Critical Week: Nothing but a smile

As a critic, movies come at me at random, so it's very odd when a pattern emerges. This past week, for example, I saw two Belgian movies that were populated by people who were completely naked. And neither was about sex. Set in a naturist campground, Patrick is a quirky black comedy with a compelling mystery at its centre. And it features a global star in Jemaine Clement (above with non-nudist Hannah Hoekstra). Bare documents the production of a dance piece for 11 naked men from auditions to the premiere. It's a striking look at masculinity, including strength, weakness, diversity and unity. But you have to be relaxed about watching naked bodies on screen.

BEST OUT THIS WEEK:
WolfWalkers • Ammonite
No Hard Feelings • The Climb
 I Am Greta • Bare 
FULL REVIEWS >

Otherwise, the movies this week were the usual eclectic bunch - once Raindance ended on Sunday. There were two family-friendly films: David and Jacqui Morris' eye-catching new take on A Christmas Carol that uses Dickens' text faithfully, accompanied by an ambitious mix of dance and theatricality with an all-star voice cast; and The SpongeBob Movie: Sponge on the Run is the latest adventure for that undersea gang of idiots, silly and also very funny (with added Keanu). There was some rude comedy in the gently engaging Malin Akerman comedy Chick Fight. And from Germany, the moving romance No Hard Feelings has a lot to say about the refugee experience.

Coming up this next week, films to watch include Aubrey Plaza in the drama Black Bear, Gary Oldman in the biopic Mank, Travis Fimmel in the heist comedy Finding Steve McQueen, the Jackie Chan action thriller Vanguard, the Romanian journalism drama Collective and the Shane MacGowan doc Crock of Gold.

Raindance: Use your voice

The 28th Raindance Film Festival came to an end this weekend, after making much of its programme available for free online. Although the closing film was cancelled due to England's new lockdown. I managed to see 21 films this year, a slight uptick on previous years, perhaps because all screenings were virtual, but also because this year's festival didn't have the usual clash with London Film Festival. There are four final highlights below, plus this year's award winners. Note that Stardust was the festival's opening film, and Thou Shalt Not Hate is my best of the fest...

Stardust

dir Gabriel Range; with Johnny Flynn, Jena Malone 20/UK ***.

There's a loose, scruffy charm to this biopic about a pivotal moment in David Bowie's life. Shot 1970s-style, and emphasising how tricky it is for a flashy British artist to make it in the United States, the film is likeable and witty, with lively characters and terrific attention to detail. Filmmaker Gabriel Range gets too ambitious with story structure, but this is an involving movie that has a strong impact... FULL REVIEW > 

Thou Shalt Not Hate [Non Odiare]

dir Mauro Mancini; with Alessandro Gassmann, Sara Serraiocco 20/It ****

Skilfully shot and edited, this involving Italian drama takes a complex approach to the rise in right-wing hatred across the world, holding the focus tightly on a very personal story. Director-cowriter Mauro Mancini keeps the tensions simmering all the way through the film, creating suspense over whether this will erupt into a violent clash or a chance for redemption. And the complex emotions gurgling underneath make it darkly involving... FULL REVIEW > 

FOMO Fear of Missing Out

dir Attila Hartung; with Yorgosz Goletsas, Gergely Bouquet 19/Hun ***

Fast and snappy, this heavily pointed Hungarian drama is shot like an MTV show from around 1990, with quick-cut, hand-held scenes of pretty young people at raucous parties. It's also a vicious satire of lad culture that leads to a provocative, unsettling drama about assault. So while the film feels more than a little melodramatic, it's an important topic dealt with in a story that continually challenges accepted attitudes... FULL REVIEW > 

Drag Kids

dir-scr Megan Wennberg; with Stephan Hirst, Jason Kerr 19/Can ****

This observational documentary takes a look at pre-teens who love to perform in drag on-stage. Filmmaker Megan Wennberg follows four children from three countries as they travel to Montreal to perform together at Pride and compete at a ball. This gives the movie a terrific story structure, watching they plan, practice and develop a hilarious camaraderie. They also begin to understand the positive impact of drag culture on global society... FULL REVIEW > 

A W A R D S

• 
  Film of the Festival: NOT TO BE UNPLEASANT BUT WE NEED TO HAVE A SERIOUS TALK
• Spirit of the Festival: THE HAT
• Raindance Icons: Jude Law and Sally Hawkins
• International Feature: FORCE OF HABIT
• UK Feature: HE DREAMS OF GIANTS
• Documentary Feature: THE STATE OF TEXAS VS MELISSA
• Music Documentary: TOPOWA! NEVER GIVE UP
• Discovery Award: Antonio Lukich (MY THOUGHTS ARE SILENT)
• Performance: Johnny Flynn (STARDUST)
• Director: Milcho Manchevski (WILLOW)
• Screenplay: FORCE OF HABIT
• Cinematography: Tim Cragg (THE GREAT GREEN WALL)

NB. My anchor page for Raindance is HERE and all of the full reviews are linked there. And I'll add more over the coming months as I see them.

