Showing posts with label maria bakalova. Show all posts
Showing posts with label maria bakalova. Show all posts

Saturday, 25 March 2023

BFI Flare: Take a shot

The 37th edition of BFI Flare holds its closing night film and party tonight, with tomorrow set aside for screenings of the best LGBTQIA+ films of both the festival and the past year. So I'll have a final report to wrap things up - including short films and my personal favourites. I had hoped to include a report on the festival's new Expanded programme of virtual reality projects, but it was only open for three days and was seriously overcrowded. So while I still have a few features and shorts to watch, here's another offbeat collection of highlights...

Golden Delicious
dir Jason Karman; with Cardi Wong, Chris Carson 22/Can ****
Warm and engaging, this Canadian comedy-drama uses strongly sympathetic characters to encourage the audience to explore big issues relating to family and societal expectations. Asian ethnicity and queer sexuality play a role in the various story threads, which remain resonant even when things get a bit melodramatic in the final act. Throughout the film, director Jason Karman maintains a wonderfully light touch, and the gifted, fresh-faced cast members are easy to root for.

Winter Boy [Le Lycéen]
dir-scr Christophe Honore; with Paul Kircher, Juliette Binoche 22/Fr ***
French filmmaker Christophe Honore tells another remarkably intimate story, once again weaving in autobiographical elements that add a powerfully detailed emotionality to the unfolding drama. While the film is overlong and occasionally feels meandering, it has real strength in the way it recounts events from a teen's specific perspective. This offers conflicting thoughts and feelings that force the audience to get involved. And the cast is wonderfully engaging.

Afeminadas [aka: Effeminate]
dir-scr Wesley Gondim; with Igor Willian, Khryz Amusa 22/Br ***.
Compiled from remarkably raw footage, this documentary visits five people around Brazil to explore the experiences of effeminate gay men. While all have their sexuality in common, what's most striking here is that each has such a distinct persona, expressing their thoughts and feelings both in unstructured interviews for the cameras and on-stage as performers on lively stages. The film is infused with life and colour, and it also completely strips away the artifice.

Fierce: A Porn Revolution [Ardente-x-s]
dir Patrick Muroni; with Melanie Boss, Olivia Schenker 22/Swi ***
While this documentary takes on an important topic and is beautifully shot, it never quite seems to get to the story the filmmakers are trying to tell. There's definitely a need for a female gaze in the porn industry, and the Oil collective in Switzerland has developed some clever ways to approach the issue. But the skilled camera crew follows them right off the topic, so the documentary leaves these lively, intelligent women looking like they're merely indulgent. But at least they're having a lot of fun.

BEST OF YEAR
Bodies Bodies Bodies
dir Halina Reijn; with Amandla Stenberg, Maria Bakalova 22/US ****
Gleefully mashing-up genres, this riotous black comedy takes the form of a slasher horror movie, and it's also packed with slapstick mayhem, interpersonal tension and social commentary. It's expertly assembled by the filmmakers and a seriously up-for-it cast to freak us out and make us laugh. But even more intriguing is that the movie pushes us to think about the nature of relationships for today's generation of young people... FULL REVIEW >

FROM THE ARCHIVE
Le Beau Mec [aka: Dude]
dir Wallace Potts; with Karl Forest, Frank Chazal, Philippe Renaud 79/Fr ****
Thought to be a lost film, this vintage French arthouse pornography has been digitally restored, complete with its English overdub narration. Directed by Wallace Potts, Rudolf Nureyev's last lover, it's a sharply well-made movie with eye-catching visual style and some remarkably dark themes. While it's very explicit, the film is also quirky and unexpected, with a range of sequences that catch the viewer by surprise. And it has an unusually personal perspective to even its sexiest moments.

Sunday, 12 June 2022

Sundance London: Take control

The 10th Sundance Film Festival: London comes to a close this evening at Picturehouse Central, after four days and 15 features, plus short films and various events. I attended one last screening today - of the surprise film (see below), at which the director gave an animated Q&A. And this is the one that turned out to be my best of the fest. I managed to catch all but one of the features; each is above average and worth seeing. Whether they'll all get proper releases is another question. Here's a final collection of comments...

