Showing posts with label girlhood. Show all posts
Showing posts with label girlhood. Show all posts

Thursday, 31 December 2015

35th Shadows Awards: Happy New Year!

There were two films this year that got deep under my skin, and ultimately it was Charlie Kaufman's extraordinary Anomalisa that demanded the top spot on my best of the year list, with Andrew Haigh's 45 Years in close second. (Note that Anomalisa doesn't come out in the UK until March, so won't feature in British awards until next year.) Here are my top picks in the main categories, and as usual there are full top 10s and a lot more on the site...

BEST FILMS
  1. Anomalisa (Charlie Kaufman)
  2. 45 Years (Andrew Haigh)
  3. Room (Lenny Abrahamson)
  4. Tangerine (Sean Baker)
  5. Carol (Todd Haynes)
  6. Spotlight (Tom McCarthy)
  7. Star Wars: The Force Awakens (JJ Abrams)
  8. A Girl Walks Home Alone at Night (Ana Lily Amirpour)
  9. The Salt of the Earth (Wim Wenders, Juliano Ribeiro Salgado)
  10. The Tribe (Miroslav Slaboshpitsky)

DIRECTOR 
Andrew Haigh (45 Years)

WRITER 
Aaron Sorkin (Steve Jobs)

ACTRESS
Charlotte Rampling (45 Years)

ACTOR
Alfredo Castro (From Afar, The Club)

SUPPORTING ACTRESS
Elizabeth Banks (Love & Mercy, Pitch Perfect 2, Magic Mike XXL, Mockingjay Part 2)

SUPPORTING ACTOR
Oscar Isaac (Ex Machina, Star Wars: The Force Awakens)

WORST FILMS
  1. Absolutely Anything (Terry Jones)
  2. Unfinished Business (Ken Scott)
  3. Pixels (Chris Columbus)
  4. The Gallows (Travis Cluff, Chris Lofing)
  5. Accidental Love (Stephen Greene)
  6. The Cobbler (Tom McCarthy)
  7. Ratter (Branden Kramer)
  8. The Visit (M Night Shyamalan)
  9. The Scorch Trials (Wes Ball)
  10. Buttercup Bill (Emilie Richard-Froozan, Remy Bennett)


Monday, 23 March 2015

Flare 2: Sing like an angel

Mo'Nique makes her first return to the big screen alongside newcomer Julian Walker (above) in Blackbird, showing at the British Film Institute's Flare: London LGBT Film Festival. The festival was a flurry of parties and screenings over the weekend, with the highlight being the presence of movie icon Tab Hunter in attendance to talk about a documentary tracing his life and career (alas, I was unable to attend, but I'll catch up with it this week). More film highlights...

Blackbird 
dir Patrik-Ian Polk; with Julian Walker, Mo'Nique 14/US ***
Strong topical themes make this film worth seeing, even if the script drifts over-the-top in the final act, piling on just a few too many issues, emotions and coincidences. But the fresh cast is strong, and the film has a lovely musical sense about it. It also says some very important things about the clash between religion and sexuality.

Girlhood
dir Celine Sciamma; with Karidja Toure, Assa Sylla 14/Fr ****.
Building on the effectiveness of her gender-challenging Water Lillies and Tomboy, writer-director Sciamma creates a series of fascinating characters that continually jolt us out of our expectations. This film is stunningly well-made, peppered with unforgettable goosebump moments even as it refuses to answer all of the questions it raises.

Frangipani 
dir Chandrasekaram Visakesa; with Dasun Pathirana, Jehan Srikanth Appuhami 14/Sri ***.
From Sri Lanka, this film is made in a distinctly local style that will feel hesitant and awkward to a Western audience, but it offers sharp insight into a culture still struggling to deal with questions about sexuality and gender identity. It's also infused with warmth and a cheeky sense of humour. And the characters are so strong characters that they don't need to say too much.

Something Must Break 
dir Ester Martin Bergsmark; with Saga Becker, Iggy Malmborg 14/Swe ****
Beautifully shot and edited to get into the mind of its young central character, this Swedish drama explores how it feels to live outside the lines society has drawn for you. It sometimes an overpoweringly dark drama, with relentlessly bleak undercurrents, but there's a spark of hope that maybe people can find ways to love and accept each other.

Born to Fly: Elizabeth Streb vs. Gravity
dir Catherine Gund; with Elizabeth Streb, Laura Flanders 14/US ****
Intense and intriguing, this documentary traces an outrageously inventive, physical form of artistic experssion that combines dance, gymnastics and circus movement. From a desire to see a human being fly, Elizabeth Streb develops what she calls "extreme action". So even if the filmmaking is somewhat serious and straightforward, the performances are visceral and thrilling... FULL REVIEW >

Alive! [Vivant!]
dir-scr Vincent Boujon; with Vincent Leclercq, Matteo Montenegro 14/Fr **** 
This simple, straightforward documentary has an unusually loose narrative that's evocative and experiential rather than informative. Along the way, filmmaker Boujon inventively uses a relatively simple situation - a group of five HIV-positive men going skydiving - to explore some much bigger issues. It's involving and moving, and rather amazing.

The Golden Age of the American Male
dir Bob Mizer; with Joe Dallesandro, Blackie Preston 12/US ***
This is a very simple compilation of vintage gay-interest movies made by Mizer's AMG Studios using home-movie techniques to shoot scenes celebrating the male physique. These fit young men are wearing posing pouches or completely naked enacting contrived scenarios that are so hilariously absurd that even they can't stop laughing. If this collection contained some information about how or when they were made, it would be a much more valuable document. As is, it's an amusing, intriguing glimpse at a forgotten corner of movie history.

Tuesday, 24 February 2015

Critical Week: Adele and Glom forever

As always, the Oscar ceremony on Sunday night (early Monday morning live in London) was packed with classic moments, not least the awkward reunion of Idina Menzel and John Travolta, aka Adele Dazeem and Glom Gazingo. The other inspired presenter pairing was non-nominees Jennifer Aniston and David Oyelowo. Neil Patrick Harris peppered the ceremony with zingy off-handed one-liners, and lots of stiff scripted ones that made the show drag badly in the middle. Thankfully, the winners accepted their awards with a rare boldness, championing worthy big issues and refusing to accept the play-off music. Frankly, the movies should be more about this kind of thing: provoking thought by rocking the boat.

On the other hand, some of the winners were definitely not up to par - Birdman was far too heavily awarded. But it's about show business, so the voters couldn't resist, even though there were better films nominated. Big Hero 6 was the least of the animated nominees. And The Imitation Game's script is its weakest link. But never mind, history is likely to remember Boyhood as the film of the year no matter who won. And let's hear it for the Savage Grace reunion of winners Julianne Moore and Eddie Redmayne!

As for screenings last week, I took it a bit quietly. The biggest movie was The SpongeBob Movie: Sponge Out of Water, a surreal romp that never tries to be anything but bonkers. The best film was Celine Sciamma's Girlhood, an astonishing, artful exploration of how it feels to be an outsider. And there was also Jennifer Lopez in the overwrought slushy thriller The Boy Next Door, Kodi Smit-McPhee in the mopey and introspective All the Wilderness, and the darkly inventive, provocatively moving Brazilian drama Futuro Beach. We also had the launch of this year's BFI Flare line-up, which looks unusually strong (the festival runs 19-29 March).

Coming up this week, Michelle Williams in Suite Francaise, Hugh Jackman in Chappie, Salma Hayek in Everly, Jean Dujardin in The Connection, British crime thriller Hackney's Finest, and horse-racing doc Dark Horse, plus catching up on things I skipped last week...