Friday, 5 July 2024

Critical Week: It wasn't me

It's been a momentous week in the UK, with a general election on Thursday that delivered on its expectations to completely upend the nation's government. On the 4th of July, no less. Meanwhile in the movies, Eddie Murphy returned for a fourth time for Beverly Hills Cop: Axel F, an overly retro sequel that feels like a movie we saw 40 years ago (we did). But Murphy is still great on-screen in this role. Also on Netflix, Nicole Kidman and Zac Efron reteamed for A Family Affair, which is as silly as it looks, and also an amusing guilty pleasure.

BEST OUT THIS WEEK:
Kill • The Conversation
Orlando, My Political Biography
Unicorns • The Nature of Love
ALL REVIEWS >
I saw two horror creep-outs: Mia Goth is back for MaXXXine, the third film in Ti West's series about young women seeking fame, this time a pornstar going mainstream while yucky violence breaks out all around her. Also very yucky, Longlegs stars Nicolas Cage in perhaps his most bonkers role yet (which is saying a lot). It's a relentlessly unsettling freak-out. And I was also delightful stressed out revisiting one of the finest thrillers ever made, Francis Ford Coppola's 1974 gem The Conversation, followed by a terrific Q&A with legendary sound and film editor Walter Murch.

Three films use surrealism to address big themes: Julia Louis-Dreyfus stars in the eerie dark drama Tuesday, as a mother confronting death (in the form of a parrot) about her daughter's life. Ewan McGregor and Ellen Burstyn lead the offbeat and intense Mother Couch, about a woman who forces her adult children to grapple with her mortality. And Paul Raci is a guru teaching The Secret Art of Human Flight in an quirky comedy-drama that's bleakly emotive. And then there were father and son Stellan and Gustaf Skarsgard teaming up for the gloomy and haunting Scandinavian mystery What Remains, and fiercely inventive Chinese drama Black Dog, which deservedly won a couple of prizes at Cannes. I also attended Carlos Acosta's breathtaking stage production of Carmen at Sadler's Wells.

This coming week isn't looking quite as crazy as this one was. I'll be watching Scarlett Johansson and Channing Tatum in Fly Me to the Moon, Sandra Huller in Sisi & I, Korean thriller Sleep, Iranian drama My Favourite Cake and the British animated adventure Kensuke's Kingdom. In live theatre, I'm attending Dorian: The Musical and the opening cabaret for Soho Theatre's Clown Festival.

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