Critical Week: I'm kinda busy

It was a relatively slow week for film screenings - and a short one after the Easter Monday holiday. Although I did have a couple of stage productions to cover, which is always a nice switch-up from being in a cinema. As for the films, there were two thoroughly unimpressive American independent productions. The starriest was Unplugging, with Eva Longoria and Matt Walsh (plus Lea Thompson and Keith David in scene-stealing roles). It's a corny romcom that hinges on technology addiction. Equally undercooked was the existential comedy I, Challenger, starring James Duval as a stoner trying to improve his luck with an absurd stunt. Neither film is very good, but they kill the time amiably enough.

BEST OUT THIS WEEK:
Playground • Petite Maman
Unbearable Weight of Massive Talent
Hit the Road • The Northman
PERHAPS AVOID:
Unplugging • I, Challenger
ALL REVIEWS >

Much better, and far more challenging, is Gaspar Noe's inventive drama Vortex, which follows an elderly couple (Dario Argento and Francoise Lebrun) as they grapple with ageing, mortality and memory. And Kota Yoshida's unhinged Japanese triptych Sexual Drive is packed with warped humour and clever insight into the nature of attraction and desire. Finally, I had Upon Her Lips: Butterflies, a collection of five short films looking at female identity from intriguing angles.

Coming up this next week, we have the entire cast back on the big screen for Downton Abbey: A New Era, Michelle Yeoh in Everything Everywhere All at Once, the mystery thriller Escape the Field, the French-Moroccan drama Casablanca Beats, the Nick Cave/Warren Ellis documentary This Much I Know to Be True and a screening of the restored 1959 Robert Bresson classic Pickpocket.

Critical Week: To new friends

It's been another eclectic week in London screening rooms. We had the genre mash-up A Simple Favour, starring Anna Kendrick and Blake Lively in a story that includes suburban comedy, buddy drama and Hitchcockian mystery. Another odd mix, The Happytime Murders stars Melissa McCarthy and a cast of puppets as a serial killer is on the loose. It's misguided but has its moments. And Action Point is a Jackass-style comedy from Johnny Knoxville about a perilous theme park. The stunts are sometimes funny, but nothing else is.

Gaspar Noe was in town to unleash his new film Climax on British audiences at FrightFest last weekend. It's a brilliantly swirling dance-based descent into hellish confusion. And I had a chance to talk to Noe about it. Other FrightFest titles I caught: Upgrade is a futuristic thriller starring Logan Marshall-Green as a guy who has his body rebuilt by technology, which of course goes awry. The Man Who Killed Hitler and Then the Bigfoot is surprisingly nothing like its trashy title; it's an involving drama about an old man (Sam Elliott) coming to terms with the things he did as a young man (Aidan Turner). The Australian romp Boar, refreshingly uses puppets instead of digital effects to send a gigantic wild pig on a hyper-violent killing spree in the Outback. And The Cleaning Lady is eerie horror about a silent cleaner with a secret agenda.

Three more offbeat movies: From Germany, The Year I Lost My Mind is about a young man who begins stalking his own robbery victim in unsettling, underdeveloped ways. The documentary George Michael: Freedom was directed by the man himself just before he died, tracing his life with sensitivity and lots of amazing interviews and music. Shown on British TV last year, it's coming to cinemas as a director's cut. And Ruminations documents the life of Rumi Missabu, one of the original Cockettes. It's colourful and essential for fans of the late-60s gender-blurred performers.

Coming up this next week we have Jack Black and Cate Blanchett in The House With a Clock in its Walls, Annette Bening in The Seagull, Paul Dano's directing debut Wildlife, Jeremy Irons in An Actor Prepares, South African drama Five Fingers for Marseilles and the artist-activist doc I Hate New York.

LFF 1: Kick it off

The 59th BFI London Film Festival kicks off tonight with the red carpet European premiere of Sarah Gavron's Suffragette. Over the next 10 days, a busy programme of acclaimed films floods cinemas across the city, largely drawn from the premiere festivals Sundance, Berlin, Cannes, Toronto and Venice. So this is a great chance for Londoners to see many of this year's awards hopefuls before they arrive in cinemas, plus a lot of superb smaller independent and foreign titles that will sadly never get UK distribution. Here are some highlights from the first two days...

Suffragette
dir Sarah Gavron; with Carey Mulligan, Helena Bonham Carter 15/UK ****
With a smart script by Abi Morgan, this drama about the British suffrage movement is challenging and deeply moving, avoiding cliches to find present day relevance in a fight that took place a century ago. And it's elevated by a full-throated performance from Carey Mulligan that never hits a false note... MORE >

Beasts of No Nation
dir Cary Joji Fukunaga;
with Abraham Attah, Idris Elba
15/US ***.
Strikingly well shot and edited, with rumbling, raw performances from its cast, this dark thriller immerses its audience in the chaotic horror of civil war in Africa, where young boys are pressed to participate in atrocities. And filmmaker Fukunaga's remarkable attention to detail just about sustains the story when it loses focus in the final third... MORE >

Grandma
dir Paul Weitz; with Lily Tomlin, Julia Garner 15/US ****
A sharp script and another beautifully measured performance from Lily Tomlin seamlessly mix comedy and pointed drama to tell an engaging story that isn't afraid to ruffle a few feathers along the way. It may feel both constructed and slight, but between the lines there's plenty of gristle to chew on... MORE >

James White
dir Josh Mond; with Christopher Abbott, Cynthia Nixon 15/US ***.
This is an unusually focussed character study, both in terms of script and camerawork, offering a seriously complex role for likeable actor Abbott. It sometimes gets bogged down in its central melodrama, almost sidelining the eponymous character's journey, but it continually catches the audience with its resonant themes and emotions... MORE >

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C R I T I C A L    W E E K

Non-festival films screening to London critics this week included Ryan Reynolds in the entertaining but thin Mississippi Grind; Patrick Stewart in the moving but melodramatic Match; Gaspar Noe's controversial and rather brilliant Love; nutty British animation for adults in The Big Knights; and the engaging astronomer doc Star Men. Everything else was festival related, as is my intensely overcrowded screening schedule over the next 10 days. The only two non-LFF titles are Guillermo Del Toro's Crimson Peak and the circus acrobat doc Grazing the Sky.