Honk for Jesus. Save Your Soul.
dir-scr Adamma Ebo; with Regina Hall, Sterling K Brown 22/US ***.
Loosely based on a true story, this church-based drama has the aura of a Christopher Guest-style improv comedy, but its humour is on-the-nose rather than riotous. Which is partly because mega-churches are absurd enough without exaggeration. Writer-director Adamma Ebo takes a knowing approach that finds  amusing gags that are sometimes obvious or unnerving. And there's enough complexity in the story to take in both broad nuttiness and darker emotions.

S U R P R I S E   F I L M
Bodies Bodies Bodies
dir Halina Reijn; with Amandla Stenberg, Maria Bakalova 22/US ****
Gleefully mashing-up genres, this riotous black comedy takes the form of a slasher horror movie, but is packed with slapstick mayhem, interpersonal tension and social commentary. It's expertly assembled by the filmmakers and a seriously up-for-it cast to freak us out and make us laugh. But even more intriguing is that the movie pushes us to think about the nature of relationships for today's generation of young people. 

Resurrection
dir-scr Andrew Semans; with Rebecca Hall, Tim Roth 22/US ***
Aside from being grisly and creepy, there isn't much to this bonkers dramatic horror, which sends a woman on a nightmarishly symbolic journey into maternal guilt and paranoia. It's strikingly well-played by Rebecca Hall and an ace supporting cast, and writer-director Andrew Semans keeps the surreal nastiness churning from start to finish. But it's never quite as meaningful or provocative as he seems to think it is.

The Princess
dir-scr Ed Perkins; with Princess Diana, Prince Charles, 22/UK ****
Compiled entirely from news and paparazzi footage, this documentary traces the life of Princess Diana from the day photographers started chasing her until her coffin disappeared from their view. It's a remarkable film that reveals a narrative in how she appeared in the public eye, including clips of her interviews and commentators at the time. Filmmaker Ed Perkins assembles this without overt messaging, although the point is unnervingly clear.

Full reviews will be on the site soon. For more information, visit SUNDANCE LONDON >


Thursday, 31 December 2020

The Best of 2020: 40th Shadows Awards

To put it mildly, this has been an unusual year. So there has been a wider range of films eligible, as I've included titles released direct to streaming services. I saw all of these in the calendar year 2020, regardless of release dates. My top film of the year is a true original, a blur of drama and documentary that has a lot to stay about the state of the world at the moment. The performances, improvised dialog, camerawork and editing are simply gorgeous. Some of these categories were very difficult to whittle down to 10 - it was often painful cutting the list off there, especially for lead performances.

There is rather a lot more posted on the website, including longer lists and a dazzling array of additional categories and trivia to wrap up the year: 40th SHADOWS AWARDS. Here are the top 10s...

BEST FILM:
  1. Nomadland
     (Chloe Zhao)
  2. Mangrove (Steve McQueen)
  3. The Mauritanian (Kevin Macdonald)
  4. System Crasher (Nora Fingscheidt)
  5. Notturno (Gianfranco Rosi)
  6. The Half of It (Alice Wu)
  7. Da 5 Bloods (Spike Lee)
  8. Soul (Pete Docter)
  9. The Perfect Candidate (Haifaa Al Mansour)
  10. On the Rocks (Sofia Coppola)

DIRECTOR:
  1. Steve McQueen
     - Small Axe
  2. Kevin Macdonald - The Mauritanian
  3. Chloe Zhao - Nomadland
  4. Spike Lee - Da 5 Bloods, David Byrne's American Utopia
  5. Nora Fingscheidt - System Crasher
  6. Florian Zeller - The Father
  7. Christopher Nolan - Tenet
  8. Haifaa Al Mansour - The Perfect Candidate
  9. Sally Potter - The Roads Not Taken
  10. Melina Leon - Song Without a Name

SCREENWRITER:
  1. MB Traven, Rory Haines, Sohrab Noshirvani
     - The Mauritanian
  2. Pete Docter, Mike Jones, Kemp Powers - Soul
  3. Christopher Hampton, Florian Zeller - The Father
  4. Alice Wu - The Half of It
  5. Haifaa Al-Mansour, Brad Niemann - The Perfect Candidate
  6. Chloe Zhao - Nomadland
  7. Alastair Siddons, Steve McQueen - Mangrove
  8. Jayro Bustamante, Lisandro Sanchez - La Llorona
  9. Eliza Hittman - Never Rarely Sometimes Always
  10. James Montague, Craig W Sanger - The Vast of Night

