Thursday, 26 January 2023

Critical Week: Life's a beach

Awards season stuff continues to take up much of my time, with another flurry of nominations and winners released this week, including the biggest nominations of the season: the Oscars. As usual, the news was full of stories about surprise nods and angry snubs, as if this was something new. Meanwhile, I'm in the final 10-day push toward the London Critics' Circle awards, looking forward to having Michelle Yeoh at our ceremony to receive our top honour. It's looking like a properly starry event after two virtual years. Lots still to do to get ready for that!

BEST OUT THIS WEEK:
Close • The Fabelmans
Concerned Citizen
PERHAPS AVOID:
Maybe I Do • Shotgun Wedding
ALL REVIEWS >
Of course I've also been watching movies, and the Philippines was the main villain in two big Hollywood productions. Filmed in the Dominican Republic, Shotgun Wedding stars Jennifer Lopez and Josh Duhamel as the bride and groom who plan a lush destination wedding that's interrupted by ruthless pirates. Filmed in Puerto Rico, Plane stars Gerard Butler as a pilot who crash-lands on a remote Filipino island overrun with a ruthless militia. Both movies require their stars to step in when the law fails to protect them. And both are plainly preposterous, although Plane just wins the battle by being a bit more fun.

The rest are an eclectic bunch: Maybe I Do has a super-starry ensemble cast that features Diane Keaton, Susan Sarandon, Richard Gere, William H Macy, Emma Roberts and Luke Bracey. And yet the transition from stage to screen feels a bit dull and contrived. From China, the massive blockbuster sci-fi epic The Wandering Earth II takes the breath away with its enormous scale and vast cast of characters, and it's also deliberately funny, which is refreshing. From Australia, Seriously Red is an endearing drama about a woman who becomes a Dolly Parton impersonator to find herself. It's funny and edgy, like Muriel's Wedding. And from Israel, Concerned Citizen is a lovely naturalistic drama about a guy trying to decide whether to improve his Tel Aviv neighbourhood or just move away like everyone else.

Screenings are a bit scant this coming week, although that's because I've already seen the awards-contending films that are coming into cinemas now. Movies to see this coming week include Ryan Philippe in The Locksmith, Nick Moran in Renegades and some straggling awards contenders.


Friday, 20 January 2023

Stage: Ready for his closeup

Zach Zucker:
Spectacular Industry Showcase
with live music by Lucas Tamaren
Soho Theatre, London • 17-21.Jan.23

After glowing reviews on the Edinburgh Fringe, Zach Zucker brings his frenetic one-man show to London for a brief, riotous run. The jokes are fast and ridiculous, and not quite as rude as he thinks they are, especially for a lubricated late-night Soho crowd. But his boyish charm is so engaging that it's difficult not to fall in love with Zach as he does pretty much everything he can to win us over.

As his self-created myth goes, Zach has been working in show business in Los Angeles for 11 years, and he's now ready for stardom at age 16. Can he be the first bisexual Jew to make it in Hollywood? He certainly thinks so, diving into a freeform series of audition pieces that demonstrate his skills at acting, singing, dancing and improvisation. He also bares his soul, promises to sleep with everyone, and shows himself willing to do or say the unthinkable to get a laugh.

Essentially a hyperactive clown, Zucker has a fabulous physicality, diving into each humorous bit with gusto and interacting with the audience using a mix of biting wit and knowing warmth. Much of his material is blissfully absurd, especially as he segues from one random theme to the next, diving into a variety of alter-egos who perform with songs, poetry and rap in their own silly voices. This is a performer who isn't embarrassed to embrace a gleefully stupid joke, and when one doesn't work he moves so swiftly on to the next one that it's dazzling.

Of course, there's a very strong whiff of desperation in the character Zucker is playing on stage, and it's this vulnerability that makes the show much more than just an hour of frantic mayhem. His interaction with musician Lucas Tamaren brings several clever surprises along the way, adding even more layers to Zucker's self-aware performance. So even if he perhaps wants stardom a bit too much, it's impossible not to hope that he gets a shot at it.

photos by Dylan Woodley • 17.Jan.23

Thursday, 19 January 2023

Critical Week: Back to nature

It's been another crazy week in awards season, with nominations announced for the British Academy Film Awards and several more industry guilds, plus two more groups I vote in - the Dorian Awards and the Online Film Critics Society. Even more time-consuming was my work as chair of the London Critics' Circle, as we put together our ceremony, which will be on February 5th. On the website, I'm updating the various awards pages, as well as the Shadows Sweepstakes, compiling all the awards in one place to see who's winning the overall race. Yes, I'm still a movie nerd.

