LFF 4: Meet the filmmakers

I've reached that point in the London Film Festival when my backlog of reviews begins to swell, and my lack of sleep begins to affect my ability to carry on a coherent conversation. But it's been a good weekend of movies, wrapped up with Pawel Pawlikowski (above with festival director Claire Stewart, photo by me on the front row) presenting his gorgeous new film Ida, one of my favourites so far. The stars and filmmakers were out in force over the weekend, enjoying the crisp sunshine on Saturday and the gloomy rainshowers on Sunday. Here are some more highlights...

All Is Lost 
dir JC Chandor; with Robert Redford 13/US ***.
Shot with an astounding attention to detail, this film puts us right in the middle of a life-or-death situation with its only character, a sailor whose boat founders in the middle of the Indian Ocean. But Chandor's remarkable skill as a director is slightly undone by a plot that piles on too many disasters... FULL REVIEW >

Enough Said 
dir-scr Nicole Holofcener; with Julia Louis-Dreyfus, James Gandolfini13/US ****
With her usual style of off-handed honesty, writer-director Holofcener gives the rom-com formula a welcome grown-up twist. And even if the story is somewhat simple, the characters bring out layers of insight in every scene. It's smart and often very funny, with brittle, flawed people we can easily identify with... FULL REVIEW >

The Zero Theorem 
dir Terry Gilliam; with Christoph Waltz, Melanie Thierry 13/Rom *** 
Terry Gilliam updates the look and feel of Brazil to the digital age with this lively and raucously imaginative adventure-drama. So it's a shame that the plot runs out of steam about halfway through, leaving us unable to piece together the big ideas that flood through every corner of the script... FULL REVIEW >

Closed Curtain 
dir Jafar Panahi, Kambuzia Partovi; with Kambuzia Partovi, Maryam Moqadam 13/Irn *** 
Banned filmmaker Panahi continues to work by making movies with other filmmakers and distributing them outside Iran. Packed with clever ideas, this feels more like an expression of his frustration than a fully formed feature. After an intriguingly provocative first half, it turns surreal and far too metaphorical... FULL REVIEW >

Teenage
dir Matt Wolf; with Jena Malone, Ben Whishaw 13/US **. 
An odd hybrid, this film mixes authentic newsreel footage with fictional re-creations to explore the concept of the teenager, which didn't exist before World War II. But ultimately the film merely traces American and European history from 1904 to 1945, only offering a flash of insight in its final moment... FULL REVIEW >

Critical Week: She's not human

I'm not feeling massively human myself after such a busy week. The 21st Raindance Film Festival came to a close Sunday night with the creepy British thriller The Machine (pictured), which also won the top prize for best UK feature. Exploring artificial intelligence with an emotional edge, the film features sharp performances and some genuinely unnerving touches. Also at Raindance, I caught up with the Argentine comedy The Critic, which touched a few nerves in its engaging, cleverly told tale of a film critic's messy life.

I saw a couple of independent films outside Raindance: Who Needs Enemies is a low-budget London crime thriller that takes a clever approach to the genre and has a superb cast, but doesn't quite come together. And the comedy-documentary Seduced & Abandoned is a joy for movie fans, as Alec Baldwin and James Toback hit Cannes to sell their Iraq-set remake Last Tango in Tikrit. Pointed and very funny, it's packed with big-name cameos including Bertolucci himself, as well as surprisingly adept raconteur Ryan Gosling. And just last night I attended a massive Ender's Game teaser event with Harrison Ford, Asa Butterfield, Hailee Steinfeld and Ben Kingsley in attendance, but we'll have to wait to actually see the movie.

In continuing press screenings for the 57th London Film Festival, which opens Wednesday night, we caught up with Robert Redford's staggeringly well-made but somewhat over-done solo thriller All Is Lost; the amazing Robin Wright as a version of herself in Ari Folman's striking but confusing live-action/animated The Congress; the warm but implausible Brit-com Hello Carter with the likeable Charlie Cox, Christian Cooke and Jodie Whittaker; the provocative French drama Stranger by the Lake, which morphs from a quiet drama into a Hitcockian freakout on a gay-naturist beach; and the documentary Teenage, mixing terrific archive footage along with matching faked scenes that kind of undermine the entire point.

This coming week is pretty much devoted to the LFF with screenings of: Alfonso Cuaron's Gravity, Alexander Payne's Nebraska, Jason Reitman's Labor Day, Terry Gilliam's The Zero Theorem, Kelly Reichardt's Night Moves, Xavier Dolan's Tom at the Farm, Bruno Dumont's Camille Claudel 1915, Lukas Moodysson's We Are the Best, David Mackenzie's Starred Up, Hong Sangsoo's Haewon, the Berlinale winner Child's Pose, and the sexploitation doc The Sarnos. There's also a screening of two London movies: the crime thriller Vendetta and the comedy World of Hurt. Whew.