FrightFest: There's something out there

The 27th FrightFest wraps up tonight after bringing another colourful lineup of ghastly movies to appreciative Leicester Square audiences. And with so many world premieres, a lot of filmmakers and cast members have been mingling with their fans. Here are notes on six more films I caught, several of these are world premieres...

Ithaqua
dir Casey Walker; with Luke Hemsworth, Kevin Durand 26/Can ***.
Strikingly shot in the snowy Canadian wilderness, this film nicely captures the period and setting, and it's populated by characters who are intriguing and enjoyably messy. Filmmaker Casey Walker sets up the story robustly, revealing the relationships, clashes and challenges before things take a an even nastier turn. The tension that comes along is genuinely unnerving, especially as this turns into an original ghostly zombie horror.

Bad Karaoke
dir Robert J Steinmiller Jr, Chris Lightbody; with Lexi Underwood, Case Walker 26/US ***.
With terrific character details and a raucous sense of pitch-black humour, this nutty horror comedy gets increasingly gruesome over the course of about 24 hours in an isolated cabin in the woods. Directors Robert J Steinmiller Jr and Chris Lightbody gleefully poke fun at the perils of karaoke, as well as the tried and tested tropes of scary teen movies. And it's all mixed together with a steady stream of goofiness.

Do You Want to Play?
dir-scr Nick Lyon; with Quinn Aune, Maxwell Mushallo 26/US ***
There's an oddly over-serious tone to this teen horror romp, which quickly establishes the premise and characters with melodrama rather than engaging detail. Writer-director Nick Lyon deploys grisly imagery early on, then follows a hideously masked supernatural villain terrorising a group of teens who are blithely playing around with the occult. So even if it never feels very original, there's some fun to be had.

Dracula: The Night Around Us
dir-scr Chris Schwab; with Eric Toms, Marlene Mc'Cohen 26/US ***.
Loosely based on the Bram Stoker novel, this low-budget freakout uses minimal dialog and lots of murkiness to keep the audience on edge. Writer-director Chris Schwab has a lot of fun with both jolting jump cuts and yucky closeups, making the most of the superbly grainy film stock. Offhanded humour adds a superbly engaging tone to what is otherwise a rather wacky gothic nightmare with heavy emotional overtones.

Hyena [aka: Hy3na]
dir Matthew Ninaber; with Storm Steenson, Kristen Kaster 26/Can **
Opening with a barrage of colourfully violent craziness, this lurid thriller then cuts back three weeks to recount the story of a wildly unhinged serial killer. With a quick pace, director-cowriter Matthew Ninaber indulges in outrageous grisliness while infusing everything with snarky broad humour. So it's a bit frustrating that the plot feels so oddly thin, with fragmented strands and too many slinky montage sequences. Plus the obvious twist.

Valley View Motel
dir-scr Nick Psinakis, Kevin Ignatius; with Laura Im, Soulo Smith 26/US ***.

Even with a limited budget, actor-filmmakers Nick Psinakis and Kevin Ignatius inventively infuse this thriller with a superb 1970s vibe, using the camerawork, a churning score and groovy costumes and cars. The also adeptly channel the Coen brothers, keeping things blackly comical as they throw a bunch of very messy characters together, pushing them to acts of desperation. So the final act is expertly staged horror slapstick.

Full reviews will be posted on SHADOWS' FRIGHTFEST PAGE >

Critical Week: Say your prayers

As another heatwave settles in over London, I had two film-free days this week. First was the baseball event in Hyde Park (see the post below), and the other was the Critics' Circle annual summer party on the gorgeous roof terrace at Picturehouse Central. As for films, I really enjoyed Sofia Coppola's remake of The Beguiled, but then I love her loose filmmaking style and the way she lets her actors bring out unexpected depths of character. At the other end of the cinematic spectrum, the franchise continues with Cars 3, the fifth (don't forget the Planes movies) in the series about a world populated by vehicles but not humans. The set-up is just as odd, but the movie has an earthy simplicity to it.