BEST OUT THIS WEEK:
Alice, Darling • Holy Spider
In From the Side
ALL REVIEWS >
Along the way, I caught up with four movies, all of which are out in the UK and/or US this week. Three of these films are powerfully intimate dramas. The French drama More Than Ever stars Vicky Krieps as a woman grappling with her mortality alongside her husband, played by the late Gaspard Ulliel. Half of the film takes place on a Norwegian fjord, so the film has an intriguing mix of French and Scandinavian emotion. Anna Kendrick stars in the Canadian drama Alice, Darling, as a woman in a harshly controlling relationship. As her friends offer help, things get both gripping and moving. From Argentina, The Substitute stars Juan Minujin as a teacher caught in a collection of stressful situations that feel rather plotted, but the actors and camerawork are terrific. And finally there was the documentary 1946: The Mistranslation That Shifted Culture, a scholarly exploration of how homosexuality entered the Bible through a translation error in 1946 and proceeded to spark an anti-gay movement. It's detailed and powerful, made by and for believers.

This coming week I have press screenings of M Night Shyamalan's new horror mystery Knock at the Cabin, Gerard Butler in the action thriller Plane and the Chinese action epic sequel The Wandering Earth II, and I'll also catch up with Jennifer Lopez in Shotgun Wedding, Richard Gere in Maybe I Do, and the indie films Seriously Red and Concerned Citizen. If there's time. 

Thursday, 12 January 2023

Critical Week: Desperado

It's been a very busy week with lots of meetings relating to the forthcoming London Critics' Circle Film Awards, voting deadlines in various awards and appearing on this week's episode of the Arts Hour for BBC World Service (link to come).

BEST OUT THIS WEEK:
Tár • M3gan • The Old Way
Empire of Light • Enys Men
ALL REVIEWS >
So I've only managed to watch three films this week. Nicolas Cage brings his wonderfully offbeat intensity to the Western drama The Old Way, which is never quite as original as it should be, but is sustained by Cage's presence and his chemistry with intrepid young costar Ryan Kiera Armstrong. Another genre film that is more entertaining than it should be is M3gan, about an AI robot toy doll that becomes murderously protective of its owner. It's gleefully nasty, but never scary. And Gillian Jacobs is terrific in the unusual The Seven Faces of Jane, which features episodes in the day of a mother's life made by eight filmmakers who didn't consult with each other. The result is surreal and riveting.

This coming week I'll be watching Anna Kendrick in Alice Darling, Vicky Krieps in More Than Ever, Alfredo Castro in The Substitute, the acclaimed British drama The Swimmers and the animated adventure Epic Tails.


Wednesday, 11 January 2023

Confessions of a Golden Globes voter

It's been 40 years this month since the Golden Globes presented New Star of the Year to billionaire socialite and notoriously unpromising star Pia Zadora. Clearly something was seriously wrong with this organisation, and as a student journalist writing about film for a local weekly newspaper, I was surprised to learn that these supposedly venerable awards were actually presented by only a few dozen foreign journalists based in Los Angeles. And this award revealed that their prizes had price tags. Indeed, just over a decade earlier the ceremony had been forced off the air when the FCC charged the organising Hollywood Foreign Press Association with misleading the public about how winners were determined.

Pia Zadora in 1982
Since then, the HFPA has never been taken serious by the industry, other than as a ratings bonanza to boost the buzz for more reputable awards. The biggest stars have consistently attended their lively ceremony, and the prizes are named in the same breath as Oscar and Bafta, which are voted on by thousands of artists who make movies. It's never been a secret that the Globes voters only seemed to be in the business for the parties, trips and gifts. So it was never surprising that their ceremonies were peppered with dodgy winners. Even so, they steadily grew in influence thanks to A-list stars who turned up for the big night.

It took a major newspaper investigation to reveal a bigger picture. A February 2021 Los Angeles Times report exposed a culture of ethical failings among HFPA members and a startling lack of diversity among its 87 voters. This time, the outrage caught hold and the organisation was forced to take action, holding its ceremony off the air in January 2022 while completely restructuring the company and inviting more diverse members, now including foreign journalists who are based in other North American cities. Then last summer, they invited journalists who live abroad to join as "international voters" for the 80th Golden Globes in January 2023.

