A little further afield, there was the superb Irish thriller Black '47, set during the devastating 19th century potato famine and featuring terrific characters in a riveting story. David Tennant chomps on the scenery as a killer in Bad Samaritan, a nasty little thriller with very little in the way of subtext. We the Animals is a simply stunning coming-of-age drama, gorgeously shot and played on every level. And Memoirs of War is a wrenching, slow-burn WWII epic starring Melanie Thierry as author-filmmaker Marguerite Duras.
Still further off the beaten path, Redcon-1 is a crazed British zombie apocalypse adventure that makes very little sense on any level. From Norway, Revenge is a, well, revenge thriller that's insinuating and involving as its story twists and turns. The sensitive German drama Paths traces the dissolution of a long-term relationship in a quietly meaningful way. And the documentary Nureyev is perhaps a little too ambitious for its own good, with a lot going on with the imagery, sound and voiceovers, but a too-"official" narrative.
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