Critical Week: Leader of the pack

It's been a very busy week, but there have been few screenings. The one big one was a festive press screening for the second Despicable Me spin-off prequel Minions: The Rise of Gru. It's as delightfully silly as expected, and rather a lot more manic than the last movie. The splintered plot is somewhat frustrating, but the gags are quick and consistent.

BEST OUT THIS WEEK:
George Michael: Freedom Uncut
Elvis • Olga • Apples • Wildhood
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I also caught up with the Swiss drama Olga (which I'd missed on its UK release last month), about a Ukrainian gymnast facing identity issues. It's powerfully involving, inventive and eerily timely. There was also the Brazilian documentary Uyra: The Rising Forest, a gorgeous odyssey about artistic indigenous activists raising awareness of an environment under threat. And I'm also on the short film jury for London Indian Film Festival, so watched 10 seriously engaging shorts. Tomorrow I'll meet with the other jurors to decide a winner of the Satyajit Ray prize.

It'll be another rather offbeat week ahead, and films to watch include the Ukrainian drama Sniper: The White Raven, the anime adventure Pompo: The Cinephile and the short film collection Boys on Film 22: Love to Love You.

Critical Week: Go ahead jump

Oscar nominations this week threw the awards season into some chaos, and put some races into focus. There will be lots of conjecture before the ceremony at the end of March. Then after several weeks with a drip-feed of big releases, three come along all at once. All three had late press screenings this week in London just before they opened. The most fun was Uncharted, a lively adventure that just about gets away with its simplistic script because Tom Holland is so ludicrously charming. And Mark Wahlberg almost keeps up with him, which is pretty impressive. Kenneth Branagh is back with another lavish but underwhelming Agatha Christie adaptation, Death on the Nile, which has lovely (mainly digital) Egyptian settings and an all-star cast that includes Gal Gadot, Armie Hammer, Letitia Wright, Russell Brand and an underused French and Saunders. And Jennifer Lopez and Owen Wilson find surprising chemistry in Marry Me, a romcom that never veers form the formula, but has some fun with it.

BEST OUT THIS WEEK:
Flee • Wheel of Fortune and Fantasy
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More offbeat films included Johnny Depp in the biopic Minimata, about a noted photojournalist raising awareness of toxic waste in 1970s Japan. It's well-made but a bit dull. Give or Take is a charming little drama about two men who share a grief and little else. Watching them find friendship is nicely underplayed. Small Body is a bold fable from Italy about a woman on an epic quest from the sea to the mountains. It's packed with provocative themes, and is deeply haunting. And I also watched the six short films featured on The French Boys 3, another collection of terrific small dramas that grapple with masculinity.

This coming week I'll be watching Naomi Watts in The Desperate Hour, Zoe Kravitz in Kimi, Jason Isaacs in Streamline, Max von Sydow in Echoes of the Past, the French coming-of-age drama A Night in the Fields and the surreal drama Strawberry Mansion. I'll also be at the press night for the London stage musical production of Saturday Night Fever.

LFF 2: Tell the truth

The opening night red carpet at the 59th London Film Festival was interrupted last night by a group of activists protesting government cuts in programmes to help abused women. A rather appropriate action for the premiere of Suffragette, as cast members in attendance noted. The festival gets up to speed today with the first full day of programming - and it's my busiest yet, with four press screenings. Here are some more highlights...

Trumbo
dir Jay Roach; with Bryan Cranston, Helen Mirren 15/US ****
It's a good thing this film has a sharp screenplay, since it's about one of Hollywood's most notorious screenwriters. Sharp, funny and cleverly resonant, this true drama explores a grim period in American history with intelligence and emotion. And it's packed with superb performances from a skilled cast.

He Named Me Malala
dir Davis Guggenheim; with Malala Yousafzai, Ziauddin Yousafzai 15/US ****
Filmmaker Guggenheim manipulates the audience with a rather jarring story structure in this documentary, choosing to place events in order to build the maximum emotional punch. But when the subject is this strong, the audience doesn't mind too much. And Malala Yousafzai is inspirational even without all of these cinematic flourishes... MORE >

The Club
dir Pablo Larrain; with Alfredo Castro, Antonia Zegers 15/Chl ****
Exploring a topical issue with invention and insight, Chilean filmmaker Larrain tells a haunting but magnetic story about disgraced Catholic priests caught in a kind of pergutory of self-deception. It's a stunningly clever film, packed with quietly pointed commentary and darkly involving drama.

Truman
dir Cesc Gay; with Ricardo Darin, Javier Camara 15/Sp ****
With vivid characters and a superb blend of comedy and drama, this story about two lifelong friends continually catches the audience off-guard, revealing layers of resonant detail that can't help but draw out a strong emotional response. It's a thoroughly likeable film featuring spiky characters who speak their minds. But it's what isn't spoken that carries the real punch.

Blood of My Blood
dir-scr Marco Bellocchio; with Pier Giorgio Bellocchio, Lidiya Liberman 15/It ***.
Ambitious and assured, this Italian drama shifts between time periods to explore issues of morality and mortality through the filter of religion and, ahem, vampires. Using the same setting several hundred years apart, the film has an eerie, mesmerising quality that holds the attention, even if the plot isn't very easy to unpick.

Brand: A Second Coming
dir Ondi Timoner; with Russell Brand, Noel Gallagher 15/UK ****
Fast-paced and abrasively entertaining, like Russell Brand himself, this is a documentary about a man who throws himself into everything with wild enthusiasm. It demonstrates vividly how he wins over everyone he meets, against all odds. And it explores why the things everyone wants - fame, money, power - mean nothing and bring no happiness. So he has set out to disrupt the prevailing ideology.

Critical Week: The pitch is back

For critics, one of the most anticipated films of the year was Pitch Perfect 2, the sequel to the surprisingly amazing 2012 comedy. So of course the highlight of the week was the press screening of the follow-up, which surpassed expectations (again), reuniting the Bellas for another hilarious adventure. The other big movie this week was of course Avengers: Age of Ultron, which has provoked a bit of a mixed response. But I'm looking forward to meeting them all at the press junket today!

We also caught up with Thomas Vinterberg's sumptuous version of Far From the Madding Crowd, starring Carey Mulligan, Matthias Schoenaerts, Tom Sturridge and Michael Sheen (I interviewed Carey and Matthias last week for this film). Lower profile films included Nia Vardalos as a seriously annoying mother in the otherwise decent comedy Helicopter Mom; the clever and occasionally scary computer-screen teen slasher horror Unfriended; the scruffy indie British caper comedy Taking Stock starring Kelly Brook; the corny and very childish Euro-animation Two by Two; the nicely moody gay mystery-horror Drink Me; and the superbly blood-boiling political doc The Emperor's New Clothes, by Russell Brand and Michael Winterbottom.

Screenings this coming week are a bit thin, but include Michael Fassbender in Slow West, Simon Pegg in Kill Me Three Times, the German drama West, the Hungarian drama Land of Storms, and the controversial world premiere doc A Sinner in Mecca, and the public action doc We Are Many.