The LA Times report
This is where I came in. I received the invitation through the international critics' federation Fipresci, and my first reaction was scepticism. But I've never been someone who simply dismisses anyone or anything based on past mistakes. As I thought about it, I began to feel that maybe I should check this out: instead of sitting back and criticising the Globes for their toxicity, perhaps I could be more proactive. HFPA President Helen Hoehne has spoken of the "momentous change" within the organisation, and this was a chance to see that for myself and, in a very small way, help nudge it forward.

I was certainly surprised by the ethical rules, as I was asked to sign a strict code of conduct and declare any potential conflicts of interest (this had to be done at every step in the process, including on the ballots themselves). Then the zoom meeting welcoming the international intake was properly refreshing, as I saw more than 100 people from 62 countries participating in the discussion. Clearly this was going to have a major impact on the nominations. That said, we were divided into two groups (film and TV voters), so the 100 full members still have a majority.

80th Golden Globes: film acting winners Michelle Yeoh,
Colin Farrell, Cate Blanchett (did not attend),
Austin Butler, Angela Bassett and Ke Huy Quan
Throughout awards season, being a Globes voter provided excellent access to even the most marginal contending films, although it's never too difficult as I also vote in the London Critics' Circle Film Awards, Galeca's Dorian Awards, Fipresci's prizes and the Online Film Critics Society Awards. And my parents live in Southern California, so when I visited them in November I was able to attend an in-person Golden Globes screening (for Babylon on the Paramount lot) and meet several members in person.

From this, as well as a series of zoom meetings, it was nice to see what a friendly group of people they are. They come from all over the world, so as a lifelong expat I immediately have common ground there. And being in a room with them, I could see that there's a family camaraderie between them, which I also recognise as someone who has lived most of my life as a foreigner. As far as I know, I am the only international voter that the members met at a screening.

80th Golden Globes: host Jerrod Carmichael,
Carol Burnett Award winner Ryan Murphy, TV actresses Jennifer Coolidge
and Quinta Brunson, and Cecil B DeMille Award winner Eddie Murphy
Then the nominations came out and, while there were some wonderful wildcards in there, I was a bit disappointed that there weren't more comprehensive surprises (it should be noted that the DGA didn't nominate any female directors either this year). While the winners are perhaps predictable, they're also a notably diverse bunch. Annoyingly, because the Golden Globes has never had a UK broadcast, there was no way for me to watch the ceremony, so I have only seen online clips.


In the end, while I would have liked for the international voters to spark a more revolutionary set of nominees and winners, I am glad that I participated in this process. I am genuinely rooting for the HFPA to continue cleaning up its act, perhaps by more effectively highlighting its considerable charity work and further diversifying its voting base, perhaps with the inclusion of even more international voters. I don't know if I'll be invited to participate next year, but I'll always prefer to have a hand in change rather than complain that it's not happening quickly enough.




Thursday, 5 January 2023

Critical Week: Movie night

I've started off the new year catching up on things I had hoped to see last year, including three acclaimed foreign-language titles that have been in this year's awards conversation. From Spain, Alcarras is a lively, remarkably authentic drama about a family facing a big change. From Pakistan, Joyland is a proper stunner about a young couple straining against a society full of expectations and restrictions. From Brazil, Mars One is a lovely, loose drama about four family members who have their own distinct dreams.

BEST OUT THIS WEEK:
Till • Piggy • Alcarras
Mars One • Women Talking
ALL REVIEWS >
Two films coming out this week are The Enforcer, a skilfully made thriller with an under-developed plot, anchored by a terrific Antonio Banderas as a growly mob heavy. And the mystery thriller Exploited is enjoyably lurid even if it's awkwardly assembled.

I also caught up with Disney's latest animated adventure Strange World, an enjoyably colourful romp that feels a bit simplistic in its themes. A sequel to the guilty-pleasure hit Enchanted, Disenchanted has lots of great songs but a story that feels rushed and, well, all wrong. The British period whodunit See How They Run creates an enjoyably witty vibe but strains to engage the audience. The animated romance Entergalactic looks fantastic, and has some nice underlying themes, but ultimately sticks too close to the genre rules. And then there was The Guardians of the Galaxy Holiday Special, a throwback to those vintage TV specials. It's nutty and entertaining, and offers some terrific scenes with favourite characters, but it's never quite as bonkers as we hope it will be.

Movies I'll be watching this coming week include the horror thriller M3gan, Jim Parsons in Spoiler Alert, Nicolas Cage in The Old Way, Gillian Jacobs in The Seven Faces of Jane, and catch-up screenings of Cha Cha Real Smooth, Broker, The Swimmers and others.