Much more offbeat, Bong Joon Ho's Okja is a witty, involving action adventure with very dark themes about globalisation and sharp performances from Tilda Swinton (times two), Jake Gyllenhaal and Paul Dano. Also worth a look is It Comes at Night, an inventively complex horror movie starring Joel Edgerton. It's set after some kind of undefined apocalypse but heavily reminiscent of the world today. Hickok is a cheesy Western tracing the story of the iconic historical figure, nicely played by a beefy Luke Hemsworth. And Do You Take This Man is another thoughtful drama starring Anthony Rapp, set around a pre-wedding dinner at which the usual personal issues are brought to the surface.

This coming week, screenings include Terrence Malick's Song to Song, Sally Hawkins and Ethan Hawke in Maudie, the Aussie sequel A Few Less Men, the horror thriller Killing Ground and the fact-based drama Dark Night.

Critical Week: They're baaack...

Screenings in London this past week included two very late-screening films coming out this week: Poltergeist (pictured above) is a remake of the 1982 Spielberg/Hooper classic. It's nicely shot and acted but feels rather exactly like other ghost movies being made at the moment (most notably Insidious). Tomorrowland is a relentlessly optimistic Disney movie starring George Clooney with a strongly positive message, a solid cast and some lovely effects, although it's a bit too simplistic to be something special.

Two other films featured veterans in a relaxed mood: Al Pacino is an ageing rocker in Danny Collins, a chilled-out comedy-drama with strong support from Annette Bening, Jennifer Garner, Christopher Plummer and Bobby Cannavale. Dustin Hoffman is a master conductor in The Choir (aka Boychoir), an enjoyable if somewhat too-earnest coming of age movie.

Further afield: Olivia Colman leads the ensemble (which includes Tom Hardy) in the artfully offbeat musical London Road, using actual transcripts to explore a community's reaction to a serial killer. Everyone's Going to Die is an underpowered British drama about a connection between two extremely mismatched strangers. Unhallowed Ground is a rather cheesy British horror movie that has some terrific freak-out moments along the way. Infini is an underwritten Aussie sci-fi horror that looks cool but fails to develop its characters. And Seek is a scruffy-charming Canadian indie about a geeky journalist looking for his dream man on the nightclub scene in Toronto.

This coming week we have screenings of: Slow West with Michael Fassbender, Mr Holmes with Ian McKellan, Return to Sender with Rosamund Pike, Results with Guy Pearce and the festival favourites Eden and Les Combattants. Plus another three-day weekend!

Critical Week: Save your sole

It's been a very odd week for press screenings in London, the lull between the blockbusters. The only big-name movies I saw were a bit lacklustre: Adam Sandler in The Cobbler, an underwhelming comedy-drama with a supernatural touch; Simon Pegg in Kill Me Three Times, an uneven Aussie crime comedy that strains for a wacky Tarantino vibe; Shirley MacLaine and Christopher Plummer in Elsa & Fred, a gentle romantic drama that never quite gets on track; and Justin Long and Emmy Rossum in the artful and evocative romance Comet.

More interesting were two darkly moving movies further from the beaten path, namely the cleverly understated German drama West, set in1978 Berlin, and the intensely introspective rural Hungarian drama Land of Storms. Both films explore societal pressures that can destabilise relationships and make people doubt themselves and their loved ones.

I also caught the extraordinary A Sinner in Mecca, a documentary having its world premiere at HotDocs in Toronto this week. It's about a devout Muslim exploring his faith by performing his hajj, the ritual pilgrimage to Saudi Arabia, which in his case could be fatal since he is an openly gay filmmaker. A seriously stunning film that will find resonance with anyone who struggles to balance faith with sexuality.

Ahead, it's another long weekend with a short week next week. Screenings coming up include Chris Rock in Top Five, Gugu Mbatha-Raw in Beyond the Lights, the zombie horror What's Left of Us, the animated adventure Dino Time and the fashion-world doc Iris.