Raindance: Don't be shy

This hybrid edition of the Raindance Film Festival is coming into its final weekend, and I'm trying to catch up on things before it ends. This is the kind of festival that's always packed with undiscovered gems so, even as you discover great movies along the way, there's a nagging feeling that you've missed something amazing. I haven't seen any duds yet this year, so I'm doing well as I prowl through the programme. With only a couple of days left, I'll be selecting things carefully. Here are four more highlights, plus this week's non-festival roundup below...

Not to Be Unpleasant but We Need to Have a Serious Talk

dir Giorgos Georgopoulos; with Omiros Poulakis, Vangelis Mourikis 19/Gr ****

Laced with viciously black comedy, this Greek film is an inventive jolt to the system, telling a personal story with a touch of fantasy and a continual stream of offbeat imagery and jarring gags. It's a remarkably dark narrative, and the brittle humour adds to the complex emotional undercurrents. Filmmaker Giorgos Georgopoulos maintains this balance skilfully, pulling the audience into an unusual odyssey that repeatedly subverts expectations

Eastern

dir Piotr Adamski; with Maja Pankiewicz, Paulina Krzyzanska 19/Pol ***.

Deliberately provocative, this Polish thriller is set in a violent, inhumane corner of society that is governed by a set of bleak rules. It's impeccably shot and edited, with a powerful sense of dread from the beginning. Even if the minimalistic storytelling and enormous ensemble cast make it tricky to keep track of who's whom, the narrative grabs hold as it unfolds, taking some surprising turns along the way.

Nafi's Father
[Baamum Nafi]

dir-scr Mamadou Dia; with Alassane Sy, Saikou Lo 19/Sen ****

A sharply well-observed slice-of-life drama from rural Senegal, this film beautifully captures the impact of religion and local traditions on various generations. Filmmaker Mamadou Dia sets up a powerful clash between brothers that explores the corrupting influence of both faith and money at all levels of politics. While the pace is slow, the film is beautifully shot to capture fascinating details in the setting, the narrative and the characters.

Born to Be

dir Tania Cypriano; with Jess Ting, Mahogany Phillips 19/US ****

A straightforward observational documentary, this film follows a surgeon who has become an advocate for transgendered people. Dr Jess Ting is a remarkably compassionate man, brushing off criticism from others because he knows the impact he's having on people who are fighting to be themselves. Filmmaker Tania Cypriano's approach is refreshingly offhanded, allowing for natural wit even in the midst of some very serious discussions.

