Critical Week: Off the grid

London critics had a chance to catch up this week with the pointed drama Captain Fantastic, starring Viggo Mortensen as a father raising his six kids out in the forest with a very well-rounded education. It's packed with great ideas, and has terrific performances from Mortensen and George MacKay as his eldest son.

Also this week, Matt Damon was back as Jason Bourne, reuniting with Paul Greengrass for another ripping espionage thriller. Chris Pine, Jeff Bridges and Ben Foster all get great roles in the present-day Western Hell or High Water, a riveting exploration of the modern world with plenty of added suspense. There was also a new movie version of the children's' classic novel Swallows and Amazons, with the excellent Kelly Macdonald, Rafe Spall and Andrew Scott in the cast, but little in the way of tension. And the TV series Looking concluded with a movie that continued creator Andrew Haigh's refusal to play into stereotypes in his exploration of the intertwined lives of three gay men in San Francisco, beautifully played by Jonathan Groff, Murray Bartlett and Frankie Alvarez.

I have no screenings in the diary for the coming week, because I am heading out of London on holiday. It will be my first time out of England since last November - a well earned break, I think! So I intend to see no movies, although I may preload a couple on my phone for the flights, such as Brian Cox in The Carer and the gritty teen romance Black. But I need a screen break...

LFF 1: Aye aye, captain!

The 57th London Film Festival kicked off last night with the Leicester Square premiere of Captain Phillips, and star Tom Hanks braved the suddenly chilly evening with his wife Rita Wilson as well as director Paul Greengrass and a range of celebrities, from Tom Ford to Terry Gilliam. Tonight it was Sandra Bullock and Alfonso Cuaron's turn to present Gravity. Here are some highlights from the first day...

Captain Phillips
dir Paul Greengrass; with Tom Hanks, Barkhi Abdi 13/US *****
Coming straight from the headlines and adapted with a documentary-style attention to detail, this fiercely well-crafted thriller would be impossible to believe if it weren't true. And even though we know the end of the story, this film generates so much nerve-shredding suspense that we feel like we need to be debriefed afterwards... FULL REVIEW >

Gravity
dir Alfonso Cuaron; with Sandra Bullock, George Clooney 13/US ****
Cuaron takes us on a 91-minute thrill ride deploying cutting-edge cinema technology and a harrowing performance from Sandra Bullock to root us in our seats. So even if the plot is rather contrived, the film looks so amazing that we barely breathe as we're hurled here and there just on the cusp of Earth's atmosphere... [full review coming soon]

As I Lay Dying
dir James Franco; with James Franco, Tim Blake Nelson 13/US ***
For his first narrative feature as a director, Franco ambitiously adapts William Faulkner's notoriously grim novel. And what a surprise: the film is relentlessly downbeat, and pretty dull too. Franco may prove that he has a fresh visual eye, but the highly emotive story is oddly uninvolving... FULL REVIEW >

Jeune & Jolie
dir Francois Ozon; with Marine Vacth, Geraldine Pailhas 13/Fr ****
Ozon explores a transgressive side of sexuality in this internalised drama about a teen prostitute. But this isn't the usual trip to the seedy low-life: these are well-off people who seem balanced and intelligent. And it's tricky for us to admit that this is just as realistic as the grimier depictions we see in preachier films... FULL REVIEW >

The Congress
dir Ari Folman; with Robin Wright, Harvey Keitel 13/Isr ***.
A film of two halves, this brain-bending drama/thriller is either a provocative exploration of identity in an increasingly digital age or an indulgent visual kaleidoscope that only the filmmaker can understand. Either way, it's bracingly original and often thrilling to watch... FULL REVIEW >

Critical Week: Summer's last hurrah

London had a flurry of hot summery sunshine last week before the much cooler weekend arrived with rainstorms and more typically chilly autumnal weather. All hope isn't gone for a bit more warmth, but the effect is likely to be pretty dramatic at the box office! Meanwhile, I caught up with the summery Adore, a beach-town drama from Australia starring Naomi Watts and Robin Wright as lifelong friends who fall for each others' sons (Xavier Samuel and James Frecheville). It's a strikingly grown-up, startlingly involving movie by French filmmaker Anne Fontaine.

Not only did it open in the US last week, but it features in the line-up for the forthcoming 57th London Film Festival, which was announced last week at a gala launch event attended by Paul Greengrass, director of the opening night film Captain Phillips. The LFF is a festival of festival, with no significant world premieres but lots of amazing movies from other festivals. It runs 9-20 October, but press screenings begin on 23 September.

Other films viewed by UK press last week include: 42, a hugely involving biopic about groundbreaking baseball icon Jackie Robinson; R.I.P.D., a derivative and unfunny ghostly action-comedy starring Ryan Reynolds and Jeff Bridges; Like Father Like Son, a masterful Japanese drama about parenthood from the gifted Hirokazu Kore-eda;  Cal, a darkly dramatic sequel to the Bristol gang-drama Shank; The Broken Circle Breakdown, a gorgeously made and bleakly emotional Belgian drama infused with bluegrass music; and Fire in the Blood, an urgently important documentary about the injustices of Big Pharma when dealing with the global impact of Aids. I also caught up with two stunning restorations: the trippy 1969 ancient Rome odyssey Fellini-Satyricon and the magisterial 1924 expedition doc The Epic of Everest - watching each of these was like having a mystical experience. Very different ones, I should add.

This coming week, we have screenings of: Naomi Watts in the already notorious Diana biopic, Anna Kendrick in the comedy Drinking Buddies, the Danny Trejo in the B-movie sequel Machete Kills, Brie Larson in the acclaimed drama Short Term 12, the Glasgow rom-com Not Another Happy Ending, the British thriller Harrigan, the thriller The Conspiracy, and a restoration of Herzog/Kinski's gonzo classic Nosferatu.