LFF 4: Strike a pose

The 59th London Film Festival forges ahead with more red carpet mania (that's Bryan Cranston, Helen Mirren and John Goodman out last night, for Trumbo). It's only Day 4 and I'm already suffering from burn-out, so tonight I'm taking a break and heading to the theatre! That should help me face the coming eight days, even with those nasty 8.45am press screenings. Thankfully the films have been good enough to (mostly) keep me awake. More highlights...

Bone Tomahawk 
dir S Craig Zahler; with Kurt Russell, Patrick Wilson 15/US ***.
A fresh take on the Western genre, this film combines dark drama with snappy wit and grisly horror to keep viewers on the edge of their seats. So while it's riveting and unpredictable, with strikingly bold performances from the entire cast, it's also vaguely ridiculous in its grotesque exaggeration of frontier fears about Native Americans.

The Program
dir Stephen Frears; with Ben Foster, Chris O'Dowd 15/UK ***. 
With a quick pace and steely tone, this drama traces Lance Armstrong's career in a strikingly lucid way. Never simplistic, it sees the events through the cyclist's own perspective, acknowledging the moral issues while carefully exploring why a sportsman would cheat his way to success. Anchored by a bracing performance from Foster, this is also one of the edgiest movies in Frears' eclectic filmography

Couple in a Hole 
dir Tom Geens; with Paul Higgins, Kate Dickie 15/UK **. 
Like something from the Greek new wave, this film takes a surreal look at fundamental human emotions through a premise that feels both fantastical and eerily realistic. On the other hand, this particular parable is far too on-the-nose, never quite coming up with anything very insightful. Still, it's packed with unexpected twists and characters that defy expectations.

Men & Chicken 
dir Anders Thomas Jensen; with Mads Mikkelsen, David Dencik 15/Den **** 
A wickedly grotesque look at family connections, this Danish black comedy is both hugely entertaining and utterly bonkers. A mixture of scientific creepiness and Three Stooges-style slapstick, the film defiantly refuses to fit into a genre. Which makes it gloriously entertaining in all the wrong ways.

Aligarh
dir Hansal Mehta; with Manoj Bajpai, Rajkummar Rao 15/Ind ****
It would be easy to write off this true drama as something that could only happen in India, but the film has striking layers of global resonance. Not only is it a vivid depiction of the struggle for human rights, in this case relating to sexuality, but it's also a subtle indictment of how Western media have created a need for everyone to be put into their appropriate box. And it's written, directed and acted with remarkable sensitivity and insight.

LFF 2: Tell the truth

The opening night red carpet at the 59th London Film Festival was interrupted last night by a group of activists protesting government cuts in programmes to help abused women. A rather appropriate action for the premiere of Suffragette, as cast members in attendance noted. The festival gets up to speed today with the first full day of programming - and it's my busiest yet, with four press screenings. Here are some more highlights...

Trumbo
dir Jay Roach; with Bryan Cranston, Helen Mirren 15/US ****
It's a good thing this film has a sharp screenplay, since it's about one of Hollywood's most notorious screenwriters. Sharp, funny and cleverly resonant, this true drama explores a grim period in American history with intelligence and emotion. And it's packed with superb performances from a skilled cast.

He Named Me Malala
dir Davis Guggenheim; with Malala Yousafzai, Ziauddin Yousafzai 15/US ****
Filmmaker Guggenheim manipulates the audience with a rather jarring story structure in this documentary, choosing to place events in order to build the maximum emotional punch. But when the subject is this strong, the audience doesn't mind too much. And Malala Yousafzai is inspirational even without all of these cinematic flourishes... MORE >

The Club
dir Pablo Larrain; with Alfredo Castro, Antonia Zegers 15/Chl ****
Exploring a topical issue with invention and insight, Chilean filmmaker Larrain tells a haunting but magnetic story about disgraced Catholic priests caught in a kind of pergutory of self-deception. It's a stunningly clever film, packed with quietly pointed commentary and darkly involving drama.

Truman
dir Cesc Gay; with Ricardo Darin, Javier Camara 15/Sp ****
With vivid characters and a superb blend of comedy and drama, this story about two lifelong friends continually catches the audience off-guard, revealing layers of resonant detail that can't help but draw out a strong emotional response. It's a thoroughly likeable film featuring spiky characters who speak their minds. But it's what isn't spoken that carries the real punch.

Blood of My Blood
dir-scr Marco Bellocchio; with Pier Giorgio Bellocchio, Lidiya Liberman 15/It ***.
Ambitious and assured, this Italian drama shifts between time periods to explore issues of morality and mortality through the filter of religion and, ahem, vampires. Using the same setting several hundred years apart, the film has an eerie, mesmerising quality that holds the attention, even if the plot isn't very easy to unpick.

Brand: A Second Coming
dir Ondi Timoner; with Russell Brand, Noel Gallagher 15/UK ****
Fast-paced and abrasively entertaining, like Russell Brand himself, this is a documentary about a man who throws himself into everything with wild enthusiasm. It demonstrates vividly how he wins over everyone he meets, against all odds. And it explores why the things everyone wants - fame, money, power - mean nothing and bring no happiness. So he has set out to disrupt the prevailing ideology.