NB. My anchor page for Raindance is HERE and full reviews will appear in between these daily blog entries. They're on their way...

~~~~~~~ ~~ ~~~ ~~~~

C R I T I C A L   W E E K

BEST OUT THIS WEEK: 

Proxima • The Human Voice 

FULL REVIEWS > 

Away from Raindance, I caught up with the warmly engaging streetcat sequel A Christmas Gift From Bob, Eva Green in the terrific astronaut drama Proxima, Andrea Riseborough in the moody Egyptian drama Luxor, Jack Lowden in the freaky British horror Kindred (with added Fiona Shaw), and the artful, engaging Filipino drama 2 Cool 2 Be 4gotten.

In addition to wrapping up Raindance this weekend, other films to watch this next week include a new all-star version of A Christmas Carol, the Malin Akerman comedy Chick Fight, German romance No Hard Feelings, British drama Dirty God and the dance doc Bare.

Raindance: Don't give up

Watching Raindance Film Festival movies is a great tonic as both the US election takes place and London braces for a new month-long lockdown starting tomorrow. All of the films at Raindance are available for free online this year, so hopefully audiences are discovering lots of new movies that will be very difficult to see outside a festival setting. More highlights...

He Dreams of Giants

dir Keith Fulton, Louis Pepe; with Terry Gilliam, Adam Driver 19/UK ****

After documenting Terry Gilliam's ill-fated attempt to make The Man Who Killed Don Quixote in 2002's Lost in La Mancha, Keith Fulton and Louis Pepe are back to cover the film's ultimate production 17 years later. It's a story of artistic tenacity that echoes Cervantes' classic tale of a man on a mission. And it's an intriguing echo of Cervantes himself, who published his masterwork after two decades of struggle... FULL REVIEW > 

Antarctica

dir-scr Keith Bearden; with Chloe Levine, Clea Lewis 20/US **.

With a scattershot approach to teenage life, this loose comedy follows two teens through the school year, confronting big issues from body image to pregnancy. It all feels a bit random, struggling to build momentum without much sense of narrative drive. Filmmaker Keith Bearden takes a deliberately quirky approach, bringing out comedy in both fragile characters and even the most serious situations. And his sense of humour is lacerating.

The Woman With Leopard Shoes

dir-scr Alexis Bruchonl with Paul Bruchon, Pauline Morel 20/Fr ****

Shot in deeply shadowed black and white, this French thriller has a saucy tone that's both gripping and enjoyable. With a strong mystery at the centre, it provides proper intrigue and suspense. The film demonstrates how much can be accomplished with a tiny crew, as ambitious writer-director Alexis Bruchon and family seems to have done pretty everything on a reported budget of just €3,000. And it looks like a million... FULL REVIEW > 

True North

dir-scr Eiji Han Shimizu; voices Joel Sutton, Michael Sasaki 20/Jpn ****

This English-language animated film is certainly not meant for children, as it depicts the horrors of the North Korean prison system. Based on firsthand accounts, the story unfolds in a series of set-pieces that reveal hideous inhumanity. Often painful to watch, this is a terrific example of the kind of movie that can only be made with animation, revealing a truth that very few have lived to tell about... FULL REVIEW > 

NB. My anchor page for Raindance is HERE and full reviews will appear in between these daily blog entries. Much more to come...

Raindance: Express yourself

It's been an eventful weekend, with Halloween, a blue moon and the announcement that London is going back into lockdown for a month. At least we have the Raindance Film Festival to distract us, even if we're watching it on our own at home. Here are some highlights from this weekend...

Under My Skin

dir-scr David O'Donnell; with Liv Hewson, Chloe Freeman 20/Aus ****

With his feature debut, Australian filmmaker David O'Donnell uses some clever visual touches to reveal the inner life of the central character, whose various sides are played by four different actors. The film's sensitive tone is powerfully involving, and O'Donnell never takes a simple route through the material, quietly digging deeper into a provocative situation. And while it's a big topic, the story remains personal, never preachy.

Nuclear

dir Catherine Linstrum; with Emilia Jones, Sienna Guillory 19/UK ***

Dark and unnervingly intense from the opening shot, this slow-burn drama churns with emotion. Director-cowriter Catherine Linstrum ambitiously uses dreamlike elements and unusual settings to create intrigue while unpicking a dysfunctional family. Beautifully shot and performed, it's quiet and artful, although the narrative has a couple of grinding gear shifts along the way. Still, the underlying feelings have resonance that gets stronger as things gradually comes into focus.

Materna

dir David Gutnik; with Kate Lyn Sheil, Lindsay Burdge 20/US ***

This anthology tells four separate stories that converge at a pivotal event in the life of four women. It's packed with skilled depictions of the tension between independence and vulnerability, taking almost surreal routes beneath the surface. There are some clear connections between the strands, as the film explores the impact of demanding mothers on both children and society at large. These are strong stories that leave us thinking.

Madame

dir-scr Stephane Riethauser; with Caroline Della Beffa, Stephane Riethauser 19/Swi ****

Using an archive of home movies, Swiss filmmaker Stephane Reithauser takes the audience on a meaningful trip through his relationship with his larger-than-life grandmother. It's a bracingly original exploration of how gender roles force people into double lives, written as a nostalgic message to a woman who, through her unflinching honesty, encouraged him to be himself. The kaleidoscopic approach and lively characters make it both engaging and powerfully important.

NB. My anchor page for Raindance is HERE and full reviews will appear in between these daily blog entries. Much more to come...

Raindance: Get distracted

The 28th Raindance Film Festival kicked off last night with a very small gala screening of the David Bowie biopic Stardust, starring Johnny Flynn (it's not showing to the press until the end of the festival). This year's event will include some live screenings plus a lot of virtual ones. Like the recent London Film Fest, I'll be watching everything at home and writing regular updates here. Here are the first two, plus my usual report on the past week...

A Dim Valley

dir-scr Brandon Colvin; with Zach Weintraub, Whitmer Thomas 20/US 1h32 ***.

There's a loose stoner vibe to this wilderness-set comedy, a gently loping film that generates lots of smiles and a few solid laughs. While nothing much seems to be happening, the way the characters so aimlessly interact is often amusing, as they simply neglect to express what they want, either personally or professionally. It's deliberately quirky, like a joke that's funnier when you're inebriated. But it runs deep.

This Is Cristina [Ella Es Cristina]

dir-scr Gonzalo Maza; with Mariana Derderiaan, Paloma Salas 19/Chile 1h22 ****

With a series of seemingly random scenes shot in a striking monochrome, this clever Chilean comedy-drama traces the rollercoaster trajectory of a friendship between two women who seem unwilling to grow up and take responsibility for their lives. With his directing debut, gifted writer-producer Gonzalo Meza (A Fantastic Woman) cleverly weaves together a coming-of-age story that hinges on this connection. It feels crisp and light, but carries a strong kick.

NB. My anchor page for Raindance is HERE and full reviews will appear in between these daily blog entries. Much more to come...

