Critical Week: Stay sharp

I'm back in London after six days at the Edinburgh Fringe, where I watched and reviewed 15 shows. Back in London, film screenings are coming in thick and fast. I finally caught up with Hugh Jackman and Jodie Comer in the sharply well-made drama The Death of Robin Hood, which is very violent and rather relentlessly downbeat. By huge contrast, there's the nearly shelved Coyote vs Acme, starring Jon Cena and Will Forte opposite animated characters from Looney Tunes cartoons. It's a riot of energy, references and inventive imagery. And it's very, very funny.

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Andrew Scott and Brendan Fraser lead the charge in the D-Day drama Pressure, a riveting true story about men on a knife-edge decision. It's seriously well-written, directed and played. Zoey Deutch has the title role in the comedy pastiche Gail Daughtry and the Celebrity Sex Pass, but it's Jon Hamm and John Slattery spoofing themselves that makes this smart and very silly movie worth a look. Lea Seydoux stars in the Austrian drama Gentle Monster, as a woman whose life is upended by a police visit. It's powerful, complex and costars Catherine Deneuve. In addition, advanced screenings of films from next month's Venice Film Festival included the Bosnian drama Agata the Writer starring Mia Wasikowska. 

Coming up this next week, I'll be very busy watching Jacob Elordi in Ridley Scott's The Dog Stars, Olivia Wilde in I Want Your Sex, Maggie Grace in The Girl in the River, Cannes award-winner La Bola Negra, German satire Babystar, French crime drama Case 137 and Chabrol's restored 1969 classic La Femme Infidele. There will also be many more films from both FrightFest (which starts next Thursday in London) and the Venice Film Festival (I head to Italy the following week).

London Film Fest: Sleep with the fishes

And that's a wrap on my 22nd year covering the BFI London Film Festival. I haven't counted up the number of films I've seen this year, but it will still only be a fraction of the hundreds of movies that are programmed here. The closing night saw the international premiere of Martin Scorsese's new movie, and I actually walked right past Robert De Niro and Al Pacino at one point this afternoon, which was pretty cool. Then I saw all three of them, plus Harvey Keitel and Anna Paquin on the red carpet outside the Odeon this evening, mercifully under clear skies. I'm sure they're having a great party tonight. Here are my final few comments on movies, plus the festival award winners and my favourite films of the festival...

The Irishman 
dir Martin Scorsese; with Robert De Niro, Al Pacino 19/US *****
A thumping cinematic epic, this film deserves to be seen on the biggest screen available as it recounts a staggering true story that stretches over half a century. In addition to the expert writing, direction and acting, this is a pungent look at how American culture and politics have become so thoroughly enmeshed with criminality. This isn't shouted loudly, but it's impossible to miss as the story centres on a singular personal perspective.

The Lodge
dir Veronika Franz, Severin Fiala; with Riley Keough, Jaeden Martell 19/UK ***
There's a staggeringly bleak sensibility to this gothic horror movie. Without being particularly scary, it's a seriously unnerving freak-out simply because it gets under the skin. Austrian filmmakers Veronika Franz and Severin Fiala throw all kinds of nasty things at the screen that add both intrigue and unease. It's skilfully shot and edited, with a terrific sense of the settings and a steady stream of inventive visual and thematic touches.

On a Magical Night [Chambre 212]
dir-scr Christophe Honore; with Chiara Mastroianni, Vincent Lacoste 19/Fr ****
French filmmaker Christophe Honore playfully uses magic (complete with Barry Manilow) to explore the nature of a long-term relationship. The story unfolds like A Christmas Carol played out as a French farce, with a collision of past, present and future that offers a jolt of insight into the way we grow and change (or not) within a relationship. It's surprisingly engaging, anchored by a wonderfully deadpan performance from Chiara Mastroianni.

Happy Birthday [Fête de Famille]
dir-scr Cedric Kahn; with Catherine Deneuve, Emmanuelle Bercot 19/Fr ***
With a real-life mixture of comedy and drama, French filmmaker Cedric Kahn explores a variety of intriguing family dynamics. It's not an each film to connect with, because just as it pulls the audience in with some warm humour it veers off somewhere rather dark and disturbing. The superb actors keep up with these mood shifts, although they can be rather jarring for the audience, especially as characters take turns being the bad guy.

LFF Awards

• Best Film: MONOS
• Documentary: WHITE RIOT
• First Feature: Mati Diop (ATLANTICS)

Rich’s Best of the Fest

1. Portrait of a Lady on Fire
2. The Irishman
3. I Lost My Body
4. The Report
5. Monsoon
6. Marriage Story
7. By the Grace of God
8. Bacurau
9. Luce
10. Monos

ALSO: The Kingmaker, Moffie, Invisible Life, Tremors, Martin Eden, Ema, Earthquake Bird, A Beautiful Day in the Neighbourhood, And Then We Danced, The Painted Bird.


Links:
Shadows LONDON FILM FEST homepage (full reviews will be linked here) 
Official LONDON FILM FEST site