Tuesday, 1 September 2015
A little further afield, we had the low-budget British thriller Containment, which is fiendishly clever in the way it traps a group of neighbours in a council block sealed by people in hazmat suits. Leading Lady is an awkward blend of comedy and drama from South Africa about a British actress (Katie McGrath) researching a role in the Transvaal, where she of course has a life-changing experience. And the fascinating doc How to Change the World uses extensive home movies and present-day interviews to trace the early years of Greenpeace, from a gang of Canadian hippies to a global movement.
There was also the launch event for the upcoming 58th BFI London Film Festival, with its flurry of big-name premieres and lots of smaller festival-winning movies. Press screenings for that kick off on September 21st, with the festival itself starting on October 9th. My most anticipated films include opening night's Suffragette, closing night's Steve Jobs, Todd Haynes' Carol, Jay Roach's Trumbo, Luca Guadagnino's A Bigger Splash, Ben Wheatley's High-rise, Terence Davies' Sunset Song, and Cannes prize winners Son of Saul and Dheepan. I've already seen eight or nine of the 250 films.
Tuesday, 25 August 2015
It's been another eclectic week of press screenings for London-based critics. We Are Your Friends is an engaging L.A.-set drama starring Zac Efton as a DJ looking for his voice. Straight Outta Compton has already stormed the American box office, and comes to Britain next week - it's the gripping, gritty story of NWA's rise to fame in the 1990s. And even though it stars Bradley Cooper, Emma Stone and Rachel McAdams, and is written and directed by Cameron Crowe, Aloha was so wobbly in America that it's going straight to video in the UK. It doesn't really work, but it isn't that awful either.
We also had two films costarring the wonderful Kathryn Hahn: M Night Shyamalan's new film The Visit (comments are embargoed until closer to the release), and Jack Black and James Marsden in the surprisingly bold and thoughtful comedy The D Train. And there was also: Owen Wilson and Lake Bell in the seriously suspenseful chase thriller No Escape; Elisabeth Moss and Katherine Waterston in the amazing, arty friendship drama Queen of Earth; and the amusing B-movie vampire-mayhem workplace comedy Bloodsucking Bastards.
Wednesday, 19 August 2015
Tuesday, 18 August 2015
A little further afield, we had the sequel Sinister 2, which has an extreme embargo on it: until the day it opens. We also saw the beautifully made gentle Los Angeles drama Brahmin Bulls, with Sendhil Ramamurthy and Roshan Seth as father and son; actor-turned-filmmaker Craig Roberts' perhaps too audacious,but skilfully made British coming-of-age movie Just Jim; actor Steve Oram's even more experimental, and rather genius, sociological pastiche Aaaaaaaah!; the rather bleak but moving Australian homophobia drama Drown; and Dishonoured Bodies, a collection of nine somewhat preachy but very cleverly assembled experimental shorts by Spanish filmmaker Juanma Carillo.
Tuesday, 11 August 2015
Even the smaller films were pretty high-profile this week. The Program is Stephen Frears' take on the Lance Armstrong scandal, and Ben Foster's central performance is the best thing about it. War Book is a riveting boardroom-roleplay drama pondering the fallout from nuclear war. Molly Moon and the Incredible Book of Hypnotism is a frantic and rather annoying British kids' romp with an all-star cast including Emily Watson, Lesley Manville and Dominic Monaghan. And The Curse of Downers Grove Air, cowritten by Bret Easton Ellis, is a bleak teen drama that never quite makes its point.
Coming up this week, we have Tom Hardy as both Kray brothers in Legend, Ed Helms in the Vacation sequel/reboot, Josh Hutcherson in Escobar: Paradise Lost, Marcia Gay Harden in After Words, more horror in Sinister 2, dark drama in Drown, family comedy-drama in Brahmin Bulls and a gonzo freak-out in the beautifully titled Aaaaaaaah!
Tuesday, 4 August 2015
More intriguing, The Lobster is the latest bit of amazing weirdness from Greek filmmaker Yorgos Lanthimos (Dogtooth), a pointed relationship satire with Colin Farrell, Rachel Weisz and Ben Whishaw. Max is a predictably slushy boy-and-his-dog movie sideswiped by an unnecessary arms-trade thriller subplot. Captain Webb is an enjoyably quirky low-budget British drama about the first man to swim the Channel, in 1875, but the narrative is pointlessly fragmented. From Ukraine, Stand is a harrowing Moscow-set drama about the result of government-sponsored bigotry against gay men. And the documentary Unity blends 100 starry narrators into a swirling collage about the meaning of humanity, concluding that we should all be vegetarians.
This coming week we have Michael Fassbender as Macbeth, Ben Foster as Lance Armstrong in The Program, and very, very late press screenings for the superhero remake Fantastic Four, the 60s-TV inspired action romp The Man from U.N.C.L.E., and the Monty Python gang's alien-invasion comedy Absolutely Anything.