Critical Week: High school blues

This week's most impressive debut came from Gia Coppola (Francis' granddaughter), adapting James Franco's internalised short story collection Palo Alto. A strikingly honest exploration of teen life, it also features a star-making lead performance from Jack Kilmer (Val's son) alongside Emma Roberts (pictured), Nat Wolff and Franco himself. The other two big movies shown to London critics this week were colon-wielding sequels. The Purge: Anarchy carries on the lawful carnage one year later from the opposite economical perspective, which drains the premise of the irony that made the first film work so well. And Planes: Fire & Rescue is actually an improvement, a better-written and occasionally enjoyable romp that's still marred by that ropey "World of Cars" premise.

Off the beaten path we had a fearless Gerard Depardieu as a shameless womanising politician in Abel Ferrara's controversial and superbly outrageous Welcome to New York; the charming but cheesy gay romantic comedy Love or Whatever; the edgy but somewhat familiar Danish youth drama Northwest; and two documentaries: Nick Cave's artful, fiercely inventive and vaguely pretentious 20,000 Days on Earth and Charlie Lyne's enjoyable romp through a decade of teen movies in Beyond Clueless.

In the coming week, we'll be catching up with the summer's big Marvel blockbuster Guardians of the Galaxy, Dwayne Johnson as Hercules, Jennifer Aniston in Life of Crime, Colin Firth in A Most Wanted Man, the next in the neverending franchise Step Up: All In, the indie sibling drama Tiger Orange, and Al Pacino's take on Oscar Wilde's Salome, plus the making-of doc Wild Salome.

Requisite Blog Photo: Scary planes with faces

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Critical Week: Through the dangerzone

Speed was the name of the game at press screenings this week, as critics boarded Disney's Planes, the spin-off from Pixar's Cars movies; Ron Howard's Formula One drama Rush, about the rivalry-respect between 1970s champs James Hunt and Niki Lauda; Johnny Depp's latest wacky sidekick in The Lone Ranger, which is bloated but more fun than expected; and Mark Wahlberg and Dwayne Johnson in Michael Bay's Pain & Gain, an over-pumped comedy based on a true story of torture and murder (!).

Our pulses slowed a bit for the all-star sex-addiction comedy-drama Thanks for Sharing, with Mark Ruffalo, Gwyneth Paltrow, Josh Gad, Tim Robbins and Alecia Moore (better known as Pink); the dark drama Ain't Them Bodies Saints, with Rooney Mara and Dane DeHaan; the warm, funny and extremely telling Saudi drama Wadjda; and two docs: the straightforward biographical Hawking and an exploration of privacy-erosion in Terms and Conditions May Apply. Finally, we were jolted back out of our seats by a horror double bill: Patrick Wilson and Vera Farmiga in the demonic possession chiller The Conjuring, and a family under siege by masked killers in You're Next.

Coming up this week: Hugh Jackman is The Wolverine (again), those all-star retired killers are back for RED 2, Sandra Bullock teams with Melissa McCarthy for The Heat, there's more muscled men in skirts in Hammer of the Gods, Ulrich Seidl closes out his trilogy with Paradise: Hope, The Great Hip Hop Hoax documents Scots pretending to be American rappers, And we get a look at a reissued-remastered version of the 1981 epic Heaven's Gate.