BFI Flare: See the world

Past the halfway point now, the 38th BFI Flare is running at full speed on the Southbank in London, with a continuing series of screenings and events, plus parallel screenings on the BFIPlayer online, including the annual #FiveFilmsForFreedom shorts, which are available globally during the festival. I'm still running around to screenings, meeting with filmmakers and actors, and generally enjoying the festive atmosphere (which seems to be missing from most festivals, as talent is now separated from everyone else). Here are some more movie highlights...

Aligned
dir-scr Apollo Bakopoulos; with Panos Malakos, Dimitris Fritzelas 23/Gr ****
A lyrical drama about two dancers, this Greek film is infused with body movement that's photographed with a lovely sense of sunlight, bodies and musicality. While the plot is fairly simple, the way the story is told is sensitive and sensual, focusing on thoughts and feelings as deeper yearnings come into conflict with practicalities. With an attention to detail, filmmaker Apollo Bakopoulos takes an approach that feels knowingly autobiographical... FULL REVIEW >

Toll [Pedágio]
dir-scr Carolina Markowicz; with Maeve Jinkings, Kauan Alvarenga 23/Br ****
Snappy characters and colourful visual touches add spark to this gritty Brazilian drama about a mother and son who find themselves at odds with each other. Writer-director Carolina Markowicz balances earthy authenticity with a deadpan sense of humour and remarkably complex characters who are just getting on with the challenges of life. Infused with irony, the plot unfolds with twists and turns that are funny and darkly harrowing... FULL REVIEW >

What a Feeling
dir-scr Kat Rohrer; with Caroline Peters, Proschat Madani 24/Aut ***.
Bright and snappy, this Austrian romantic comedy centres on two workaholic women who make an unexpected connection. Even though it feels a bit frantic and out of control, writer-director Kat Rohrer creates an engaging mix of earthy interaction and nutty slapstick. While there are bigger themes gurgling within the story, it remains light and easygoing, so a happy ending is never in doubt. Bring on a stand-and-cheer musical finale... FULL REVIEW >

The Queen of My Dreams
dir-scr Fawzia Mirza; with Amrit Kaur, Nimra Bucha 23/Can ***.
Recounting a young woman's story alongside the experiences of her mother, writer-director Fawzia Mirza deploys a range of flashbacks and Bollywood-style musical sequences that are bursting with colour and culture. So while the constant cross-cutting is disorienting, the film overflows with textures of life in multiple generations of this Pakistani-Canadian family. And what emerges is a richly detailed look at the threads that hold loved ones together... FULL REVIEW >

Desire Lines
dir Jules Rosskam; with Aden Hakimi, Theo Germaine 24/US ****
With an almost restlessly inventive approach, filmmaker Jules Rosskam mixes documentary and drama to explore the rarely recounted experiences of gay trans men, asking whether testosterone treatment can shift sexuality. The film knowingly grapples with larger ideas of identity and attraction, offering vital firsthand observations alongside intriguing dramatic scenes. And it is an important rebuke to anyone who insists that there are hard and fast rules about these things... FULL REVIEW >

B E S T    O F    Y E A R
Rustin
dir George C Wolfe; with Colman Domingo, Aml Ameen 23/US ****
Smooth and sparky, this biopic about the often overlooked Civil Rights pioneer is directed by George C Wolfe to vividly capture a pivotal point in American history. And Bradford Marsalis' jazzy score ripples with emotion, as the terrific actors create intriguing, complex layers in the characters. But what brings this film outrageously to life is the combination of a smart script and a blazing performance by Colman Domingo... FULL REVIEW >

Full reviews will be linked on Shadows' BFI FLARE PAGE >
For festival information, BFI FLARE >

31st Flare: Take 'em down

The British Film Institute's 31st Flare came to a festive conclusion last night with the international premiere of the closing film Signature Move (above) and the expected energetic party afterwards, with dancing long into the night. This is how all film festivals should be: great movies with audiences, journalists and filmmakers all mixing together at a series of enjoyable parties and special events. There are also of course ongoing discussions about whether there is still the need for LGBT-themed film festivals at all, but as long as bigotry and division exist even in supposedly accepting societies, they're vital. And it's nice to see that the films themselves are beginning to reflect a change - most of these are just movies about people getting on with their lives, and the fact that they may be gay or trans is a side note. I still have a bit of catching up to do, but here are some final highlights...

Signature Move
dir Jennifer Reeder; with Fawzia Mirza, Sari Sanchez 17/US ***.
With a sharp sense of humour and a gentle pace, this comedy is set in a multi-cultural corner of Chicago. Expanded from a short, the narrative is rather slight, but the characters are strong enough to hold the attention. And refreshingly, director Jennifer Reeder keeps the deeper themes gurgling strongly under the surface and resists preaching to the audience.

The Untold Tales of Armistead Maupin
dir Jennifer M Kroot; with Armistead Maupin, Laura Linney 17/US ****
A lively and revealing documentary, this film weaves together details from the life and writings of the beloved storyteller who crushed stereotypes and taboos in 70s-80s San Francisco. Armistead Maupin's journey from the conservative South to perhaps overconfident gay icon is fascinating, and it's moving to see how his writings have inspired millions to stand up for themselves and live a more positive life.

Flare Shorts

I managed to catch up with only 10 shorts this year. The programmes are increasingly popular with the public, making it tricky to get a ticket. Highlights for me were: The Hares (dir Martin Rodriguez Redondo, 16/Por) is a subtly moving story about a young boy pushed by his father into going on a nighttime hunting trip; An Evening (dir Soren Green, 16/Den) is a beautifully shot, lightly observant exploration of the different reactions two teens have to a sexual encounter; Pria (dir Yudho Aditya, 16/Ina) is a bold look at Indonesia's entrenched culture, as a 16-year-old guy reluctantly prepares for his wedding; and Jamie (dir Christopher Manning, 16/UK) is a sharply well-played, understated odyssey about a young man who opens up to his inner feelings for the first time.