ACTRESS:
  1. Julia Garner
     - The Assistant
  2. Helena Zengel - System Crasher, News of the World
  3. Jodie Foster - The Mauritanian
  4. Elisabeth Moss - The Invisible Man, Shirley
  5. Letitia Wright - Mangrove
  6. Frances McDormand - Nomadland
  7. Joanna Scanlan - After Love
  8. Jessie Buckley - Misbehaviour, I'm Thinking of Ending Things
  9. Carey Mulligan - Promising Young Woman, The Dig
  10. Aubrey Plaza - Black Bear, Happiest Season

ACTOR:
  1. Tahar Rahim
     - The Mauritanian
  2. John Boyega - Red, White and Blue
  3. Cosmo Jarvis - Calm With Horses
  4. Anthony Hopkins - The Father
  5. Chadwick Boseman - Ma Rainey's Black Bottom, Da 5 Bloods
  6. Riz Ahmed - Mogul Mowgli, Sound of Metal
  7. Lee Byung-hun - The Man Standing Next
  8. Sacha Baron Cohen - The Trial of the Chicago 7, Borat Subsequent Moviefilm
  9. Christopher Abbott - Possessor, Black Bear, The World to Come
  10. Robert Pattinson - Tenet, The Devil All the Time, Waiting for the Barbarians

SUPPORTING ACTRESS:
  1. Maria Bakalova
     - Borat Subsequent Moviefilm
  2. Olivia Colman - The Father
  3. Amanda Seyfried - Mank
  4. Cherry Jones - A Rainy Day in New York
  5. Dhay - The Perfect Candidate
  6. Lesley Manville - Misbehaviour, Let Him Go
  7. Talia Ryder - Never Rarely Sometimes Always
  8. Orla Brady - Rose Plays Julie
  9. Shailene Woodley - The Mauritanian, Endings Beginnings
  10. Laura Linney - The Roads Not Taken, Falling

SUPPORTING ACTOR:
  1. Barry Keoghan
     - Calm With Horses
  2. Lance Henriksen - Falling
  3. Leslie Odom Jr - Hamilton, One Night in Miami
  4. Jonathan Majors - Da 5 Bloods, Jungleland
  5. Benedict Cumberbatch - The Mauritanian
  6. Nicholas Hoult - True History of the Kelly Gang, Rebel in the Rye
  7. Steve Toussaint - Red, White and Blue
  8. Sverrir Gudnason - Falling
  9. Harris Dickinson - County Lines
  10. Alfredo Castro - The Prince

WORST FILM:
  1. Fantasy Island
     (Jeff Wadlow)
  2. Jexi (Jon Lucas, Scott Moore)
  3. Hillbilly Elegy (Ron Howard)
  4. Buddy Games (Josh Duhamel)
  5. Love, Weddings & Other Disasters (Dennis Dugan)
  6. Fatal Affair (Peter Sullivan)
  7. The Last Days of American Crime (Olivier Megaton)
  8. Come Away (Brenda Chapman)
  9. The Ringmaster (Soren Juul Petersen)
  10. Ava (Tate Taylor)

N O N - F I L M   D I V I S I O N

TV SERIES:
  1. Schitt's Creek
     (CBC)
  2. The Good Place (Netflix)
  3. Ted Lasso (Apple)
  4. The Mandalorian (Disney)
  5. We Are Who We Are (HBO)
  6. Dave (FX)
  7. Staged (BBC)
  8. Normal People (BBC)
  9. I May Destroy You (BBC)
  10. Shameless (Showtime)

SINGLES:
  1. No Time to Die
     - Billie Eilish
  2. Hurt - Arlo Parks
  3. Head & Heart - Joel Corry & MNEK
  4. Coffee for Your Head - Powfu & Beabadoobee
  5. Cuz I Love You - Lizzo
  6. Watch Your Step - Disclosure & Kelis
  7. Diamonds - Sam Smith
  8. This Is the Place - Tom Grennan
  9. Far Away - Jessie Reyez
  10. Rainfall - Stormzy & Tiana Major9