Wednesday, 27 February 2019
I've attended one press screening while I've been in Los Angeles, for Michael Winterbottom's dramatic thriller The Wedding Guest. It's a slow-burn starring Dev Patel and Radhika Apte, with a script that gives very little in the way of character or plot detail. But it's involving, and it's nice to see Patel in a shifty role for a change - he's terrific even if his role is underdefined. I also caught up with last summer's action comedy Tag, starring Ed Helms, Jon Hamm and Jeremy Renner, which isn't fine art but is funny and enjoyable for what it is.
Heading back to London, I have a few screenings in the diary, including Brie Larson's entry into the Marvel universe as Captain Marvel, Dean Cain in the fantasy satire 2050, the Icelandic comedy Woman at War, the indie thriller Devil's Path, and the short film compilation Boys on Film 19: No Ordinary Boy.
Saturday, 23 February 2019
Will win: Roma
Should win: BlacKkKlansman
Dark horses: The Favourite or Green Book
Will win: RBG
Should win: Free Solo
Will win: Roma
Should win: Cold War
Dark horse: Capernaum
Will win: Spider-Man: Into the Spider-Verse
Should win: Isle Of Dogs
Will win: Alfonso Cuaron - Roma
Should win: Pawel Pawlikowski - Cold War
Dark horse: Spike Lee - BlacKkKlansman
Will / should win: The Favourite - Deborah Davis, Tony McNamara
Dark horse: First Reformed - Paul Schrader
Will win: BlacKkKlansman - Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee
Should win: If Beale Street Could Talk - Barry Jenkins
Will / should win: Olivia Colman - The Favourite
Possible life-achievement award: Glenn Close - The Wife
Will win: Rami Malek - Bohemian Rhapsody
Should win: Willem Dafoe - At Eternity's Gate
Dark horse: Christian Bale - Vice
Will / should win: Regina King - If Beale Street Could Talk
Dark horses: Rachel Weisz or Amy Adams
Will win: Mahershala Ali - Green Book
Should win: Richard E Grant - Can You Ever Forgive Me
Will / should win: The Favourite - Fiona Crombie, Alice Felton
Will / should win: The Favourite - Sandy Powell
Will win: BlacKkKlansman - Terence Blanchard
Should win: If Beale Street Could Talk - Nicholas Britell
Will win: Shallow - A Star Is Born
Should win: When a Cowboy Trades His Spurs for Wings - The Ballad of Buster Scruggs
Will win: Roma - Alfonso Cuaron
Should win: Cold War - Lukasz Zal
Will win: Bohemian Rhapsody - John Ottman
Should win: The Favourite - Yorgos Mavropsaridis
MAKEUP & HAIRSTYLING
Will win: Vice
Should win: Border
Will / should win: First Man
Will / should win: A Quiet Place
Will win: First Man
Should win: Roma
Thursday, 21 February 2019
The only other film I've watched in the past week is Hedwig and the Angry Inch (2001), which I revisited on the plane. It's a personal favourite, and its scrappy charm and pungent emotion hold up, as do the iconic songs. John Cameron Mitchell's writing, direction and acting are masterful. And it's great to see the young Michael Pitt in his breakout role, as well as a very young Miriam Shor (most recently seen in Younger).
I'm now bracing myself for Oscar on Sunday, hoping the winners are a list of surprises and that the ceremony takes some risks to shake things up a bit. It's well worth watching that jaw-dropping opening number from the 1989 ceremony, the last time there wasn't a host - which is so increasingly insane that it almost seems sad something like that could never happen again (google: rob lowe snow white oscars - then settle in for 11 minutes of pure "what were they thinking" joy). I'll post my picks on Saturday...
Thursday, 14 February 2019
This week's screenings included Willem Dafoe's Venice Best Actor winning role as Vincent van Gogh in At Eternity's Gate, Julian Schnabel's beautifully artful biopic. The awesome Florence Pugh holds her own opposite Dwayne Johnson (grandstanding as himself) in the quirky British comedy-drama Fighting With My Family, based on the true story of a young woman from Norwich who became a WWE champion. Rebel Wilson has a lot of fun in the romcom pastiche Isn't It Romantic, although the lazy script almost scuppers her chances. Still, it's mindless good fun.
What They Had is a dark drama with a powerhouse cast including Hilary Swank, Michael Shannon, Robert Forster and Blythe Danner. It's a bit heavy, but also moving as it explores a family dealing with ageing parents and Alzheimer's. Under the Silver Lake stars Andrew Garfield as a slacker in Los Angeles who gets caught up in an absolutely bonkers mystery. And the Carlos Acosta biopic Yuli is a sweepingly artful exploration of Cuba an dance, with Acosta playing himself in the framing scenes.
Sunday night's Bafta ceremony (or to give it its proper title: The British Academy Film Awards) continues to ripple, with people wondering how it might impact Oscar in just over a week's time. The wild cards now are Rami Malek and Mahershala Ali, clearly loved by their peers as they upset the favourites in their categories (Christian Bale and Richard E Grant). The other question is whether Roma can walk off with the big title, or if they'll go for something more mainstream. No one seems to have a clue, which makes this year's show more interesting than usual.
I have no idea if I'll see any films while I'm away. I have a few streaming links I need to watch, but if past trips are anything to go by, those are doubtful (if I could stream on the plane it would be perfect!). There's nothing in American cinemas I particularly want to catch up with - perhaps Miss Bala or What Men Want.
Thursday, 7 February 2019
Asghar Farhadi got Penelope Cruz, Javier Bardem and Ricardo Darin to headline his Spanish drama Everybody Knows, which is a bit overwrought but still finely observes human behaviour in extraordinary situations. How to Train Your Dragon: The Hidden World wraps up the trilogy with an involving, often exhilarating adventure fans of the franchise will love. And Christopher Abbot and Mia Wasikowska star in the bonkers horror Piercing, which seems more interested in effects than creating a coherent story. But it's properly freaky.
A little further afield, Christophe Honore's personal French drama Sorry Angel is involving and moving, and bracingly honest. A pair of documentaries are notable for their willingness to embrace conflicting viewpoints: The Sunday Sessions follows a young man as he tries to eliminate his homosexuality, while The Gospel of Eureka profiles a town where a Christian pageant and a lively LGBTQ community coexist and thrive together. I also saw Desire, a collection of six shorts by Thai photographer Ohm Phanphiroj: half are evocative narrative films, while the other three are bracingly honest docs about his work and connections.