Thursday, 2 April 2020

Critical Week: Put me in coach

Another week of isolation, with a list of streaming releases so long that I can't possibly keep up with all of them. Frankly, it's tricky to even know what's coming out at any given time, as each streaming service does its own thing, while websites tend to do "editor's picks" rather than simply listing everything that's new. But the worst thing for me is missing the cinema itself: I've never gone this long without going to the movies, and I miss the communal experience of watching a film (or a play) along with an audience. Even a group of grumpy critics in a small basement screening room is better than sitting alone at home, where I'm limiting myself to two films per day just to maintain some sanity.

This week's biggest movie was The Way Back [UK title: Finding the Way Back], starring Ben Affleck as an alcoholic basketball coach seeking redemption. It's moody and gritty, predictable but also movingly well-played. Also worth a look are the Netflix movie Uncorked, a warm father-son drama set in Memphis starring Mamoudou Athie and Courtney B Vance, and Standing Up, Falling Down, an understated comedy about an offbeat friendship starring Ben Schwartz and Billy Crystal.

Further afield, The Other Lamb is an artfully made and finely acted freakout about a charismatic cult leader (Michiel Huisman) and a follower (Raffey Cassidy) who begins to question things. Butt Boy is a pitch-black comedy-thriller played with a completely straight face. Tape is a worthy and perhaps overambitious take on #MeToo. And from Ukraine, Just Sex, Nothing Personal is a cute-silly comedy that isn't as sexy as it thinks it is.

Coming up this next week, I'll be watching the animated sequel Trolls World Tour, Josh Duhamel in The Lost Husband, Ed Helms in Coffee & Kareem, the sci-fi romcom Same Boat, the generational drama Tigertail, the Western comedy Gold Dust and other gems from my list of forthcoming streaming titles...

No comments: