Showing posts with label jim gaffigan. Show all posts
Showing posts with label jim gaffigan. Show all posts

Thursday, 23 July 2020

Critical Week: Road rage

It's been nearly five months since my normal everyday schedule ended abruptly, and I had a couple of firsts this week that make it feel like there may be light at the end of this long tunnel. I went to a restaurant with table service (outdoors on a gorgeous evening), and on only my third trip into Central London I had my first press screening in an actual screening room (with severe distancing measures). The movie on that big screen was Unhinged, a vicious thriller with Russell Crowe that arrives in cinemas next week.

BEST OUT THIS WEEK:
Most Wanted
Stage Mother • Myth
FULL REVIEWS >
Other movies this week were an above-average mix, including the ripping true story Most Wanted, a Canadian drug-case drama starring the excellent Antoine Olivier Pilon and Josh Hartnett; the wrenchingly personal drama Retaliation, about the fallout from child abuse starring a raw Orlando Bloom; the gritty immigrant drama American Fighter; the ambitiously offbeat hybrid of WWII action and a haunted house in Ghosts of War, starring Brenton Thwaites and Skyler Astin; the corny but topical childbirth comedy Babysplitters, starring Community's Dani Pudi; and the clever guerrilla filmmaking comedy-drama Myth.

My list of films to watch over the coming week includes the animated comedy Animal Crackers, Patrick Stewart in Life With Music, Bella Thorne in Infamous, the indie romance Around the Sun, the backstage TV comedy Casting, the horror movie The Vigil, the arthouse film Last and First Men and the intriguingly titled doc Pornstar Pandemic.


Thursday, 13 June 2019

Critical Week: I need a place to hide away

I landed back in London last weekend and dove back into the thick of it, having missed several press screenings while I was travelling over the past few weeks. One of this summer's higher profile films, Danny Boyle's rom-com Yesterday has a simple premise (what if everyone forgot about the Beatles except for one guy - played by Himesh Patel, above with James Corden) and plays out as a loving ode to the greatest pop music of all time. It's also funny and romantic. On the plane, I caught up with Sebastian Lelio's Gloria Bell, his own sparky English-language remake starring the fabulous Julianne Moore as a rather too-glamorous middle-aged woman grappling with life, love and independence.

Off the beaten track, Being Frank is a quirky comedy starring Jim Gaffigan as a man whose teen son discovers he has two families. Surprisingly, he remains likeable through it all. Deep Murder is a pastiche whodunit set within a porn movie. It's very funny, nasty and not remotely sexy. The British independent film Bait is an earthy drama about fisherman clashing with tourists, shot gorgeously on grainy 16mm black and white film. A Season in France is a dark and involving French drama about asylum seekers that maintains a hopeful tone even when things get rather hopeless. And Bulbul Can Sing is a strikingly naturalistic drama from India about three young teens trying to be themselves in a constrictive rural setting.

Coming up, I have a very late catch-up with Men in Black: International, which opens tomorrow. It'll be a busy week, as I'm also seeing Toy Story 4, Aubrey Plaza in the reboot Child's Play, the Aussie comedy Swinging Safari with Guy Pearce and Kylie Minogue, Joanna Hogg's acclaimed The Souvenir, dystopian British drama Division 19, the South African musical Kanarie, the refugee drama Amin, Asaf Kapadia's documentary Diego Maradona and the Pride-themed doc Are You Proud?