Showing posts with label moffie. Show all posts
Showing posts with label moffie. Show all posts

Wednesday, 25 March 2020

BFI Flare: Watching horizons


Here in lockdown, the 34th edition of BFI Flare continues to unfold virtually on the BFI Player (which has a free trial period). There are several films online, plus new titles added regularly along with filmmaker Q&As. Meanwhile, everyone in Britain is confined to their homes at the moment, only able to go out once a day for exercise and essential shopping. It feels more than a little like the apocalypse, but hopefully these drastic measures will help us calm the impact on the health system and return to some sort of normality soonish. Here are five more features from the festival's programme worth looking for, plus this year's Five Films for Freedom, a special selection of LGBTIQ+ shorts that are globally available online...

Monsoon
dir-scr Hong Khaou; with Henry Golding, Parker Sawyers 19/UK ****. 
Director Hong Khaou continues on from the delicate beauty of Lilting with this gentle, finely crafted exploration of personal history and identity. Set in Vietnam, it also centres around a death, but this time as a window into the past as the central character quietly allows his lost connection with his roots to wash over him and change him. It's a stunner of a film packed with moving moments... FULL REVIEW >

Moffie
dir Oliver Hermanus; with Kai Luke Brummer, Ryan de Villiers 19/SA ****
Strikingly well-made, and carrying a devastating emotional kick, this South African drama tells a deeply personal story that has much wider implications. Writer-director Oliver Hermanus creates gorgeous-looking films, and this one is augmented by beautiful cinematography and clever editing. It gets deep under the skin of a nation still grappling with its past, and offers a remarkably resonant look at issues of racism and homophobia... FULL REVIEW >

Don't Look Down [Haut Perchés]
dir-scr Olivier Ducastel, Jacques Martineau; with Manika Auxire, Geoffrey Couet 19/Fr ***
Like a stage play, this film puts five characters in an apartment and watches them over the course of a single night as they talk to each other. French filmmakers Olivier Ducastel and Jacques Martineau use deep colourful lighting to give the film a lush look and feel, and each of the cast members has a vivid sense of physicality. This is a seductive, mysterious little film that pulls the audience... FULL REVIEW >

For They Know Not What They Do
dir Daniel Karslake; with Sarah McBride, Elliot Porcher 19/US ****
In the wake of the Supreme Court decision recognising marriage equality, mainstream evangelicals worked with the Republican Party to initiate more than 200 discriminatory laws, stoking fear and emboldening bigotry. This open-hearted documentary follows a series of specific experiences as parents struggled to deal with children who didn't fit in with their religious leaders' teachings. And this beautifully assembled film makes their pain and hope feel universal... FULL REVIEW >

Portrait of a Lady on Fire [Portrait de la Jeune Fille en Feu]
dir-scr Celine Sciamma; with Noemie Merlant, Adele Haenel 19/Fr *****
With a staggeringly astute screenplay and sharply observant direction, French filmmaker Celine Sciamma breathes inventive life into this period drama. She fills scenes to the brim with subtext, and not only mines her richly layered story for resonant themes but also creates complex characters the audience can fall in love with. So the film's otherworldly beauty becomes a provocative depiction of both art and romance... FULL REVIEW >

Five Films for Freedom
The British Council and BFI Flare present a selection of shorts each year during the festival, inviting viewers from around the world to watch and share the films in solidarity with LGBTIQ+ communities in countries where freedom and equal rights are limited, under the tagline "Love is a human right". Over the past five years, almost 14 million people have watched these films in more than 200 nations. This year's strong selection includes dramas and docs from four countries... FIVE REVIEWS >
After That Party: dir Caio Scot 19/Br ****.
134: dir-scr Sarah Jane Drummey 19/Ire *****
Pxssy Palace: dir Laura Kirwan-Ashman 19/UK ****
Something in the Closet: dir Nosa Eke 19/UK ****
When Pride Comes to Town: dir Julia Dahr, Julie Lunde Lillesaeter 18/Nor ****.

Watch #FiveFilmsForFreedom

Wednesday, 9 October 2019

London Film Fest: Strike a pose

Definitely feeling like a zombie today, needing more sleep and more time to write! But there are only four more days, so I'll try to hold on. The 63rd BFI London Film Festival is such a mind-boggling collection of films that it's impossible to see even half of them. In the queues today, we were chatting about the movies we are missing, even though we're desperate to catch them. But the scheduling makes it impossible (not enough press screenings, overlapping showtimes, etc). It's also fun to compare best and worst films we've seen so far. The bad ones are pretty common between us all, but everyone has a different favourite. My favourite so far is the first film listed here. And down at the bottom is this week's Critical Week...

Portrait of a Lady on Fire [Portrait de la Jeune Fille en Feu]
dir-scr Celine Sciamma; with Noemie Merlant, Adele Haenel 19/Fr *****
With a staggeringly astute screenplay and sharply observant direction, French filmmaker Celine Sciamma breathes inventive life into this period drama. She fills scenes to the brim with subtext, and not only mines her richly layered story for resonant themes but also creates complex characters the audience can fall in love with. So the film's otherworldly beauty becomes a provocative depiction of both art and romance.... FULL REVIEW >

Knives Out
dir-scr Rian Johnson; with Daniel Craig, Ana de Armas 19/US ****
A bit of silly good fun, this play on the whodunit genre has a fiendishly constructed script packed with clever twists and turns, plus an superb ensemble of nutty characters. Some elements are a bit too broad for their own good, but writer-director Rian Johnson makes a film that's consistently amusing as it keeps the audience on its toes and piles on one surprise after another. It also gently brushes on some topical themes just to keep it relevant... FULL REVIEW >

Greed
dir-scr Michael Winterbottom; with Steve Coogan, Isla Fisher19/UK ***
Steve Coogan and Michael Winterbottom team up for another comedy, although this one is a bit more deliberately pointed then their usual collaborations. Yes, there are still moments of inspired silliness dotted throughout the ambitiously fragmented narrative, and it's expertly played by a strong ensemble cast. Many actors bring their considerable improvisational skills to the screen, although with so many big issues as satirical targets, the film feels heavy handed.

Moffie
dir Oliver Hermanus; with Kai Luke Brummer, Ryan de Villiers 19/SA ****
Strikingly well-made, and carrying a devastating emotional kick, this South African drama tells a deeply personal story that has much wider implications. Writer-director Oliver Hermanus creates gorgeous-looking films, and this one is augmented by beautiful cinematography and clever editing. It gets deep under the skin of a nation still grappling with its past, and offers a remarkably resonant look at issues of racism and homophobia.

Links:
Shadows LONDON FILM FEST homepage (full reviews will be linked here) 
Official LONDON FILM FEST site 

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C R I T I C A L   W E E K

I haven't seen any regular press screenings this past week - only 22 London Film Festival movies! This coming week, after the festival ends, it'll be time for Angelina Jolie back in horns for Maleficent: Mistress of Evil, Ken Loach's Sorry to Bother You, the political thriller Sons of Denmark and the doc Mystify: Michael Hutchence,