~~~~~~~ ~~ ~~~ ~~~~

C R I T I C A L   W E E K

BEST OUT THIS WEEK: 

Song Without a Name 

Wolfwalkers • African Apocalypse

The Painter and the Thief

FULL REVIEWS >

I finally caught up with Sofia Coppola's On the Rocks this week, one of my favourite films of the year, a deceptively simple comedy with the perfect double act of Bill Murray and Rashida Jones. I was less excited to catch Ben Wheatley's remake of Rebecca with Armie Hammer, Lily James and Kristin Scott Thomas. It's beautifully made, but adds little to Hitchcock's iconic classic. The Secret Garden is a better remake, with a great cast and artful touches. And there were two guilty pleasures: Dylan O'Brian in the surprisingly fresh zombie romp Love and Monsters and Omari Hardwick in the horror freak-out Spell. This past week I also saw: Claes Bang in the intriguing The Burnt Orange Heresy; Jaeden Martell in the cleverly involving The True Adventures of Wolfboy; the artful British drama Philophobia; the action-packed Train to Busan sequel Peninsula; the absolutely stunning Peruvian drama Song Without a Name; the provocative Argentine drama Young Hunter; and the superbly observed doc Boys State.

Aside from Raindance films, This coming week I'll be watching the London street-cat sequel A Christmas Gift From Bob, Eva Green in Proxima, Andrea Riseborough in Luxor, the rom-com Call Me Brother, Jack Lowden in Kindred, Iranian refugee drama Love Child and the Filipino drama 2 Cool 2 Be 4 Gotten.

Critical Week: Change the system

I've been playing catch-up since the festival ended, trying to watch things I'd been putting off, which means that several of the screening links have expired (why do they so rarely tell us there's an expiry date?). Oh well, I don't have time to watch everything, especially with two more festivals incoming.

BEST OUT THIS WEEK: 
Summer of 85 • The Climb
David Byrne's American Utopia
The Secret Garden
PERHAPS AVOID:
Honest Thief
Max Winslow & House of Secrets 
FULL REVIEWS >

Two movies I watched this past week star Sacha Baron Cohen, who gives a serious Oscar-contending performance in The Trial of the Chicago 7, Aaron Sorkin's smart, all-star dramatisation of the events surrounding the 1968 Democratic Convention Riots. It's very dense but also riveting, and the film couldn't be much more timely. Baron Cohen's other movie is Borat Subsequent Moviefilm, in which he reprises his role as the bumbling Kazakh journalist. His schtick isn't as fresh this time, which is probably why it plays more like a scripted comedy. But he still manages to expose some shocking stuff.

Anne Hathaway goes for broke in The Witches, a new adaptation of Roald Dahl's classic novel. It's more gleeful than actually nasty, but still good fun. Malin Akerman stars in Friendsgiving, a chaotic holiday comedy that almost writes itself, but has some very nice touches. The Sundance hit The Climb is a terrific exploration of a long friendship between two rather dopey men, so it's very funny in between the emotional bits. The kids' fantasy Max Winslow and the House of Secrets has its moments but never quite finds anything fresh or new in the formula. David Attenborough: A Life on Our Planet is a beautiful, powerful documentary that's trying to be hopeful about how we can stop destroying the planet. But it feels pretty bleak. And The Italian Boys is a collection of five thoughtful, sharply well-made shorts about men and boys trying to make sense of their inner desires.

I've got more catching up to do next week, including Elizabeth Debicki in The Burnt Orange Heresy, Jaeden Martell in The True Adventures of Wolfboy, the British drama Philophobia, the Peruvian drama Song Without a Name, the Argentine drama Young Hunter and the doc Boys State, plus some titles for both FrightFest and Raindance.