Showing posts with label insidious. Show all posts
Showing posts with label insidious. Show all posts

Monday, 17 September 2018

House of Horror: Terror in Essex

Opening on 28th September in an abandoned building in the woods near Brentwood, Essex, House of Horror calls itself an immersive 4D experience. But that doesn't quite go far enough. This is a freak-out that puts you right in the middle of a series of bonkers scenarios lifted from horror movies in a deliberate attempt to scare the liver out of you.

They let the press in for a dress rehearsal a few weeks before launching to the public, and I have to say it was more fun than I expected. And not quite as scary as I hoped. But then, I'm a jaded film critic who finds it difficult to blur the line between fact and fiction. Elements of the event were disorienting, creepy and downright revolting, but I never felt in danger. That said, I never got to enter the final, dreaded Room 13. But the effort that went into creating the previous 12 rooms was impressive. 

Here's the scoop without any spoilers...

When you arrive, you're asked to sign a rather long waiver consenting to possible injury and death, then turn over everything you have in your pockets (the only thing you can carry into the house is the cloakroom ticket). There's street food and drinks while you wait your turn, then a shouting masked man verbally abuses you as he drags your group of 10 into the superbly dilapidated building.

Inside there's a brief orientation video after which a hood is placed over your head and you're led into the next room. A series of carefully staged experiences follow, as each room combines wit and nastiness to keep you as off-balance as possible. There are ghostly spirits, evil demons, mechanical mishaps and maniacal medical workers with knives and chainsaws. In one room, there's a challenge to complete that involves something truly disgusting. In another you're blinded by strobe lights and told to find a way out. There's also more pitch-black weirdness and some claustrophobic grisliness.

Finally you emerge, blinking into a large area where there's more food and drink, plus a chance to strike an appropriate pose in the photo booth (see below) and recover before signing another waiver and entering the ominous Room 13, if you dare. I wasn't able to go in there, sadly. But I had a lot of fun in the previous 12, and I didn't need to evoke the safe words. 

The actors are all excellent, with a few stand-out stars along the way. Some are funny and others are creepy, but each is hugely engaging, staring you down and involving you in improvised dialog that's often hilariously aggressive. This is a thoroughly physical experience, throwing you right into scenarios that are skilfully designed and constructed. Surprises lurk around each corner. Some rooms are astonishing in their attention to detail, others are a little more rough and ready. There are elements in each room that are seriously inventive, and there's no doubt that it will get better (and scarier) as the cast push the limits of each scenario.

House of Horror runs from 28th September to 31st October. For tickets and detailed information, visit: www.houseofhorror.co.uk

Note that the location is a challenge for anyone without a car, as it's too far to walk from Brentwood station. Also, the experience is not accessible for anyone with limited mobility. And it's advised to wear comfortable shoes and clothing you don't mind getting (ahem!) blood on.

Wednesday, 10 June 2015

Critical Week: The boys are back

Three distinct kinds of reboots were screened to UK critics this week. First, there's the movie version of the TV show Entourage, a snappy, energetic movie that perfectly captures the series' dopey macho attitude while depicting the inner workings of Hollywood in a hilariously realistic way. Nearly 15 years after the third movie it's clearly time to reboot that dinosaur franchise. So Jurassic World roars onto the big screen with major expectations it should have no trouble living up to, especially with a swashbuckling Chris Pratt in the lead role. It turns out that Insidious: Chapter 3 is a reboot as well, going back to the beginning to relaunch a franchise around the wonderful Lin Shaye's character Elise. It's also an auspicious directing debut for writer-actor Leigh Whannell.

The only original feature was Accidental Love, a deeply chaotic comedy directed by David O Russell in 2008 but reworked later and released under a pseudonym. Alas, Jake Gyllenhaal, Jessica Biel, Catherine Keener and James Marsden can't remove their names because their faces are recognisable on-screen. Being documentary season on the festival circuit, there were screenings of the lively and startlingly relevant Best of Enemies, which traces the epic 1968 TV debates between Gore Vidal and William F Buckley, and the fascinating but underworked Lord Montagu, which recounts the life of a British baron who has had a rollercoaster life.

This coming week, we have screenings of the Brian Wilson biopic Love & Mercy, Al Pacino in Manglehorn, the indie movie Those People and the short film compilation Boys on Film 13: Trick or Treat. There are also three more documentaries: The First Film, The Yes Men Are Revolting and the classic Man With a Movie Camera. And I'm really looking forward to attending this summer's Secret Cinema interactive event on Friday night, because it's themed around a screening of one of my very favourite films, The Empire Strikes Back. 


Tuesday, 20 August 2013

Critical Week: Tell no one

There are a handful of films screened to London critics this past week that we're not allowed to review yet. Insidious: Chapter 2 reunites Patrick Wilson, Rose Byrne and director James Wan for more ghostly/demonic horror. Riddick reunites Vin Diesel with director David Twohy for a third instalment in the series, 13 years after Pitch Black. And The Mortal Instruments: City of Bones brings a new young-adult franchise about vampires, werewolves and demons to the big screen. That last embargo ends today, and I also attended a press conference yesterday that was much more entertaining than the film, thanks to lively stars Lily Collins, Jamie Campbell Bower, Robert Sheehan and director Harald Zwart.

There was no embargo needed for the late-in-the-day screening of the entertaining but disappointing sequel Kick-Ass 2, which features original cast members Aaron Taylor-Johnson, Chloe Grace Moretz and Christopher Mintz-Plasse with a new writer-director. Luke Evans plays a shady unnamed guy in No One Lives, a high-energy horror film that gleefully entertains fans with a series of grisly deaths.

After all of that, it was nice to have a few grown-up films: Le Week-end is a marvellously written and played drama starring Jim Broadbent, Lindsay Duncan and Jeff Goldblum. Gloria is a strongly engaging Chilean drama about a middle-aged single woman trying to find love. Call Girl is a strikingly well-made Swedish drama about political corruption and a prostitution ring. And Clio Barnard's The Selfish Giant cleverly re-interprets Oscar Wilde's story as a gritty tale of hapless tearaway kids in Yorkshire. I also revisited Rene Clement's gorgeously restored 1960 thriller Plein Soleil and Gregg Araki's rather nutty teen sci-fi comedy-drama Nowhere. Both still feel eerily contemporary.

This coming week we have Richard Curtis' About Time, Jennifer Aniston in the comedy We're the Millers, Aubrey Plaza in The To Do List, the British internet thriller Uwantme2killhim?, the Cuban adventure Una Noche and a chance to revisit Terry Gilliam's fantastic Time Bandits, restored for a re-release.