely sees and also the importance of providing dignified care for Alzheimer's patients. It's fascinating to see how Pomm identifies with women who have lost their past lives. She longs to hug her mother, who takes care of her kids, but the culture forbids it, so she lavishes affection on her patients instead. She's also well aware that if she needed this kind of care, she could never afford it. Yes, this is the kind of doc that makes us think.



Much of my time at the moment is being taken up with festival screenings. The Raindance Film Festival is running right now (18-29 Sep), and press screenings have already begun for the London Film Festival (2-13 Oct). I'll of course have more updates on both of those! And there are also regular movies screening for the press these days, including Naomie Harris in Black and Blue, Juliette Binoche in Non-Fiction, Jamie Bell in Skin, Mathieu Amalric in Sink or Swim and the horror movie The Birdcatcher